RIERA I ARAGO

Riera i Arago ELICE vERTICAL engraving.

unknown

geometric composition.original engraving abstract painting. VIRTUAL FRAMED Pijuan, Joan (Barcelona, 1931-2005). Joan Hernández Pijuan formed between Barcelona and Paris. It has the ...

Blue- original litograph abstract limited edition painting Original graphic work by CASAMADA. Limited edition engraving. 50 copies Signed and numbered in pencil. framed RÀFOLS CASAM...

Sensations engraving surrealist limited edition painting Paper handmade of 600 grs. Edition of 100 copies Numbered in pencil and signed Born in Vic, Cataluña, in 1947, he resides in Mexico since 1998. Heir of the Spanish school by tradition and through his personal relation with the three Spanish giants of the 20th Century: Picasso, Dalí and Miró. He has over 50 individual exhibitions presented in Mexico, El Salvador, Puerto Rico, Spain, Sweden, France, and the U.S.A., such as “The color of the music of Rodolfo Halffter”, Pecanins Gallery (Mexico City, 2005); “Opus in color”, Museum of Anthropology (Jalapa, Ver., Mexico, 2004); Museum of Art of Queretaro (Queretaro, Mexico, 2001); Spanish Institute of Culture in El Salvador (San Salvador, El Salvador, 2000); “From flesh to passion”, Siqueiros Cultural Polyforum (Mexico City, 1999). He arrived in Mexico in 1997 with an invitation to present the exhibition “Germ of Illusions”, Pemex (Mexico City). Before his experience in Mexico, he realized the Olympic Suite “Homage to the Olympic Subvenues Barcelona 92”, a permanent exhibition in the Olympic Museums of Barcelona and Lausanne, in 1992. He showed in 1996 with the Sotelo Blanco Foundation. Anthropology Museum of Santiago de Compostela, the Nakita Gallery (Stockholm, Sweden), Corrine Timsit International Galleries Inc. (San Juan de Puerto Rico and Paris, France). In 1990 he showed in the Museum of Hispanic Art (San Francisco, USA) and in the Museum and Gallery Elbine Dalvanes (Paris, France). His exhibition “The Force of an Encounter”, Museum of Abstract Art Manuel Felguérez, March-June (Zacatecas, Zac., 2008) was a very interesting revision of his work in the past ten years, considering his analysis of musical language exclusively. This gave way to an evolution of his pictorial language. He has participated in several collective exhibitions with artists such as: Argimon, Clave, Guinovart, Barceló, Saura and Tapies; Appel, Farreras and Joan Genovés; Cuixart, Subirachs and Tartas; Bartolotzi and Carbó Berthold; Rafols Casamada, Saura and Pelayo; Elvira Gascón and Nunik Sauret; Rogelio Cuellar, Gilda Castillo, Francisco Castro Leñero, Arnaldo Coen, Rafael Coronel, Irma Grizá, Sergio Hernández, Magali Lara, Irma Palacios...

engraved with plastic collage and polychrome stamping abstract pàinting. Aguatinta. Arches 63x90 Ed galeria Maeght, Barceloa. Imp. J. Barbara, Barcelona Catalogue razonne 1973/1978,...

"Fieldwork," an original woodcut on paper by Roger Herman, is a piece for the true collector. This spectacular woodcut cannot be properly communicated digitally – it is a far more impactful and meaningful experience in person. This work of art would definitely enhance most homes or professional settings, perfect for those who have an affinity for abstracts, Neo-Expressionism, modernist paintings, or postmodern art. This woodcut was printed by Hans-Fuss and published by the Graphic Arts Council at LACMA. Work is outfitted with custom, conservation frame. Art historian Howard Singerman's words from the December 1982 ArtForum Magazine: "...Herman's expressionistic style... with its roots in German Expressionism and the New York School, is previously painted. His mean colors, thick pigment, and quick strokes are not a direct record of emotion and activity, they are not painting outside language, but signs for that painting, for an emotion and an activity that are no longer available. The expressionist act is recast as romantic aspiration; in his inscription, Herman evokes painting's past and admits his need for its aura... ...Herman's distance even undermines the emblematic immediacy of his expressionism, which he uses to attain more distance still. Unlike the flattened, aggressive figures that push to, and threaten to push through, the surfaces of most new painting, Herman's figures are situated in middle ground and buried beneath the paint..." Artist: ROGER HERMAN (1947-) Title: FIELDWORK Medium & Surface: ORIGINAL WOODCUT ON PAPER (framed) Signed/Numbered: HAND-SIGNED, NUMBERED, AND TITLED BY ARTIST Number: 36 of 75 Year Created: 1984 Country of Creation: UNITED STATES Image Area Dimensions: 24 x 48 INCHES Paper Dimensions: 38 x 62 INCHES Frame Dimensions:* 41.25 x 65.25 x 1 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY ROGER HERMAN – PRINTED BY HANS-FUSS WITH BLIND STAMP LOWER RIGHT. PUBLISHED BY THE GRAPHIC ARTS COUNCIL AT LACMA. FEATURES CUSTOM CONSERVATION FRAME. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Roger Herman, a German painter and ceramic artist, has become well known for the broad range of styles encompassed within his work across multiple mediums. Roger Herman was born in Germany in 1947, where he began his studies at the Kunstakademie in Karlsruhe. In 1976, he was offered a fellowship from the German Academic Exchange Service (DAAD), which took him across the world to San Francisco. It was here, in California, that his career began to flourish. He started by creating paintings of phenomenal proportion, soon christened as the West Coast parallel of the 80s Neo-expressionist movement. It was highly referential work, drawing on his knowledge of art history, as well as his famed sense of humor. With loose, facile brushwork, his art is reminiscent of the figurative German painters who emerged in the 1970s—like Markus Lüpertz (who taught at the Kunstakademie), Rainer Fetting...

OTONO FLORAL, 1995 Hand-painted, 15-color silkscreen with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 "Sexual Spring-like Winter" is a large painterly work, created with...

"Sexual Spring-like Winter" is a large painterly work, created with layers of pink and resin by the art and film world's favorite enfant terrible, Julian Schnabel. The artist and dir...

Agent X Untitiled 1982 Limited Edition of 40 Mixed Media on Paper Sold Unframed Paper Size: 101 cm x 88 cm x 1cm Please note that in situ images are purely an indication of how a pie...