S. schmeckt Pfirsich von H. (S. Tastes Peach from H.), Pop Art, 20th Century
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Sigmar PolkeS. schmeckt Pfirsich von H. (S. Tastes Peach from H.), Pop Art, 20th Century1996
1996
About the Item
- Creator:Sigmar Polke (1941 - 2010, German)
- Creation Year:1996
- Dimensions:Height: 23.27 in (59.1 cm)Width: 30.36 in (77.1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hamburg, DE
- Reference Number:1stDibs: LU70438601592
Sigmar Polke
Sigmar Polke was an influential German artist whose inventive paintings and photographs used non-traditional materials, such as meteorite dust or detergent. The artist once stated,“There has to be an element in of risk-taking for me in my work.” His wry probing of aesthetic taste is evident in his work “Alice im Wunderland (Alice in Wonderland)” (1972), a painting layered with irony, psychological states, and fiction. Born on February 13, 1941, in Oels, Polke and his family were expelled to East Germany after the World War II. Growing up in the German Democratic Republic left a lasting impact on the artist, especially the sensorial overload of consumer culture he experienced upon moving to West Germany in 1953. While studying at the Kunstakademie Düsseldorf, Polke, Gerhard Richter, and Konrad Lueg created what is now known as capitalist realism. Together, these artists responded to the nationalistic themes of socialist realism, while also critiquing West Germany’s burgeoning consumer society. Polke’s work went on to have a profound impact on a generation of young American artists, including Julian Schnabel and David Salle. Polke died on June 10, 2010, in Cologne, Germany, at the age of 69. Today, his works are included in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the Tate Gallery in London, the Kunstmuseum Bonn in Germany, and the J. Paul Getty Museum in Los Angeles, among others.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2017
1stDibs seller since 2017
166 sales on 1stDibs
Typical response time: 11 hours
More From This SellerView All
- Sigmar Polke, S. schmeckt Pfirsich von H. - 1996, Lithograph, Signed PrintBy Sigmar PolkeLocated in Hamburg, DESigmar Polke (German, 1941-2010) S. schmeckt Pfirsich von H. (S. Tastes Peach from H.), 1996 Medium: Grano-lithograph in colours with embossing, on Bütten board Dimensions: 59.1 × 77...Category
Late 20th Century Pop Art Abstract Prints
MaterialsLithograph
- Erró, Vermeer - Lithograph, Contemporary Pop Art, Signed PrintBy ErróLocated in Hamburg, DEGudmundur Gudmundsson, aka Erró (Icelandic, b. 1932) Vermeer, 2005 Medium: Lithograph on paper Dimensions: 58.4 × 80 cm Edition of 180: Hand-signed and numbered in pencil Condition: ...Category
21st Century and Contemporary Pop Art Figurative Prints
MaterialsLithograph
- Sigmar Polke, Oelbild (Näherin - Limited Edition, German Pop Art, Original PrintBy Sigmar PolkeLocated in Hamburg, DESigmar Polke Oelbild (Näherin), 1967 Medium: Offset lithograph on card stock Dimensions: 9 3/10 × 9 3/10 in 23.5 × 23.5 cm Edition of 500: Not signed (as issued) Condition: ExcellentCategory
20th Century Pop Art Abstract Prints
MaterialsOffset
- Ed Ruscha: OKLA, Original Oklahoma Contemporary Exhibition Poster, Oklahoma-EBy Ed RuschaLocated in Hamburg, DEOriginal Oklahoma Contemporary exhibition poster, based on Ed Ruscha’s pencil and charcoal drawing named Oklahoma-E from 1962. Ed Ruscha (American, b. 1937) Ed Ruscha: OKLA, 2021 Me...Category
21st Century and Contemporary Pop Art Abstract Prints
MaterialsOffset
- Harland Miller, Hate’s Outta Date - Signed Screen Print, Contemporary Pop ArtBy Harland MillerLocated in Hamburg, DEHarland Miller (British, b. 1964) Hate’s Outta Date (Yellow), 2022 Medium: Screenprint on paper Dimensions: 100 × 70 cm (39 2/5 × 27 3/5 in) Edition of 125: Hand-signed and numbered ...Category
21st Century and Contemporary Pop Art Figurative Prints
MaterialsScreen
- Sigmar Polke, Untitled (Spazierstock) - German Pop Art, Signed PrintBy Sigmar PolkeLocated in Hamburg, DESigmar Polke (German, 1941-2010) Untitled (Spazierstock), 1985 Medium: Offset lithograph in colours, on paper Dimensions: 19 7/10 × 27 3/5 in (50 × 70 cm) Edition of 120: Hand-signed...Category
Late 20th Century Pop Art Figurative Prints
MaterialsOffset
You May Also Like
- Views of Hotel Well I, from Moving Focus seriesBy David HockneyLocated in Aventura, FLViews of Hotel Well I, from Moving Focus series (T. 280; DH. 67). Lithograph printed in colors on TGL handmade paper. Hand signed, dated and numbered by the artist. original Artist's...Category
1980s Pop Art Figurative Prints
MaterialsPaper, Lithograph
- Saul Steinberg lithograph 1970s (Saul Steinberg prints)By Saul SteinbergLocated in NEW YORK, NYVintage Saul Steinberg Lithograph Published by: Galerie Maeght, Paris, c.1970 Portfolio: Derrière le miroir Excellent frame piece Lithograph in colors 15 x 22 inches Fold-line as i...Category
1970s Pop Art Figurative Prints
MaterialsLithograph
$160 Sale Price41% Off - Basquiat Paris 1998 (vintage Basquiat announcement)By after Jean-Michel BasquiatLocated in NEW YORK, NYBasquiat Paris 1998: Rare vintage original announcement card to the exhibit, Jean-Michel Basquiat Temoignage 1977-1988, Galerie Jerome De Noirmont, Paris, 1998: 6 x 9 inches (folde...Category
1980s Pop Art Figurative Prints
MaterialsOffset, Lithograph
$320 Sale Price24% Off - 1970s Surrealist Pop Art Nude Angel Lithograph Print Psychedelic ColorLocated in Surfside, FLHand Signed verso D. Herbert and numbered 1 of 20. (possibly Don Herbert)Category
