Robert Indiana

Marilyn Monroe - Original screenprint, Handsigned - Certificate

1997

Andy Warhol’s *Apple (FS. IIB.359)*, part of his 1985 *Ads* portfolio, reimagines Apple Inc.’s logo as vibrant, neon-colored art, blending corporate branding with fine art. Created d...

Roy Lichtenstein, 'Paper Plate', serigraph, 1969, edition unknown, Corlett III.45. Printed in dark blue ink verso, 'Roy Lichtenstein © On 1st Inc. 1969'. A fine impression, on white paperboard pressure formed into a 3-dimensional plate; age toning verso, otherwise in very good condition. Published by Bert Stern, New York. Image size 10 1/4 inch diameter, 1-inch depth. Archivally sleeved, unmounted, unframed. Carefully protected for shipping. Literature: John Russell. 'Art: Time for Old-Master Prints', New York Times (July 27, 1979), p. C16. Jan Howard. 'Reflections on 'The Prints of Roy Lichtenstein', Print Collector's Newsletter 26 (July–August 1995), p. 82. Mark M. Johnson. 'The Great American Pop Art Store: Multiples of the '60s', Art & Activities 123 (June–Summer 1998), ill. p. 37 (color). Mary Lee Corlett. 'The Prints of Roy Lichtenstein: A Catalogue Raisonné', New York, 2002, p. 286, no. III.45. Susan Dackerman, ed., 'Corita Kent and the Language of Pop', exhibition catalog, Harvard Art...

Artist: Jasper Johns Title: Untitled Medium: Screenprint in colors on Patapar printing parchment Year: 1977 Edition: 3000 Frame Size: 18 1/2" x 18 1/2" Sheet Size: 10 5/8" x 10 1/4" ...

Mirror #7 (C.112) is a screenprint and lithograph on paper, 29.75 x 17.37 inches, signed and dated 'rf Lichtenstein '72' lower right and numbered 62/80 lower left. From the edition of 96 (there were also 10 AP, and 6 other various proofs). Framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.125, #112. About Lichtenstein’s Mirror...

Twin Mirrors (C.102) is a screenprint on paper created for the Guggenheim Museum in 1970, 35 x 21 inches image size, signed and dated 'rf Lichtenstein '70' lower right and numbered 94/250 lower left (from the edition of 250 plus an unknown number of artist proofs). Framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.118, #102. About Lichtenstein’s Mirror...

Mirror #9 (C.114) from the Mirror Series is a screenprint and lithograph on paper, 30 x 21.18 inches, signed and dated 'rf Lichtenstein '72' lower center margin and framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.126, #114. About Lichtenstein’s Mirror Series (taken from Corlett): Mirrors were an important subject in Lichtenstein’s paintings and prints of the early 1970s. From late 1969 to 1972 he painted over forty canvases depicting this subject. The first print was in 1970, with Twin Mirrors (cat. no.102) for the Guggenheim Museum. In 1972 he also produced Mirror (cat. No. 115) at Styria Studio, in addition to this Gemini G.E.L. series of nine prints. In the mid-seventies he took up the subject in sculpture, and he returned to it in prints as recently 1990, with Mirror (cat. No 246). In addition, he has often explored the related theme of reflections, incorporating them in various paintings and in several print series: Reflections (1990; cat. Nos. 239 – 245), Interiors (1990, published 1991; cat. nos. 247 – 54), and Water Lilies (1992; cat. nos. 261 – 66). This Gemini group (catalog nos. 1-6 - 114) utilizes lithography, screenprint, line-cut, and embossing... In an interview with Lawrence Alloway, Lichtenstein noted: “You know, I am always impressed by how artificial things look – like descriptions of office furniture in newspapers. It is the most dry kind of drawing, as in the Mirrors. They really only look like mirrors if someone tells you they do. Only once you know that, they may be moved as far as possible from realism, but you want it to be taken for realism. It becomes as stylized as you can get away with, in an ordinary sense, not stylish.” As Jack Cowart has commented: “One would not actually stand in front of a Lichtenstein Mirror...

Space Balls is a unique, trial-proof screenprint on paper, 32 x 40" sheet size, signed and numbered lower right margin ‘TP14/40 Kenny Scharf,’ and framed in a contemporary, white mou...

The Fabulous Moolah, World Champion Female Wrestler Figurative Screen Print Modern figurative print of world champion female wrestler Mary Lillian Ellison (American, 1923-2007), also known as The Fabulous Moolah. The artist of this print is unknown. Unsigned and undated. Presented in a modern frame with Plexiglass. Image size: 26”H x 20L". During her lifetime, Moolah was lauded as a leading figure in women's professional wrestling and was considered one of the industry's greatest wrestlers. Moolah's first World Championship reign lasted over ten years. Moolah successfully defended the belt against the top female wrestlers in the world, such as Judy Grable and Donna Christanello, while also purporting to befriend some of the biggest celebrities of the day such as Elvis Presley and Jerry Lee Lewis. She became the first woman to be inducted into the WWF Hall of Fame in 1995. In 1999, she became the oldest champion in the history of professional wrestling when she won the Women's Championship for a final time at age 76 in 1999. Championships and Accomplishments: Cauliflower Alley Club Ladies Wrestling Award (1997) National Wrestling Alliance NWA Women's World Tag Team Championship (2 times) – with Toni Rose NWA World Women's Championship (5 times) NWA Hall of Fame (Class of 2012) Pro Wrestling...

In this untitled serigraph, Vincent DiMattio combines the aesthetics of the space age with Pop Art sensibilities and techniques. In the postwar era of the 1950s and 1960s, the United States was in the midst of a period of economic growth for the middle class, and so the trappings and imagery of middle class life became the subjects of a number of artists. While figures like Andy Warhol focused on images of celebrities and soup cans, here DiMattio looks to robots and rockets. At the far left, a figure appears with a round green head and a small clamping arm. To the right, a form like a tank with phallic protrusions, one with a head like the form of a space ship. These signs all alight with the space age toys...

Lithograph and screenprint with collage (silver foil) Prints are different sizes: 36 1/2 x 68 inches (92.7 x 172.7 cm) and 36 5/8 x 64 inches (93 x 162.6 cm) Published by Multiples...