Items Similar to Pinocchio (Framed Pop Art Screen Print by Jim Dine)
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Jim DinePinocchio (Framed Pop Art Screen Print by Jim Dine) 2008
2008
About the Item
Limited edition 'Pinocchio' screen print by Pop Art icon, Jim Dine (b. 1935)
Published by Lincoln Center for the Performing Arts
41 x 29.5 inches in black frame
Seven color screen print and woodcut
Signed and editioned by the artist
Edition 25/118
Excellent condition and ready to hang
Jim Dine reinterprets Carlo Collodi's 'Pinocchio' with this series of screen prints published by Lincoln Center. The Pinocchio motif first appeared in Dine's work in 1998 and became a fascination of the artist's. He explains, "Thanks to Carlo Collodi, the real creator of Pinocchio, I have for many years been able to live thru the wooden boy.... His poor burned feet, his misguided judgment, his vanity about his large nose, his temporary donkey ears all add up to the real sum of his parts. In the end it is his great heart that holds me." Dine also thought the idea of a wooden object becoming human acts as a metaphor for art and represents the "ultimate alchemical transformation". He later made a self-portrait of himself as Geppetto, making reference to the artist as creator.
The seven color screen print is signed a dated by the artist. It's completed with a black frame, 8 ply white mat, and non-glare glass. The piece is in excellent condition and ready to hang.
About the artist:
Considered a pioneer of both the Happenings and Pop art in the 1960s, Jim Dine is known merging familiar objects from popular culture with autobiographical content to make work distinguished by its bold, graphic style. Often repeating certain generic themes and motifs—such as hearts, skulls, and tools (as well as the Disney version of Pinocchio)—in multiple forms and mediums, his interest in seriality and the everyday are emblematic of the Pop style, yet Dine's work is simultaneously distinguished by his masterful draftsmanship.
In 1962, Dine was one of eight artists—along with Andy Warhol, Roy Lichtenstein, Ed Ruscha—included in the seminal New Paintings of Common Objects exhibition curated by Walter Hopps at the Pasadena Art Museum (now the Norton Simon Museum), which is often credited with defining the then-emerging field of Pop art. The next year, his work was exhibited in Six Painters and the Object at the Guggenheim Museum, curated by Lawrence Alloway, which presented the work of six artists who would come to be among the most celebrated figures in postwar American art: Dine, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, James Rosenquist, and Andy Warhol.
Since his first exhibitions at the Judson Gallery in downtown New York in 1959, Dine's work has been exhibited regularly at major museums and galleries internationally. In addition to notable surveys of Pop art, Dine has been included in significant international shows such as Documenta 4 in 1967, Documenta 5 in 1972, and Documenta 6 in 1977, the Venice Biennale in 1964 and 1997, as well as the 1973 Whitney Biennial and its precursor, the Whitney Annual, in 1965, 1966, 1967, and 1969. Dine has been the subject of hundreds of solo shows, including exhibitions at the Morgan Library and Museum, the J. Paul Getty Museum, and the National Gallery of Art in 2004.
- Creator:Jim Dine (1935, American)
- Creation Year:2008
- Dimensions:Height: 41 in (104.14 cm)Width: 29.5 in (74.93 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU2276280972
Jim Dine
The Ohio-born artist Jim Dine brought his ever-shifting, multidisciplinary vision to New York in 1958, a time of transition in the American art world. Abstract Expressionism, which had dominated the scene for years, was on the wane, and a group of young artists, including Dine, Allan Kaprow, Jasper Johns and Robert Rauschenberg, was eager to replace it with a movement that flipped the traditional rules of art-making on their head.
Beyond dissolving the boundaries between mediums and genres, attaching found objects and detritus to their canvases, these revolutionaries began staging performative “happenings” in public spaces, redefining the very definition of a work of art. As Pop art took form, Dine used objects with personal significance, like his paintbrushes, to transform his paintings into two-dimensional sculptures. He was included in the Norton Simon Museum’s 1962 “New Painting of Objects,” often considered the first true Pop art exhibition in America, but he remained a chameleon, constantly changing his style, material and technique.
More than his contemporaries, Dine has forged new paths in drawing, scrawling words and names across the canvas to create graphic, abstract landscapes. He is obsessed by certain motifs — such as hearts and his own bathrobe — which recur in various forms throughout his oeuvre. He has occasionally worked in classical genres, such as portraiture, as exemplified by the 1980 aquatint Nancy Outside in July. He has also co-opted the bold, graphic vocabulary of advertising and commercials, as in the sleek 2010 composition Gay Laughter at the Wake.
Find Jim Dine prints and other art on 1stDibs.