20th Century Pop Art Abstract Prints
MaterialsLithograph
- Joe Tilson British Pop Art Screenprint, Color Lithograph 4 Seasons 4 ElementsBy Joe TilsonLocated in Surfside, FLSilkscreen screenprint or Lithograph Hand signed and numbered. An esoteric, mystical, Kabbala inspired print with Hebrew as well as other languages. Joseph Charles Tilson RA (born 2...Category
1970s Pop Art Abstract Prints
MaterialsLithograph, Screen
- Judy Rifka Abstract Expressionist Contemporary Lithograph Hebrew 10 CommandmentBy Judy RifkaLocated in Surfside, FLJudy Rifka (American, b. 1945) 44/84 Lithograph on paper titled "Thou Shalt Not Bear False Witness against Thy Neighbor"; Depicting an abstract composition in blue, green, red and black tones with Hebrew script. Judaica interest. (I have seen this print described as a screenprint and as a lithograph) Hand signed in pencil and dated alongside an embossed pictorial blindstamp of a closed hand with one raised index finger. Solo Press. From The Ten Commandments Kenny Scharf; Joseph Nechvatal; Gretchen Bender; April Gornik; Robert Kushner; Nancy Spero; Vito Acconci; Jane Dickson; Judy Rifka; Richard Bosman and Lisa Liebmann. Judy Rifka (born 1945) is an American woman artist active since the 1970s as a painter and video artist. She works heavily in New York City's Tribeca and Lower East Side and has associated with movements coming out of the area in the 1970s and 1980s such as Colab and the East Village, Manhattan art scene. A video artist, book artist and abstract painter, Rifka is a multi-faceted artist who has worked in a variety of media in addition to her painting and printmaking. She was born in 1945 in New York City and studied art at Hunter College, the New York Studio School and the Skowhegan School of Painting and Sculpture in Maine. Rifka took part in the 1980 Times Square Show, (Organized by Collaborative Projects, Inc. in 1980 at what was once a massage parlor, with now-famous participants such as Jenny Holzer, Nan Goldin, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, and Kiki Smith, the roster of the exhibition reads like a who’s who of the art world), two Whitney Museum Biennials (1975, 1983), Documenta 7, Just Another Asshole (1981), curated by Carlo McCormick and received the cover of Art in America in 1984 for her series, "Architecture," which employed the three-dimensional stretchers that she adopted in exhibitions dating to 1982; in a 1985 review in the New York Times, Vivien Raynor noted Rifka's shift to large paintings of the female nude, which also employed the three-dimensional stretchers. In a 1985 episode of Miami Vice, Bianca Jagger played a character attacked in front of Rifka's three-dimensional nude still-life, "Bacchanaal", which was on display at the Museum of Art Fort Lauderdale. Rene Ricard wrote about Rifka in his influential December 1987 Art Forum article about the iconic identity of artists from Van Gogh to Jean-Michel Basquiat and Keith Haring, The Radiant Child.The untitled acrylic painting on plywood, in the collection of the Honolulu Museum of Art, demonstrates the artist's use of plywood as a substrate for painting. Artist and writer Mark Bloch called her work "imaginative surfaces that support experimental laboratories for interferences in sensuous pigment." According to artist and curator Greg de la Haba, Judy Rifka's irregular polygons on plywood "are among the most important paintings of the decade". In 2013, Rifka's daily posts on Facebook garnered a large social media audience for her imaginative "selfies," erudite friendly comments, and widely attended solo and group exhibitions, Judy Rifka's pop art figuration is noted for its nervous line and frenetic pace. In the January 1998 issue of Art in America, Vincent Carducci echoed Masheck, “Rifka reworks the neo-classical and the pop, setting all sources in quotation for today’s art-world cognoscenti.” Rifka, along with artists like David Wojnarowicz, helped to take Pop sensibility into a milieu that incorporated politics and high art into Postmodernism; Robert Pincus-Witten stated in his 1988 essay, Corinthian Crackerjacks & Passing Go that "Rifka’s commitment to process and discovery, doctrine with Abstract Expressionist practice, is of paramount concern though there is nothing dogmatic or pious about Rifka’s use of method. Playful rapidity and delight in discovery is everywhere evident in her painting." In 2016, a large retrospective of Rifka's art was shown at the Jean-Paul Najar Foundation in Dubai. In 2017, Gregory de la Haba presented a Rifka retrospective at the Amstel Gallery in The Yard, a section of Manhattan described as "a labyrinth of small cubicles, conference rooms and small office spaces that are rented out to young entrepreneurs, professionals and hipsters". In 2019 her video Bubble Dancers New Space Ritual was selected for the International Istanbul Bienali. Alexandra Goldman Talks To Judy Rifka About Ionic Ironic: Mythos from the '80s at CORE:Club and the Inexistence of "Feminist Art" Whitehot Magazine of Contemporary Art. She was included in "50 Contemporary Women Artists", a book comprising a refined selection of current and impactful artists. The foreword is by Elizabeth Sackler of the Brooklyn Museum’s Sackler Center for Feminist Art. Additional names in the book include sculptor and carver Barbara Segal...Category
1980s Pop Art Abstract Prints
MaterialsLithograph, Screen