Futurist Abstract Prints

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Original Edition Linocut on wove paper. Inscription: Signed in the plate and unnumbered, as issued, verso. Excellent Condition; never framed or matted. Notes: Extracted from the volu...

Medium: original lithograph. Published in Milan by Groupe Espace for the very rare 1958 volume of Documenti d'Arte d'Oggi. Sheet size 12 1/2 x 8 5/8 inches (318 x 220 mm); with print...

Spatial Equilibrium, 1925-26 is Balla's experimentation with space and movement dating from 1925-26, done on limited-run, very high-quality silkscreen prints. Edizione postuma pubbli...

Black composition is an artwork realized by Gino Severini, (Cortona, Italy 1883 - 1966 Paris) in 1962. 50x40 sheet, 15x11 image; etching on paper, es. 84/150. Hand signed lower ri...

This Fortunato Depero wionderful serigraphy is a multiple of 250 specimens printed by the authorization of Museum of Depero in Rovereto (Italy). This i...

A very good impression of this color lithograph. Artist's proof, aside from the edition of 175. Signed, dated and inscribed "Epreuve d'artiste" in pencil. Printed by Desjobert, Paris...

A very good impression of this color lithograph with strong colors. Signed and numbered 119/140 in pencil by Severini. Printed by Michael Cassé, Paris. Published by L'Œuvre Gravée, P...

Futurist composition is an original artwork realized in 1969 by Gerardo Dottori. Black and white lithograph is an original lithograph. Hand signed and dated on the lower right marg...

Abstract Composition is a Contemporary Artwork realized in 1971 by Gerardo Dottori (Perugia, 1884 – Perugia, 1977). Original B/W Lithgraph on paper. Hand-signed and dated in pencil...

Abstract Composition is an original contemporary artwork realized in 1971 by Gerardo Dottori (Perugia, 1884 – Perugia, 1977). Original B/W Lithograph on paper. Hand-signed and date...

Composition is an original Contemporary Artwork realized in 1971 by Gerardo Dottori (Perugia, 1884 – Perugia, 1977). Original B/W Lithgraph on paper. Artist's Proof. Hand-signed a...

Composition is an original Contemporary Artwork realized in 1971 by Gerardo Dottori (Perugia, 1884 – Perugia, 1977). Original B/W Lithgraph on paper. Hand-signed and dated in penci...

This Fortunato Depero wonderful serigraphy is a multiple of 250 printed with the authorization of Museum of Depero in Rovereto (Italy). This is the number XI (eleven) The title is: L...

Hand signed and numbered. Edition of 100 prints. Lithograph with 6 colors. Catalogue Bartolini n. LXXIX. Very good conditions.

CLAUDE FLIGHT (1881 -1955) SWING BOATS 1921 (Coppel CF5) Color linocut, signed & no. 23/50, 8 5/8 x 11”. Sheet 10 x 13” on thin paper tipped to black-b...

Cyril Power (1872-1951) color linoleum cut, Monseignor St. Thomas, circa 1931, signed and titled in pencil at the lower right, apart from the edition of 60. Reference: Redfern 24. In very good condition, on buff oriental laid tissue, conservation matted, with margins, 13 7/8 x 11 1/8, the sheet 15 x 12 5/8 inches. A fine impression, with the colors fresh and vivid. Printed in four colors (yellow, red, blue and dark blue). The prints of the Grosvenor School artists were created by applying colors with successive blocks. The margins show the colors of each of these blocks (see illustration of the margin). The subject matter of this print relates to TS Eliot...

Sybil Andrews (1898-1992), Sails, linocut in colors, 1960, signed (twice), titled, and inscribed “TP” in pencil. Reference: White 50. In good condition, two sheets, each image 7 1/...

Temples of New York. 1919. Drypoint. Leicester 44, Guichard 26, Black 55. 7 3/4 x 6. Edition 50. New York set. Trinity Church facade from the back, which faces Wall Street. Illustrat...

John Marin (1870-1953), Downtown, The El, etching, 1921, signed in pencil lower left (also signed and dated in the plate). Reference: Zigrosser 134, only state. Published initially by Alfred Stieglitz and then included as part of the Folio of American Etchings by the magazine The New Republic in 1924, in an edition of unknown size but probably above 500. In very good condition, the full sheet, on Van Gelder wove paper, 6 3/4 x 8 3/4, the sheet 11 x 13 3/4 inches. Provenance: Hirschl and Adler Galleries, Inc., New York, New York. A fine bright impression. Initially the New Republic Set, sometimes known as Six American Etchings, contained Marin’s Brooklyn Bridge No. 6 (Swaying) (Zigrosser 112). But after a small number of sets were completed, Downtown the El was substituted for Zigrosser 112 (and so the number of Downtown The Els in the set would have been a bit fewer than the others in the set). Zigrosser, who apparently had not seen a complete set at the time he created the catalogue raisonne, conjectured that the substitution might have been because the original plate was damaged. But since the printer, Peter Platt, was the most renowned artist’s printer of his time, and worked alone, it is unlikely that he would have damaged the plate; a more likely possibility is that he switched to a print that was more comparable in size to the others in the set (The Brooklyn Bridge print...