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Tadashi NakayamaKeshin (Incarnation (Moku)1958
1958
$2,500
£1,946.42
€2,213.64
CA$3,596.18
A$3,951.04
CHF 2,064.84
MX$47,119.41
NOK 26,146.43
SEK 24,357.60
DKK 16,541.34
About the Item
Keshin (Incarnation (Moku)
Color woodcut, 1958
Signed and dated lower left in pencil (see photo)
An impression is in the collectionof the Asian Art Museum, No. 2012.93, which is not a richly inked s this impression.
Another impression is in the National Museum of Art, Smithsonian, accession no. S2019.3.1297
A third impression is in the collectionof the Art Gallery of Greater Victoria
This appears to be the best and most colorful impression of the museum holdings.
The image is thought to depict a flying crame
Condition: Wrinkles to large sheet of handmade paper. Not objectionable.
Image size: 29 15/16 x 21 1/4 inches
Sheet size: 37 3/8 x 27 1/4 inches
Reference: Tadashi Nakiyama Life & Work, Plate F
Tadashi Nakayama - Sosaku hanga artist Tadashi Nakayama initially studied oil painting at Tama Art College, but began creating woodblock prints in 1951. In the 1960s, he traveled to Turkey, Greece, England, and Italy, absorbing influences from Persian and Byzantine art and the renaissance master Paolo Ucello. Throughout his long career, his subjects have included flowers, butterflies, women, and perhaps most famously, horses. Nakayama's complex images use rich color, ranging from deep earthy hues to vibrant jewel-tones, and many designs include metallic pigments. He carves and prints his works, signing and dating them in pencil. His vibrant modern woodblocks are a terrific choice for a collector interested in sosaku hanga prints.
Comments - Intriguing early work by Nakayama featuring a crane from his "Incarnation" or "Phoenix" series, which depicted cranes in vibrant color against dark backgrounds. Rendered with bold, curving strokes in red orange, deep violet, white, and subtle copper, the bird almost appears to be on fire or to be standing in a strong wind, a mass of swirling energy against the richly textured and subtly colored background. Slender triangles of black and white form the beak, with a knot of yellow feathers at the side of the head. A terrific modern image by Nakayama, with real visual appeal.
Early prints by Tadashi Nakayama are rarely seen in the market, and this design is from one of his earliest series.
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View AllBeyound (sic) - IX
By Katsunori Hamanishi
Located in Fairlawn, OH
Beyond (sic) - IX
Mezzotint, n.d.
Signed, titled and numbered in pencil (see photos)
Edition: Unique impression (i/I)
Ninion and Sheldon Landy were major collectors of Hamanishi's works. They donated a large group of his mezzotints to Art Institute of Chicago, which formed the core of the exhibitions of his works at AIC in 2014 and again in 2019.
Condition: excellent
Plate/Image size: 9.75 x 7.75 inches
Sheet size: 12 1/2 x 9 5/8 inches
Provenance: Ninion and Sheldon Landy, Hamanishi's patrons
EXTREMELY RARE-UNIQUE
Katsunori Hamanishi
Born: 1949, Hokkaido
Medium: Mezzotint, with relief printing and metallic foil. Also a few woodblocks
Hamanishi studied painting and graduated from Tokai University with a degree in Art, in 1973. Since then, he has been living in the Tokyo area, where his primary focus is printmaking. Mezzotint is a variation of intaglio printing--an exacting and laborious process whereby ink is transferred from below the surface of the plate by use of a press. First, the entire copper plate is indented with a toothed steel rocker tool. Worked in all directions, this creates an even finely-grained texture over the surface of the plate. Each pit will hold ink and were the plate inked at this stage, it would print almost solid black.
To create the design the artist smoothes out some of the pits with a burnisher so they will hold less ink. Where highlights are required the plate is burnished and polished quite smooth. A wide range of tones are possible in mezzotint and the process can usually be recognized by a light design on a velvety black background. Hamanishi is internationally known for his mastery of this medium. He creates images with both subtle detail and dynamic composition that explore spatial relationships.
His genius is in balancing calm and meditative qualities with the energetic tensions of inanimate and natural objects. Early work had such things as pipes and branches wrapped with cloth, later rope, then straw. When he moved to a more rural area, rice fields became a common element. He has also been exploring the use of color and metallic leaf in his artwork. In 2005 Mr. Hamanishis began the Haze series exploring more abstract themes using the subtle differences between matte and black inks done in mezzotint and relief printing.
There is always a sense of mystery and intrigue in the complex mezzotint prints that come from Hamanishi’s deft hands. They compel the viewer to do a slow, thoughtful examination in order to fully absorb the vision the artist intends.
Exhibitions:
Worcester Art Museum, Massachusetts --2 person show with Hamaguchi
Ibiza Biennial, Spain--Grand Prize
Original Colored Graphic Print Triennial, Switzerland--Grand Prize
Cabo Frio International Print Biennial, Brazil--Grand Prize
CWAJ Print Show, Tokyo--Art Grant winner
Republic of China Print Exhibit--Gold Medal
Graphic Arts Council, Achenbach Foundation, San Francisco--commissioned print
Art Institute of Cleveland
University of Alberta, Edmonton, Canada--visiting artist
Shun-yo-Kai, Tokyo--prize winner
Bhara Bhavan International Print Biennale, India
Ren Brown...
