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Raoul UbacRaoul Ubac, Untitled, from XXe Siecle, 19581958
1958
$796
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£619.74
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€704.82
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CA$1,145.25
CA$1,431.5720% Off
A$1,258.01
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CHF 657.44
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About the Item
This exquisite lithograph by Raoul Ubac (1910–1985), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXe Annee, N°10 (double) Mars 1958, originates from the 1958 edition published by Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1958. A striking example of Ubacs postwar experimentation, the work reflects his mastery of abstraction, surface, and texture, capturing the poetic tension between spontaneity and structure that defines his mature style.
Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the most esteemed ateliers of the 20th century.
Artwork Details:
Artist: Raoul Ubac (1910–1985)
Title: Sans titre (Untitled)
Medium: Lithograph on velin paper
Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1958
Publisher: Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album XXe Siecle, Nouvelle serie, XXe Annee, N°10 (double) Mars 1958, published by Societe Internationale dArt XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1958
About the Publication:
Gualtieri di San Lazzaros XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should exist in harmonious dialogue. Under his direction, the journal became an essential bridge between European modernism and international artistic movements, publishing special issues devoted to leading masters such as Picasso, Matisse, Chagall, Braque, Miro, Leger, Kandinsky, and Calder. Each issue included original lithographs, pochoirs, linocuts, or wood engravings produced by premier ateliers such as Mourlot, Lacouriere, and Atelier Jacomet, making XXe Siecle not only a scholarly record but also a collectible art object in its own right. The 1958 double issue, Nouvelle serie N°10, stands among the journals important mid century publications, reflecting the dynamic exchange between postwar abstraction and the broader heritage of modernism. Today, XXe Siecle remains a landmark in the history of art publishing, prized by museums, collectors, and scholars.
About the Artist:
Raoul Ubac (1910–1985) was a Belgian born French painter, sculptor, photographer, and engraver whose innovative experimentation with texture, surface, and form made him a key figure in postwar European modernism. Initially associated with the Surrealist movement in Paris during the 1930s, Ubac explored photography and engraving before developing a distinctive painterly style marked by tactile reliefs, dynamic abstraction, and a deep sensitivity to material. His compositions often evoke natural and mythological themes, blending spontaneity with rigorous structure. In both his technical innovation and poetic vision, Ubacs work reflects the legacy of the great modern masters Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray artists who, like him, sought to expand the expressive possibilities of form and matter. Over his long career, Ubac exhibited widely and collaborated with major galleries such as Galerie Maeght, earning a place in prestigious museum collections including the Centre Pompidou, the Musee dArt Moderne de Paris, and the Tate. The highest price ever paid for a Raoul Ubac artwork at auction is approximately 190,000 USD, achieved in 2014 at Sothebys Paris for La Bete du Gevaudan (1959).
Raoul Ubac, Ubac lithograph, XXe Siecle 1958.
- Creator:Raoul Ubac (1910 - 1985, Belgian)
- Creation Year:1958
- Dimensions:Height: 12.4 in (31.5 cm)Width: 9.65 in (24.52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216502142
Raoul Ubac
Born in 1910, Raoul Ubac is an artist from the New Ecole in Paris. Raoul Ubac spent his early childhood in Germany (Prussia) between Cologne and Frankfurt.He returned to Paris in 1930 and enrolled in the Sorbonne.Then he met André Breton and frequented the surrealists and artists of Montparnasse.He undertook numerous trips across Europe and photographed the island of Hvar (now Croatia) of found stone assemblies. Then, on the advice of Otto Freundlich, German painter and sculptor, he enrolled in the School of Applied Arts where he worked in drawing and photography.First of all, he is most interested in photography and is experimenting with processes of burning, solarization and petrification. He participated in the activities of the surrealists and exhibited under the pseudonym of Raoul Michelet at the Exposition Internationale du Surreéalisme in 1935, the first surrealist exhibition taking place in Belgium. From 1936 he learned engraving in the studio of artist Stanley William Hayter and began to make photomontages.In 1970 he founded the magazine «L'invention collective» with René Magritte and then collaborated in the magazine «Messages» where he met Raymond Queneau and Paul Eluard. After the war, he gradually moved away from surrealism and abandoned photography. Raoul Ubac then embarks on drawing with a pen to create to launch himself in drawing with a feather and then engraving on slate to make gouaches, and ends up approaching the painting with an egg.He paints on panels covered with amalgamated resins which constitute a synthesis of his work and his research, dealing with the themes of bodies and furrows, subjects of predilection until his death. In 1968 a retrospective of his work was presented in Brussels and at the Musée d'art moderne in Paris. Raoul Ubac received the Grand Prix national des arts in 1973. He was responsible for several sets of stained glass windows as well as reliefs, high reliefs, wall decorations and models of tapestries for public and private buildings. He has also illustrated with his drawings, engravings and lithographs some thirty books and is the author of the cover of the journal «Argile» published by Maeght from 1973 to 1981. Ubac’s works are part of many collections of museums in France and Europe. In 1980, the French Post Office issued a stamp reproducing one of its creations. Raoul Ubac died on March 24, 1985.
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