Ochre
View Similar Items
Richard DiebenkornOchre1983
1983
About the Item
- Creator:Richard Diebenkorn (1922-1993, American)
- Creation Year:1983
- Dimensions:Height: 27.38 in (69.55 cm)Width: 38.13 in (96.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU118525967902
Richard Diebenkorn
Known for his gestural yet geometric depictions of American landscapes, Richard Diebenkorn blended Abstract Expressionism and figurative painting like no other artist before him.
Born in Portland, Oregon, but raised in San Francisco, California, Diebenkorn studied art history at Stanford University before enlisting in the Marines. Afterward, on the G.I. Bill, he enrolled at California School of Fine Arts (now San Francisco Art Institute) in 1946, where he became an instructor a year later. In 1950, he pursued a master’s degree at the University of New Mexico.
He lived and worked for a period during the postwar years in New York City, where he met Mark Rothko and immersed himself in Robert Motherwell’s art. However, the perspective that Diebenkorn brought to his paintings and prints was firmly rooted in the West Coast. His canvases, even when he worked in an abstract style, evoked California’s sandy coastlines and varied topography — one of the attributes that set him apart from contemporaries such as Willem de Kooning and Philip Guston.
Diebenkorn is acclaimed for his representational paintings; he was a founding member of the Bay Area Figurative movement, along with David Park and Elmer Bischoff. But he is best known for his lyrical abstract work. He explored abstraction during the 1950s before switching to figuration — creating still lifes and working with live models — and then returned to abstraction, developing a distinctive style that was entirely his own.
When Diebenkorn moved to Southern California, he began to teach at UCLA and commenced work on what would become his enduring “Ocean Park” series, named for the Santa Monica suburb he called home as of 1966 and inspired by the view from his studio — in particular, the light on the landscape outside the windows as framed by the windows themselves. The influence of Henri Matisse loomed large too. Diebenkorn had been an admirer of Matisse’s work since his days in the military, and in 1964, a trip to see the French painter’s work at the State Hermitage Museum in Leningrad proved monumental for him.
The “Ocean Park” series, created over the span of two decades, comprised more than 140 large paintings with gentle, shimmering compositions of color arranged in geometric harmony, with the texture of Diebenkorn’s constant reworking of the paint coming through.
“All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression,” Diebenkorn once said. Today, his work can be found in the collections of the Whitney Museum of American Art, the Phillips Collection, the Los Angeles County Museum of Art and more.
Find authentic Richard Diebenkorn art on 1stDibs.
- Weeping CrabappleBy Helen FrankenthalerLocated in New York, NY2009 Thirty-one color ukiyo-e woodcut 25 1/4 x 37 1/4 in. (64.1 x 94.6 cm) Edition of 50 Signed, dated and numbered in pencil Unframed, pristine conditionCategory
Early 2000s Abstract Expressionist Abstract Prints
MaterialsWoodcut
Price Upon Request - Weeping CrabappleBy Helen FrankenthalerLocated in New York, NY2009 Thirty-one color ukiyo-e woodcut Sheet: 25 1/4 x 37 1/4 in. (64.1 x 94.6 cm) Edition of 50 Signed, dated and numbered in pencilCategory
Early 2000s Abstract Expressionist Abstract Prints
MaterialsWoodcut
Price Upon Request - Snow PinesBy Helen FrankenthalerLocated in New York, NY2004 Thirty-four color Ukiyo-e woodcut printed from 16 woodblocks on Torinoko paper and mounted onto Fabriano Classico paper Image/sheet: 37 1/2 x 26 inches Edition of 65 Signed and ...Category
Early 2000s Abstract Expressionist Abstract Prints
MaterialsPaper, Woodcut
