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Larry Rivers
America Needs McGovern, Lt Ed Hand signed by BOTH Rivers and McGovern

1972

$4,500
£3,339.17
€3,889.68
CA$6,264.03
A$6,975.57
CHF 3,630.40
MX$86,007.88
NOK 46,235.87
SEK 43,457.24
DKK 29,021.84
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About the Item

This is a true collectible! The regular edition of only 100 is hand signed and numbered by Larry Rivers; but the present work is ALSO hand signed and inscribed by George McGovern- a true conversation piece! Larry Rivers America Needs McGovern, Lt Ed Hand signed by BOTH Rivers and McGovern, 1972 Color half-tone offset photolithograph on slick white wove paper Pencil signed and numbered 26/100 by Larry Rivers; this work is also, exceptionally and uniquely, warmly inscribed and signed by George McGovern 31 × 23 inches Unframed Accompanied by gallery issued Certificate of Guarantee The present work is pencil signed and numbered 26/100 by Larry Rivers; it is also, exceptionally and uniquely, hand signed and inscribed by US presidential candidate George McGovern. A true collectors item In 1972, Larry Rivers was one of the fine artists commissioned by the Democratic National Committee to create a limited edition print as a fundraiser for Democratic presidential candidate George McGovern. The present work, featuring a smiling portrait of George McGovern underneath a colorful map of the United States, along with a black and white caricature of Nixon, with an "X" over it - is one of them. Like many artists, Larry Rivers was fiercely opposed to the Vietnam War, so he supported the quixotic, but ultimately doomed Presidential candidacy of the ultra-liberal George McGovern. Indeed, despite Rivers best artistic efforts, Richard Nixon went on to win the election in a landslide and Senator McGovern suffered one of the greatest defeats in American history. But by August 1972, Richard Nixon would end up resigning the US Presidency in in disgrace. This is a scarce and historic print and McGovern's liberal, anti-war message resonates with Americans to this very day. Pencil signed and numbered by Larry Rivers. For those of us of a certain age who remember that presidential election, this poster is a bittersweet reminder of a dream lost. Bibliography: George McGovern & the Democratic Insurgents: The Best Campaign and Political Posters of the Last Fifty Years (University of Nebraska Press), Hal Elliot Wert Published by the Democratic National Committee
  • Creator:
    Larry Rivers (1923 - 2002, American)
  • Creation Year:
    1972
  • Dimensions:
    Height: 31 in (78.74 cm)Width: 23 in (58.42 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Very good vintage condition; some overall waviness, especially to verso, which should frame out beautifully.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1745215303022

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Larry Rivers Modernist mixed media "Brandeis Show Collage" work on cut paper. (this appears to be a vintage lithograph. It has a label that describes it as watercolor and charcoal on back. It is definitley hand cut.) Signed in several areas and stencilled across center. Work measures approx. 34 3/4" height x 20 3/4" width. Frame measures approx. 38 3/8" height x 26 1/4" width overall including frame. Silver paint loss on frame. Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 2002) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. His work was quickly acquired by the Museum of Modern Art. A 1953 painting Washington Crossing the Delaware was damaged in fire at the museum five years later. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955 along with Paul Mommer, Leonard Baskin, Peter Grippe During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo & Jean Claude, Daniel Spoerri or Alain Jacquet, several of whom, like Rivers, left some pieces of art in the lobby of the hotel for payment of their rooms. In 1965, Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. He spent 1967 in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries. During the 1970s, Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. In 1945, he married Augusta Berger, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. In 1949 he had his first one-man exhibition at the Jane Street Gallery in New York. This same year, he met and became friends with John Ashbery, and Kenneth Koch. In 1950 he met Frank O’Hara. This same year he took his first trip to Europe spending eight months in Paris, France, reading and writing poetry. Beginning in 1950 and continuing until Frank’s death in July of 1966, Larry Rivers and Frank O’Hara cultivated a uniquely creative friendship that produced numerous collaborations, as well as inspired paintings and poems. In 1951 Rivers’ works were shown at the Tibor de Nagy Gallery where he continued to show annually (except 1955) for about 10 years. In 1954 he had his first exhibition of sculptures at the Stable Gallery, New York. In 1955 The Museum of Modern Art acquired Washington Crossing the Delaware. This same year he won 3rd prize in the Corcoran Gallery national painting competition for “Self-Figure.” Rivers’ also painted “Double Portrait of Berdie” in 1955, which was soon purchased by the Whitney Museum. In 1957 he and Frank O’Hara began work on “Stones,” a collaborative mix of images and poetry in a series of lithograph for Tatyana Grosman’s company ULAE. During this time he also appeared on the television game show “The $64,000.00 Question” where along with another contestant, they both won, each receiving $32,000.00. In 1958 he again spent time in Paris and played in various jazz bands. In 1959 he painted Cedar Bar Menu...
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