Saul Steinberg
Saul Steinberg, Untitled, from Derriere le Miroir, 1982
1982

Name: Saul Steinberg, Untitled, from Derriere le Miroir, 1982
Brand: Saul Steinberg
Price: 1247.99 AUD
Availability: InStock
Rating: 4.9 (70 reviews)

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About the Item

This exquisite lithograph by Saul Steinberg (1914–1999), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Moderne du Lion, Paris, this composition captures Steinberg’s unmistakable blend of wit, intellect, and precision. In Sans titre, the artist transforms simple line into a world of imagination and commentary—merging humor, abstraction, and keen social observation into a sophisticated visual statement. The lithograph reflects Steinberg’s mastery of the drawn line as a vehicle for both satire and poetic reflection, bridging illustration and fine art with effortless grace. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm). As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition exemplifies Steinberg’s unique ability to fuse humor and philosophy through graphic clarity and conceptual depth. Artwork Details: Artist: Saul Steinberg (1914–1999) Title: Sans titre (Untitled), from Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght), 1982 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered, as issued Date: 1982 Publisher: Maeght Editeur, Paris Printer: Imprimerie Moderne du Lion, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1982 folio Derriere le Miroir, No. 250, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), This special issue of Derriere le Miroir was designed and defined by Aime Maeght in the fall of 1980. He envisioned its publication as a celebration with which artists and writers published since 1946 were to be associated. He also chose Francois Chapon, president of the Reverdy Committee, to write the presentation. This Derriere le Miroir number 250 took the form, after its disappearance on September 5, 1981, of a tribute to Aime Maeght and his wife Marguerite Maeght who died four years earlier. 24 artists agreed to create an original graphic work for this issue which includes the general table of all issues as well as excerpts from texts by 32 writers. Finished printing on June 2, 1982 on the presses of the l'Imprimerie moderne du Lion in Paris. CL examples were printed on velin d'Arches, numbered from I to CL, and some non-commercial examples constituting the original edition. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Saul Steinberg (1914–1999) was a Romanian-born American artist, illustrator, and cartoonist celebrated for his witty, intellectual drawings that blend satire, surrealism, and fine art. Best known for his decades-long association with The New Yorker, Steinberg transformed the art of drawing into a language of ideas, using line, humor, and imagination to explore identity, society, and perception. His work transcended boundaries between illustration and modern art, placing him in dialogue with 20th-century masters such as Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists whose experiments with form and meaning paralleled his own. Equally at home in galleries and publications, Steinberg’s work has been exhibited at major museums worldwide, including the Museum of Modern Art (MoMA), the Whitney Museum of American Art, and the Art Institute of Chicago. His drawings, prints, and paintings remain highly sought after by collectors for their conceptual brilliance and timeless wit. The highest price ever paid for a Saul Steinberg artwork is approximately $425,000 USD, achieved in 2021 at Christie’s New York for Piazza Navona (1954). Saul Steinberg Sans titre, Saul Steinberg lithograph, Steinberg Derriere le Miroir, Steinberg Maeght Editeur Paris, Steinberg Imprimerie Moderne du Lion, Steinberg 1982 edition, Steinberg abstraction, Steinberg collectible lithograph, Steinberg modernist, Steinberg Maeght Paris publication.

Creator:

Saul Steinberg (1914-1999, American)

Creation Year:

1982

Dimensions:

Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)

Medium:

Lithograph

Movement & Style:

Modern

Period:

1980-1989