Price Upon Request - Mediterranean LightBy Robert MotherwellLocated in New York, NY1991 Lithograph in colors, on white TGL handmade paper Sheet: 32 2/5 x 76 inches Edition of 40 Signed and numbered in pencil FramedCategory
1990s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Mediterranean LightBy Robert MotherwellLocated in New York, NY1991 Lithograph in colors, on white TGL handmade paper Sheet: 32 2/5 x 76 inches Edition of 40 Signed and numbered in pencil Framed, mint conditionCategory
1990s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Red GroundBy Adolph GottliebLocated in New York, NYScreenprint in colors, on wove paper Sheet: 30 3/8 x 22 1/2 in. (77.2 x 57.2 cm) Edition of 75 Signed in pencil, dated and inscribed 'Artist Proof' on lower marginCategory
1960s Abstract Expressionist Abstract Prints
MaterialsScreen
Price Upon Request
- Large Abstract Woodblock Print American Woman ModernistBy Katherine PorterLocated in Surfside, FLKatherine Porter is an American artist born in Cedar Rapids, Iowa in 1941. She received her BA from Colorado College in 1963. Katherine Porter received an honorary doctorate from Colby College. She has shown twice in the Whitney Biennial and solo exhibitions at the Knoedler Gallery in London, the Nina Nielsen Gallery in Boston, and the Andre Emmerich and Salander-O'Reilly Galleries in New York. Her work is in the collections of the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Museum of Fine Arts in Boston, and the Tel Aviv Museum in Jerusalem. Her exhibitions include biennials in 1976 and 1981 at the Whitney Museum of American Art in New York City; 1980 at the San Francisco Museum of Fine Arts; 1981, Dartmouth College...Category
20th Century Abstract Expressionist Abstract Prints
MaterialsWoodcut
- Abstract Expressionist Watercolor Painting Woodblock Political Poster Mel KingBy Katherine PorterLocated in Surfside, FLThis is original watercolor over a limited edition woodcut political poster. hand signed, dated and numbered. it bears similarity to works by Alexander Calder. Employing a star and abstract design. Katherine Porter is an American artist born in Cedar Rapids, Iowa in 1941. She received her BA from Colorado College in 1963. Katherine Porter received an honorary doctorate from Colby College. She has shown twice in the Whitney Biennial and solo exhibitions at the Knoedler Gallery in London, the Nina Nielsen Gallery in Boston, and the Andre Emmerich and Salander-O'Reilly Galleries in New York. Her work is in the collections of the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Museum of Fine Arts in Boston, and the Tel Aviv Museum and Bezalel Museum in Jerusalem. (Katherine Page Porter, Katherine Pavlis Porter) Her exhibitions include biennials in 1976 and 1981 at the Whitney Museum of American Art in New York City; 1980 at the San Francisco Museum of Fine Arts; 1981, Dartmouth College, Hanover, New Hampshire; 1985, Brandeis University, Waltham, Massachusetts; and 1987 at the Sidney Janis Gallery, New York City. Classic Americana. American Abstract Expressionism. Early Pattern and Decoration piece, The movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch all worked in this same vein. SELECTED SOLO EXHIBITIONS Galerie Hubert Winter, Vienna, Austria Victoria Munroe Fine Art, Boston, MA Meridian Gallery, San Francisco, CA Salander O’Reilly Gallery, New York, NY Bowdoin College Museum of Art, Brunswick, ME Andre Emmerich Gallery, New York, NY Knoedler Gallery, London Sidney Janis Gallery, New York, NY Pace Gallery, Addison, ME Dartmouth College, Hanover, NH (drawings) Harcus Krakow Gallery, Boston, MA SELECTED GROUP EXHIBITIONS Contemporary Landscape Painting, Nagoya/Boston Museum of Art, Nagoya, Japan From the Collection of Edward Broida, Palm Beach Art Museum, Palm Beach, FL Abstraction Per Se (through January 1993), Pratt Manhattan Gallery, NY Painting Self-Evident (Curator), Picolo Spoleto Festival, Charleston, SC Art on Paper 1990, Weatherspoon Art Gallery, The University of North Carolina, Museo Barjola, Gijon, Spain; Calouste Gulbenkian Foundation, Lisbon, Portugal; Pratt Manhattan Gallery, NY Sightings, Instituto de Estudios Norteamericanos, Barcelona; Casa Revilla, Valladolid, Invitational, New Britain Museum of American Art, New Britain, CT Atelier Project, Neuberger Museum, SUNY Purchase, NY Landscape Show, Allan Frumkin Gallery, NY Rethinking the Avant-Garde, by Jonathan Fineberg, The Katonah Gallery, NY Nancy Hoffman Gallery, NY Group Show, Van Abbemuseum, Eindhoven, Holland Contemporary Drawings, Museum of Modern Art, New York, NY International Survey of Recent Painting and Sculpture, Museum of Modern Art, NY Modern Expressionist: German, Italian, & American Painters, Sidney Janis Gallery, NY American Women Artists, Part II: Younger Generation, Sidney Janis Gallery, NY Contemporary Works on Paper, Frumkin-Adams Gallery, NY Hassam Speicher Purchase Fund Exhibition, American Academy of Arts and Letters, NY The End of the World: Contemporary Visions of the Apocalypse, The New York Museum of Contemporary Art, NY Recent Acquisitions, Museum of Modern Art, New York, NY Homage to Arthur Dove, Hobart and William Smith Colleges, Geneva, NY Six Painters, The Hudson River Museum, Yonkers, NY Twenty New York Painters, Institute of Contemporary Art, Philadelphia, PA 74th American Exhibition, The Art Institute of Chicago, Chicago, IL Abstract Painting, Women’s Caucus, NY Biennial, Whitney Museum of American Art, New York Spoleto Choice, Spoleto Festival, Charleston, SC From Women’s Eyes, Rose Art Museum, Brandeis University, Waltham, MA Theodoran, Solomon R. Guggenheim Museum, New York, NY Three If By Air, Obelisk Gallery, Boston, MA Betty Parsons Collection, Finch College, New York, NY SELECTED PUBLIC COLLECTIONS Addison Gallery of American Art, Andover, MA Albertina Museum, Vienna, Austria California Palace of the Legion of Honor (Achenbach Foundation), San Francisco, CA Detroit Art Institute, Detroit, MI Fogg Art Museum, Harvard University, Cambridge, MA Gemeentsmuseum of the Hague, The Hague, Netherlands (permanent installation) Solomon R. Guggenheim Museum, New York, NY High Museum of Art, Atlanta, GA Houston Museum of Fine Art, Houston, TX Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York, NY Mount Holyoke...Category
1980s Abstract Expressionist Abstract Drawings and Watercolors
MaterialsWatercolor, Woodcut
- Dolori Sacrum Henry de Waroquier ( aft ) wood engraving Estampes 1950By Henry de WaroquierLocated in Paonia, CODolori Sacrum or Mass Grief by Henry de Waroquier (after) shows a Christ like face in black red blue and white. The interpretation could be seen as blood running down the face which ...Category
1950s Abstract Expressionist Abstract Prints
MaterialsWoodcut
- Movement l, ll, lllBy Lucille LucasLocated in Paonia, COThe triptych Movement l, ll, lll, are three framed monotype woodcuts in black and white. Each image is framed separately in a simple black frame with four white 1/4 inch mats and ...Category
20th Century Abstract Expressionist Figurative Prints
MaterialsWoodcut
- Squash scarce Abstract Expressionist woodcut print from European portfolio S/NBy Judy PfaffLocated in New York, NYJudy Pfaff Squash, 1985 Woodcut on wove paper Signed, numbered 78/85, dated and titled on the front with artist's and publisher's blind stamps. 21 3/4 × 29 3/4 inches Publisher Cente...Category
1980s Abstract Expressionist Abstract Prints
MaterialsWoodcut, Pencil
- Medaillon (Edition 52/100)By Eberhard DänzerLocated in New York, NYEberhard Dänzer (German, 1938-2005), "Medaillon" Edition 52/100, Abstract Woodcut signed and numbered in Pencil, 14.50 x 18.75 (In Frame 27.25 x 32.50) , Late 20th Century, 1963 Co...Category
1960s Abstract Expressionist Abstract Prints
MaterialsWoodcut