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1991
1stDibs seller since 2013
544 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Hudson, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- No. 4: Small Abstract Expressionist Monotype in Navy Blue, Soft Yellow & GreenBy Jenny NelsonLocated in Hudson, NYSmall abstract expressionist style monotype in navy blue, green, light violet, and soft yellow 'Untitled 4' by Jenny Nelson Monotype, mad...Category
2010s Abstract Abstract Paintings
MaterialsOil, Archival Paper, Monoprint
- Cumulus (Abstract Landscape Monotype of a Large Pastel Colored Cloud)By David KonigsbergLocated in Hudson, NYAbstract landscape monotype of a large cumulus cloud in soft pink and periwinkle blue 12 x 12 inch image on 22 x 33 inch Rives BFK paper Rives BFK paper is made of cotton, has deckle...Category
2010s Modern Landscape Prints
MaterialsMonotype
- Ballpark: Vertical Abstracted Landscape Print of Green Baseball Field & CloudsBy David KonigsbergLocated in Hudson, NYAbstract print of an aerial view of a baseball park with a distant landscape 24 x 12 inch image on 30 x 22 inch Rives BFK paper, unframed Rives BFK paper is made of cotton, has dec...Category
2010s Modern Landscape Prints
MaterialsMonotype
- Windswept (Abstract Landscape Print of a Country Farm in Beige, Orange & Brown)By David KonigsbergLocated in Hudson, NYAbstract landscape print of a country farm in earth tones of beige, orange, and brown 12 x 24 inch image on 22 x 30 inch Rives BFK paper, unframed Rives BFK paper is made of cotton,...Category
2010s Modern Landscape Prints
MaterialsMonotype
- Reel (Abstracted Figures in a Clouded Country Landscape, Monotype)By David KonigsbergLocated in Hudson, NYAbstracted, figurative monotype of six figures in a landscape 12 x 24 inch image on 22 x 33 inch Rives BFK paper Rives BFK paper is made of cotton, has deckled edges and is acid-fre...Category
2010s Modern Landscape Prints
MaterialsMonotype
- Swimmers (Abstracted Figurative Monotype of Nude Women in Aqua Blue Water)By David KonigsbergLocated in Hudson, NYAbstracted figurative print 12 x 22 inch image on 22 x 30 inch Rives BFK paper, unframed Rives BFK paper is made of cotton, has deckled edges and is acid-free Signed lower right T...Category
2010s Modern Nude Prints
MaterialsMonotype
You May Also Like
- BrushstrokesBy Roy LichtensteinLocated in Miami, FLHand-signed rf Lichtenstein in pencil and numbered 245/300. Published by Leo Castelli Gallery, for the Pasadena Art Museum, California. The Prints of Roy Lichtenstein A Catalogue Rai...Category
1960s Pop Art Figurative Prints
MaterialsScreen
- Untitled Littmann 50By Keith HaringLocated in Miami, FLEA Artists Proof aside from edtion of 150. Screenprint in colors on Wove Paper. Hand signed, numbered from the Artists Proof edition of 20 and dated '85 in pencil right side margin. Published by Martin Lawrence Limited Editions, Inc., New York...Category
1980s Pop Art Figurative Prints
MaterialsScreen
- HOPE (R/W/B) LARGE 4 PANEL PAINTINGBy Robert IndianaLocated in Aventura, FLOil and Silkscreen ink on triple primed canvas. Hand signed, dated, titled and inscribed "P/P" on verso by Robert Indiana. Printer's Proof edition. Total of 4 panels. Each panel ...Category
Early 2000s Pop Art Abstract Prints
MaterialsCanvas, Oil, Screen
- Deborah Kass Feminist Jewish American Pop Art Silkscreen Screenprint Ltd EditionBy Deborah KassLocated in Surfside, FLDeborah Kass (born 1952) Limited edition geometric abstract lithograph in colors on artist paper. Hand signed and dated in pencil to lower right. 1973. Edition: 102/120 to lower left. Dimensions: sight: 16-3/4" W x 21-1/4" H. Frame: 24-5/8" W x 28-7/8" H. Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York. Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world. Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician. At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions. Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix. At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls...Category
2010s Pop Art Figurative Prints
MaterialsScreen
- Large Pop Art Abstract Figure Digital Barcode Silkscreen Screenprint 80s MemphisBy David PrenticeLocated in Surfside, FLI was told this might be by another David Prentice. as I am uncertain I will add his bio. I cannot ascertain which one it is. Vintage 1981 DAVID PRENTI...Category
1980s Pop Art Figurative Prints
MaterialsScreen
- Joe Tilson British Pop Art Screenprint, Color Lithograph 4 Seasons 4 ElementsBy Joe TilsonLocated in Surfside, FLSilkscreen screenprint or Lithograph Hand signed and numbered. An esoteric, mystical, Kabbala inspired print with Hebrew as well as other languages. Joseph Charles Tilson RA (born 2...Category
1970s Pop Art Abstract Prints
MaterialsLithograph, Screen
