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Sheila CriderBRRHP 47, Original Signed Contemporary Neutral Toned Monoprint
$1,500
£1,115.88
€1,308.28
CA$2,097.94
A$2,342.41
CHF 1,229.04
MX$28,909.50
NOK 15,449.17
SEK 14,455.44
DKK 9,759.99
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About the Item
BRRHP 47, Original Signed Contemporary Neutral Toned Monoprint
30" x 22" (HxW), Monoprint
This simple abstract monoprint by artist Sheila Crider features a neutral color palette of a rich golden yellow, lighter taupes, and deeper browns. Breaking up the composition are organically shaped polygons and sporadic mark making. A subtle textural overlay reminiscent of the surface of stone unifies the work. The piece is contemplative, thoughtful, and meditative.
The title of the series, BRHHP, stands for Between Rocks and a Hard Heart Place.
Artist Commentary:
Fin de series. This is one of the remaining prints from a series of 60 monotypes executed at Lily Press with masterprinter Susan Goldman in 2012. They are based on a visit to Eastern State Penitentiary in Philadelphia and road markings on the island of Saba in the Caribbean. We made the principle cimtrex plate putting a piece of slate through the press to mimic the road and the crumbling wall of the prison.
About the Artist:
My art career started with creative writing, researching and experimenting with the idea that abstract art has a knowable and communicable vocabulary. Now I make objects based on materials and process then create installations around social and/or aesthetic ideas manifesting an integration of image, object and frame into pictures or settings that read as something familiar. Philosophically and socially, I work to strengthen the artist’ relationship with the public at large and to challenge how and where “art” is defined.
- Creator:
- Dimensions:Height: 30 in (76.2 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Boston, MA
- Reference Number:Seller: 880741stDibs: LU1634212589112
Sheila Crider
My art career started with creative writing- researching and experimenting with the idea that abstract art has a knowable and communicable vocabulary. Now, I make objects based on materials and process then create installations around social and/or aesthetic ideas manifesting an integration of image, object and frame into pictures or settings that read as something familiar. Philosophically and socially, I work to strengthen the artist’ relationship with the public at large and to challenge how and where “art” is defined.
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