Richard Mortensen

Geometric Abstract by Richard Mortensen 1962

1962

This screenprint was created by Welsh artist Gordon House (1932-2004). House was a designer and painter whose hard-edged abstract works reflected the dramatic tensions of his graphic...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel. Date: 1994 Medium: Screenprint, estate stamped verso and numbered in pe...

Artist: Bruce Porter, American (1948 - ) Title: Bayard Series #9 Year: 1999 Medium: Serigraph, signed and numbered in pencil Edition: 100 Image Size: 23.5 x 16 inches Size: 26.5 x 18...

Artist: Bruce Porter, American (1948 - ) Title: Bayard Series #10 Year: 1999 Medium: Serigraph, signed and numbered in pencil Edition: 100 Image Size: 23.5 x 16 inches Size: 26.5 x 1...

Jack Youngerman "Youngerman" Galerie Denise René, Paris, 1973 Silkscreen Poster 37 x 24 1/2 inches Signed This vintage poster is signed by the artist. It ...

Joe Tilson (British, 1928–2023) Ziggurat 5, 1966. Screen print, ed. 70. Pencil signed lower right, numbered (11/70) and titled lower right. Measuring 22"H x 34"W; Framed 29.5"H x ...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...