Richard Scudder

Miami Beach Lifeguard Stand #1. - In Pink, Screen Print

2015

A circle represents evolution as a process of transformation from death to birth, ending, and beginning, as a circle has no beginning and no end. In this sense, a circle represents e...

The circle symbolizes the nature of the universe To understand the spiritual significance of circles, it helps to first think of birth and death as a circle. Indeed, every living thi...

Inspired by Bible verses, prayer and pop art. In this world of turmoil and chaos, Martin Luther King fought for equality, the Beatles sang for a better world, and now human beings ar...

This painting named "Life is beautiful", sold at the opening ceremony of one of my solo exhibition in France. I will always remember that elegant lady with tears telling me: "This pa...

Conrad Marca Relli - Composition I Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and n...

Lift ground and hard ground etching and engraving on Murillo white wove paper, 18 x 24 inches (455 x 608 mm), full margins. Signed, dated, titled and numbered 60/100 in pencil, lower margin. Printed and published by the artist. In very good condition with minor age tone and scattered light surface soiling on the verso. Framed handsomely in an original Kulicke welded aluminum frame with the embossed maker's mark. [Milton 61]. Milton revisited this image in 1974 during an experiment to explore collage and the process of contact printing a high resolution photo-transparency directly onto a copper plate. He printed a small detail transparency of Mornings with Judd onto the existing plate, alongside it's larger self, and broke through to a new photo-resist approach, which Milton described as "piquant and irresistible," in his essays appearing in Robert Flynn...

Frank Stella, Then Water Came and Quenched the Fire (from Illustrations after El Lissitzky's Had Gadya), 1984 Lithograph, linoleum cut and screenprint in colors with handcoloring and...

Paris: Mourlot Press, 1964. Lithograph in colors on Velin d’Arches paper, 6 3/4 x 10 inches (170 x 253 mm), full margins. Published by Fernand Mourlot and Jean Adhemar, 1964. In ver...