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Robert MotherwellAmerica-La France Variations VII (large hand signed lithograph)1990
1990
About the Item
America-La France Variations VII (B. 303; E. & Ba. 335).
Lithograph on white Arches cover paper in 11 colors with black German etching paper, blue TGL handmade paper with multicolored fibers and grey Zaan handmade paper attached. Hand signed and numbered 'gift proof' lower front by Robert Motherwell. This is outside the main edition of 68 and 18 artist's proofs. Frame size approx 57 x 40.5 inches. Sheet size 52 x 36 inches. Image size: 48.75 x 30.25 inches.
Artwork in excellent condition. All reasonable offers will be considered.
About the Artist: Robert Motherwell was an American artist and seminal Abstract Expressionist painter. Influenced by the automatic writing and drawing prescribed by the Surrealists, Motherwell’s practice was characterized by an intuitive approach to painting. He is perhaps best known for his iconic Elegy to the Spanish Republic series, which consists of 150 variants of black forms on white backgrounds. “Painting is a medium in which the mind can actualize itself; it is a medium of thought,” he once reflected. “Thus painting, like music, tends to become its own content.” Born on January 24, 1915 in Aberdeen, WA, Motherwell moved to New York to study at Columbia University with the art historian Meyer Schapiro. It was Schapiro's encouragement that initially led the artist to start making paintings. During the early 1940s, he entered a milieu of young artists that included William Baziotes, Jackson Pollock, and Willem de Kooning. Motherwell later taught Cy Twombly and Robert Rauschenberg at the famed Black Mountain College. After returning to New York, he met the painter Helen Frankenthaler in 1957, and they were married three years later. During their 13 year marriage, the two artists’ mutual interest in the poetry of abstraction fueled one another’s work. Motherwell died on July 16, 1991 in Cape Cod, MA. Today, his works are held in the collections of the Art Institute of Chicago, the National Gallery of Art in Washington, D.C., The Museum of Modern Art in New York, and the Tate Modern in London, among others.
- Creator:Robert Motherwell (1915-1991, American)
- Creation Year:1990
- Dimensions:Height: 54 in (137.16 cm)Width: 42 in (106.68 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Aventura, FL
- Reference Number:1stDibs: LU725314705212
Robert Motherwell
The name of painter, printmaker and writer Robert Motherwell (1915–91) is often taken as synonymous with the New York School, whose name he coined. Motherwell was the youngest of this group of Abstract Expressionists working in art, dance, poetry and music in 1950s and '60s New York City, which included Jackson Pollock, Willem de Kooning, Philip Guston, Helen Frankenthaler and Mark Rothko.
Born in Aberdeen, Washington, in 1915, Motherwell had perhaps the broadest and best education of any of the New York School coterie, with an extensive background in philosophy, literature and art history. He earned a BA in philosophy in 1937 from Stanford University and was working toward a PhD in the subject at Harvard when he interrupted his studies for a yearlong trip to Europe, where he fell in love with European modernism.
After returning, in 1940 he enrolled Columbia to study art history. It was there that he met a group of exiled Parisian Surrealists, and encounter that proved influential on his style. Motherwell began to integrate the idea of “automatism” — unmediated gestures that reflect deeper psychological impulses — into his work, pioneering a new form of Abstract Expressionism that came to characterize the New York School.
Works like the 1967 Beside the Sea no. 45, an acrylic on canvas, and the 1966 lithograph New York International epitomize Motherwell’s use of simple shapes in boldly contrasting colors, executed in quick, gestural strokes that occasionally evoke figures, suggesting a latent narrative despite their obvious abstraction.
Throughout his career, Motherwell taught painting at Hunter College, in New York, and at Black Mountain College, in North Carolina, where his work influenced the likes of Cy Twombly, Robert Rauschenberg and Kenneth Noland. His influence as one of the founding fathers of American Abstract Expressionism remains profound.
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