Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 13

Stacey Pollard
"Floating Stones" Monoprint in Ink on Heavy Paper

1995

About the Item

"Floating Stones" Monoprint in Ink on Heavy Paper High-contrast composition by California artist Stacey Pollard (American, b. 1962). Although primarily abstract in nature, there are shapes that resemble stacked stones, similar to a cairn. However, in this depiction, the stones are stacked in an impossible manner, as if barely making contact with one another, partially floating. Titled "Floating Stones" in the lower left corner. Signed and dated "Stacey Pollard © 1995" in the lower right corner. Presented in a wood frame. Frame size: 30.5"H x 22.25"W Impression size: 25.5:H x 14.25"W Stacey Pollard (American, b. 1962) is a painter and printmaker from the San Francisco Bay Area. Artist's Statement: I find all of my compositions in nature, sometimes with structures, or any shapes or lines that I see. Using marks and paint to build up the surface, I enjoy walking the tightrope between creating an image that is abstract and also representative enough. My paintings start with many layers of acrylic glazes, and I also add texture with handmade papers or other materials. Grid marks, sketch lines, and remnants of materials remain embedded in the work, so that some marks from every layer are in the finished piece--the process becomes the narrative. Juried Exhibitions: Vision 2020 (March/April 2021), Cabrillo Gallery, Santa Cruz, CA Juror: Eleanor Harwood Seattle Emerging Arts Fair (July 2018), Seattle Juror: Judith Rinehart Bemis Arts Spring Show (April 2018), Seattle Santa Cruz County Open Studios (2011, 2013, 2014, 2015, 2016) Stars-Twenties Gala, Museum of Art and History, Santa Cruz (2011) Bedford Gallery, Dean Lesher Center, Walnut Creek, CA (2005) Pacific Art League, Palo Alto, Accent Arts, Juror: George Rivera (1998) Triton Art Museum, Santa Clara, VAAST Art Show, Juror: George Rivera (1997) California Society of Printmakers, Richmond Art Center, Beyond Boundaries Juror: Wayne Thiebaud (1997) Collections: California State University, Monterey Bay
  • Creator:
    Stacey Pollard (1962, American)
  • Creation Year:
    1995
  • Dimensions:
    Height: 30.5 in (77.47 cm)Width: 22.25 in (56.52 cm)Depth: 1.25 in (3.18 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Artwork is in very good condition. Frame is used and shows some signs of wear. New hanging hardware installed prior to shipping.
  • Gallery Location:
    Soquel, CA
  • Reference Number:
    Seller: DBH93371stDibs: LU54214650342

More From This Seller

View All
Botanical Still-Life with House Plants & Red Roses
By Sidney Jonas Budnick
Located in Soquel, CA
Botanical Still-Life with House Plants & Red Roses Dramatic abstracted botanical still life of house plants and red roses Lithograph by Sidney Jonas Budnick (American, 1921-1994), 19...
Category

1970s Post-War Abstract Prints

Materials

Ink, Laid Paper, Lithograph

White Lily - Minimalist Pop Art Screenprint
Located in Soquel, CA
Bold black and white print by David Mar (American, 20th Century). A white lily is formed from the negative space of the print. Artist's chop in the lower left corner. Titled, numbe...
Category

1990s Contemporary Still-life Prints

Materials

Ink, Laid Paper

"Pills" - Outsider Pop Art - Woodblock on Paper (#5/5)
Located in Soquel, CA
Vibrant multi-layer woodblock print by Robin Blake (American, 1955). Three layers of neon ink (yellow, magenta, and blue) form a zoomed-in composition of pills. The bright colors cre...
Category

2010s Outsider Art Still-life Prints

Materials

Paper, Ink, Woodcut

"Back to the Sea" - Intaglio Print
Located in Soquel, CA
Wonderful and evocative abstracted dry point etching of the sea, a maddox. random fishing buoys and crab claw titled "Back to the Sea by Tomoya Uchida (Japanese, b. 1947). Presented in new custom cut mat. Unframed. Image size: 9"H x 15"W Titled "Back to the Sea" along the bottom edge. Signed and dated "T. Uchida '89" in the lower right corner. Presented in a new custom-cut mat with foam core backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category

1980s Contemporary Still-life Prints

Materials

Paper, Ink, Drypoint

"Unremembered Dream" Dragon Fly and Barbed Wire - Intaglio Print
Located in Soquel, CA
Wonderful and evocative abstracted dry point etching of dragon fly and barbed wire titled "Rebirth" by Tomoya Uchida (Japanese, b. 1947). Presented in new custom cut mat. Unframed. Image size: 9"H x 15"W Titled "Unremembered Dream" along the bottom edge. Signed and dated "T. Uchida '89" in the lower right corner. Presented in a new custom-cut mat with foam core backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category

1980s Contemporary Still-life Prints

Materials

Paper, Ink, Drypoint

"Rebirth" Honey Bee and Barbed Wire - Intaglio Print
Located in Soquel, CA
Wonderful and evocative abstracted dry point etching of honey bee drinking water and barbed wire titled "Rebirth" by Tomoya Uchida (Japanese, b. 1947). Presented in new double mat. Unframed. Image size: 8.5"H x 7.5"W Titled "Rebirth" along the bottom edge. Signed and dated "T. Uchida" in the lower right corner. Presented in a new double mat mat with foam core backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category

1980s Contemporary Still-life Prints

Materials

Paper, Ink, Drypoint

You May Also Like

Steinberg, Illustration, Derrière le miroir (after)
By Saul Steinberg
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

1960s Post-War Abstract Prints

Materials

Lithograph

Tàpies, Composition (Galfetti 209, A-N), Derrière le miroir (after)
By Antoni Tàpies
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with trifold, as issued. Notes: From Derrière le miroir, N° 280, 1969. Published by Aimé M...
Category

1960s Post-War Still-life Prints

Materials

Lithograph

Tàpies, Composition, Derrière le miroir (after)
By Antoni Tàpies
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, Hommage à Aimé et Marguerite M...
Category

1980s Post-War Still-life Prints

Materials

Lithograph

Tàpies, Composition (Galfetti 315), Derrière le miroir (after)
By Antoni Tàpies
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 200, 1972. Published by Aim...
Category

1970s Post-War Still-life Prints

Materials

Lithograph

Tàpies, Composition (Galfetti 315), Derrière le miroir (after)
By Antoni Tàpies
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 200, 1972. Published by Aim...
Category

1970s Post-War Still-life Prints

Materials

Lithograph

Tàpies, Composition, Derrière le miroir (after)
By Antoni Tàpies
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 175, 1968. Published by Aim...
Category

1960s Post-War Still-life Prints

Materials

Lithograph

Recently Viewed

View All