Skip to main content
1 of 4

Robert Motherwell
La Casa de la Mancha, Robert Motherwell Etching and Aquatint

1984

You May Also Like

Untitled - Mixed print technique, Contemporary abstract print
By Berenika Korecka-Sowinska
Located in Warsaw, PL
Mixed media print on paper by young Polish artist Berenika Korecka-Sowinska who graduated in 2009 from Academy of Fine Arts in Warsaw
Category

2010s Abstract Abstract Prints

Materials

Paper, Etching, Aquatint, Linocut

Untitled - Mixed print technique, Contemporary abstract print
By Berenika Korecka-Sowinska
Located in Warsaw, PL
Mixed media print on paper by young Polish artist Berenika Korecka-Sowinska who graduated in 2009 from Academy of Fine Arts in Warsaw
Category

2010s Abstract Abstract Prints

Materials

Paper, Aquatint, Linocut, Etching

CONRAD MARCA-RELLI Limited ed. Etching & Aquatint American Modern, Contemporary
By Conrad Marca-Relli 1
Located in Madrid, Madrid
Conrad Marca Relli - Composition VIII Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions an...
Category

1970s Abstract Abstract Prints

Materials

Paper, Etching, Aquatint

Fields I /// Joan Mitchell Large Diptych Etching Aquatint Female Abstract Artist
By Joan Mitchell
Located in Saint Augustine, FL
Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...
Category

1990s Abstract Expressionist Abstract Prints

Materials

Etching, Aquatint, Intaglio, Handmade Paper

Guifà e la Beretta Rossa, (Guifà and the Red Cap)
By Frank Stella
Located in Palo Alto, CA
Frank Stella’s Guifà e la Beretta Rossa, (Guifà and the Red Cap), 1989, is a captivating etching made of bold colors and large-scale geometric forms. This artwork was made in collaboration with well-known print maker Kenneth Tyler. In the upper left of the image, rainbow hues of violet, blue, green and yellow decorate the paper. These colors contrast beautifully against the bold, inky strokes which color the background. Additionally, columns, pillars and cones are layered on top of one another as if in a collage. The shapes vary from perfect circles to abstract forms. Viewed in combination, the imagery dances before the viewer, inviting the imagination to construct its own interpretations. This series of mechanical shapes and 3-D composition are reminiscent of Stella’s relief paintings from the early 1980s. For an artist like Stella, experimenting with color, form and dimension is key. He proves to viewers he cannot be confined to a specific artistic genre or movement. Therefore, Stella's abstract works retain a timelessness which will transcend expectations of abstract art. Above all, this large-scale work is an exceptional example of Stella’s later period and his iconic artistic style. The artist is a master of both painting and print. Oftentimes, Stella’s prints...
Category

1980s Abstract Abstract Prints

Materials

Handmade Paper, Etching, Color, Aquatint

Alan Shields, Alice in Grayland, Mixed media collage, abstract Signed Unique Var
Located in New York, NY
Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Mixed Media, Handmade Paper, Etching, Aquatint, Screen

Recently Viewed

View All