Helen FrankenthalerSnow Pines2004
2004
About the Item
- Creator:Helen Frankenthaler (1928, American)
- Creation Year:2004
- Dimensions:Height: 37.5 in (95.25 cm)Width: 26 in (66.04 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU118529501202
Helen Frankenthaler
Prolific and pioneering painter Helen Frankenthaler said it was “a combination of impatience, laziness and innovation” that drove her to thin her paints with turpentine so that they would seep into the fabric of an unprimed canvas. Her breakthrough in the early 1950s led the way for a spellbinding new style of painting that would come to be known as Color Field.
Although Color Field is often considered a strain of Abstract Expressionism, Frankenthaler’s work differed from the gestural “Action Painting” that typified the paintings of artists like Willem de Kooning and Lee Krasner. Her vast and immersive expanses of color created at a fearless scale captivated art critics and greatly influenced her peers including Morris Louis and Kenneth Noland.
Frankenthaler knew from an early age that she wanted to be a painter. The youngest daughter of a New York State Supreme Court justice, she grew up on Manhattan’s Park Avenue and as a child delighted in the little ways color and form revealed themselves, whether dribbling red nail polish in a sink full of water or drawing her steps from the Metropolitan Museum of Art to her family’s apartment. As a student at Bennington College, her rare vision was enriched by the mentorship of painter Paul Feeley, who gave her lessons in Cubism. After dabbling in art history at Columbia University, she rented a studio downtown and befriended rising New York art stars like Jackson Pollock and Robert Motherwell, whom she later married.
Characterized by “direct, exuberant gestures,” the Abstract Expressionist technique was all about gusto, and Frankenthaler had it in spades. One of the few women of this era to garner widespread critical acclaim, Frankenthaler had a significant impact on the mid-20th-century art world. She exhibited in the high-profile 1951 Ninth Street Show and, in 1957, she appeared in a Life magazine spread on women artists photographed by Gordon Parks. In 1960, the Jewish Museum held her first major museum show, a retrospective of her 1950s work. A 1969 solo exhibition at the Whitney Museum of American Art further introduced Frankenthaler to the broader art world.
While Frankenthaler remains best known for bold, expressive “soak-stain” paintings such as Mountains and Sea (1952), she worked across diverse media for decades, with forays into woodcutting, drawing and printmaking that also pushed boundaries. She also taught at Harvard, Yale and Princeton, fostering generations of artists. She died in 2011.
Find original Helen Frankenthaler art on 1stDibs.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Weeping CrabappleBy Helen FrankenthalerLocated in New York, NY2009 Thirty-one color ukiyo-e woodcut 25 1/4 x 37 1/4 in. (64.1 x 94.6 cm) Edition of 50 Signed, dated and numbered in pencil Unframed, pristine conditionCategory
Early 2000s Abstract Expressionist Abstract Prints
MaterialsWoodcut
- Weeping CrabappleBy Helen FrankenthalerLocated in New York, NY2009 Thirty-one color ukiyo-e woodcut Sheet: 25 1/4 x 37 1/4 in. (64.1 x 94.6 cm) Edition of 50 Signed, dated and numbered in pencilCategory
Early 2000s Abstract Expressionist Abstract Prints
MaterialsWoodcut
- MercuryBy Sam FrancisLocated in New York, NY1963 Lithograph in colors, on Rives BFK paper Sheet: 23 7/10 x 18 7/10 in. (60.2 x 47.5 cm) Edition of 20 Signed and numbered in pencil, lower margin Unframed, excellent conditionCategory
1960s Abstract Expressionist Abstract Prints
MaterialsPaper, Lithograph
- Lilac SweepBy Helen FrankenthalerLocated in New York, NY2006 Lithograph in colors, on wove paper Sheet: 22 1/4 x 27 1/2 in. (56.5 x 69.9 cm) Edition of 35 Signed and numbered in pencil, lower margin Framed, excellent conditionCategory
Early 2000s Abstract Expressionist Abstract Prints
MaterialsPaper, Lithograph
- Cicada (ULAE 213)By Jasper JohnsLocated in New York, NY1981 Lithograph in colors, on Arches 88 wove paper Sheet: 35 x 26 in. Edition of 58 Signed, dated and numbered in pencil, lower margin FramedCategory
1980s Abstract Expressionist Abstract Prints
MaterialsPaper, Lithograph
- Alles fließtLocated in New York, NYAlles fließt, 2013 Woodcut in colors, on wove paper 22 x 14 1/5 in. (56 x 36 cm) Unique Signed in pencil, lower marginCategory
2010s Abstract Abstract Prints
MaterialsPaper, Woodcut
- Japanese MapleBy Helen FrankenthalerLocated in New York, NY2005 Sixteen color Ukiyo-e style woodcut Image/sheet: 26 x 38 in. Edition of 50 Signed, dated and numbered in pencil, lower marginCategory
Early 2000s Abstract Expressionist Abstract Prints
MaterialsPaper, Woodcut
- Weeping CrabappleBy Helen FrankenthalerLocated in New York, NY2009 Thirty-one color Ukiyo-e style woodcut Image/sheet: 25 1/4 x 37 1/4 in. Edition of 50 Signed, dated and numbered in pencil, lower marginCategory
Early 2000s Abstract Expressionist Abstract Prints
MaterialsHandmade Paper, Woodcut
- Metamorphosis of Zan Biell, Woodcut Print on Rice Paper by Keisuke SerizawaBy Keisuke SerizawaLocated in Long Island City, NYArtist: Keisuke Serizawa, Japanese (1895-1984) Title: Metamorphosis of Zan Biell Year: circa 1970 Medium: Woodcut on Rice Paper, signed and numbered in pencil Edition: AP Size: 29 x...Category
1970s Abstract Expressionist Abstract Prints
MaterialsRice Paper, Woodcut
- Abstract Multi Layer Woodblock Print on Heavy Paper, 1/1By Michael William EgglestonLocated in Soquel, CAAbstract Multi Layer Woodblock Print on Heavy Paper, 1/1 Brightly colored one-of-a-kind multi-layer abstract composition by Michael William Eggleston (American, 20th Century). Patche...Category
Late 20th Century Abstract Expressionist Abstract Prints
MaterialsPaper, Ink, Woodcut
- Large Scale Abstract Figurative Landscape Woodcut, Signed Limited Edition 1/10By Michael PaukerLocated in Soquel, CALarge scale limited edition woodcut print of an an abstracted scene with landscape elements and rough figural forms including a dog, house and tree that emerge from chaotic linear ab...Category
Late 20th Century Abstract Expressionist Abstract Prints
MaterialsPaper, Woodcut, Ink
- Large Abstract Woodblock Print American Woman ModernistBy Katherine PorterLocated in Surfside, FLKatherine Porter is an American artist born in Cedar Rapids, Iowa in 1941. She received her BA from Colorado College in 1963. Katherine Porter received an honorary doctorate from Colby College. She has shown twice in the Whitney Biennial and solo exhibitions at the Knoedler Gallery in London, the Nina Nielsen Gallery in Boston, and the Andre Emmerich and Salander-O'Reilly Galleries in New York. Her work is in the collections of the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Museum of Fine Arts in Boston, and the Tel Aviv Museum in Jerusalem. Her exhibitions include biennials in 1976 and 1981 at the Whitney Museum of American Art in New York City; 1980 at the San Francisco Museum of Fine Arts; 1981, Dartmouth College...Category
20th Century Abstract Expressionist Abstract Prints
MaterialsWoodcut