Category
1980s Abstract Abstract Prints
Materials
Mezzotint
Impression B
By Toshi Yoshida 1
Located in Fairlawn, OH
Impression B
Color woodcut, 1959
Signed and dated lower right (see photo)
Titled lower left (see photo)
A trial proof, prior to the edition of 100, signed and numbered
Condition: Excellent
Image size: 14 1/2 x 9 3/4 inches
Provenance: Estate of the artist
by decent to his heirs
"Printmaker and painter Toshi Yoshida was born on July 25, 1911, into the respected Yoshida family of artists of Tokyo, Japan. Father Hiroshi was a celebrated landscape painter and printmaker, and mother Fujio established herself as the first female Yoshida artist as well as an Abstract artist later in her career. Younger brother Hodaka was an Abstract printmaker whose style, completely separate from his family's historic traditional bent, later influenced Toshi. Hodaka's wife Chizuko would become a pioneering female Japanese artist whose own exploration of Surrealism and Abstraction challenged the status quo. Toshi, however, as the eldest sibling, was expected to follow in his father's footsteps, and from an early age he was trained by Hiroshi in his studio.
Unable to attend formal schooling due to the polio-induced paralyzation of his leg, Toshi would instead help with his family's printmaking studio and go on sketching trips with Hiroshi. As he got older, these trips would include India and Southeast Asia, working from morning to night taking night trains to get from one destination to another. Among Toshi's favorite subjects were the animals he discovered along the way. However, these trips ended as Japan entered military dictatorship in the mid 1930s, and artists whose work showed signs of Western influence were barred from exhibiting. At this time, Toshi left Japan for China and Korea, where he would remain for the duration of the war. He stuck to patriotic themes to remain in business, and after the end of World War II, as Japan struggled to recover from wartime economic depression, he earned his living creating traditional Japanese woodcut landscapes...
Category
1950s Abstract Abstract Prints
Materials
Woodcut
Impression B
By Toshi Yoshida 1
Located in Fairlawn, OH
Impression B
Color woodcut, 1959
Signed and dated lower right (see photo)
Titled lower left (see photo)
A trial proof, prior to the edition of 100, signed and numbered
Condition: Excellent
Image size: 14 1/2 x 9 3/4 inches
Provenance: Estate of the artist
by decent to his heirs
"Printmaker and painter Toshi Yoshida was born on July 25, 1911, into the respected Yoshida family of artists of Tokyo, Japan. Father Hiroshi was a celebrated landscape painter and printmaker, and mother Fujio established herself as the first female Yoshida artist as well as an Abstract artist later in her career. Younger brother Hodaka was an Abstract printmaker whose style, completely separate from his family's historic traditional bent, later influenced Toshi. Hodaka's wife Chizuko would become a pioneering female Japanese artist whose own exploration of Surrealism and Abstraction challenged the status quo. Toshi, however, as the eldest sibling, was expected to follow in his father's footsteps, and from an early age he was trained by Hiroshi in his studio.
Unable to attend formal schooling due to the polio-induced paralyzation of his leg, Toshi would instead help with his family's printmaking studio and go on sketching trips with Hiroshi. As he got older, these trips would include India and Southeast Asia, working from morning to night taking night trains to get from one destination to another. Among Toshi's favorite subjects were the animals he discovered along the way. However, these trips ended as Japan entered military dictatorship in the mid 1930s, and artists whose work showed signs of Western influence were barred from exhibiting. At this time, Toshi left Japan for China and Korea, where he would remain for the duration of the war. He stuck to patriotic themes to remain in business, and after the end of World War II, as Japan struggled to recover from wartime economic depression, he earned his living creating traditional Japanese woodcut landscapes...
Category
1950s Abstract Abstract Prints
Materials
Woodcut
Xylon 21 Naoko Matsubara USA
Located in Fairlawn, OH
Xylon 21 Naoko Matsubara USA
Woodcuts, two which are printed in color, 1970
2 of the 5 woodcuts signed in pencil (see photos)
Five original woodcuts, two of which are signed in penci...
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Festival No. 6
By Katsunori Hamanishi
Located in Fairlawn, OH
Festival No. 6
Color woodblock, 2002
Signed, titled and numbered in pencil (see photos)
Edition: 50 (10/50), see photo
Provenance:
Ninion and Sheldon Landy Collection, Donors to Art Inst. of Chicago
Hamanishi Exhibition, Oct. 12, 2013-January 5, 2014
Reference: Hamanishi Small 98
Condition: Excellent
Sheet: 12 1/4 x 9 1/8";
Image 10 1/2 x 7 1/2"
Katsunori Hamanishi
Born: 1949, Hokkaido
Medium: Mezzotint, with relief printing and metallic foil. Also a few woodblocks
Hamanishi studied painting and graduated from Tokai University with a degree in Art, in 1973. Since then, he has been living in the Tokyo area, where his primary focus is printmaking. Mezzotint is a variation of intaglio printing--an exacting and laborious process whereby ink is transferred from below the surface of the plate by use of a press. First, the entire copper plate is indented with a toothed steel rocker...
Category
Early 2000s Abstract Abstract Prints
Materials
Woodcut
Festival No. 6
By Katsunori Hamanishi
Located in Fairlawn, OH
Festival No. 6
Color woodblock, 2002
Signed, titled and numbered in pencil (see photos)
Edition: 50 (10/50), see photo
Provenance:
Ninion and Sheldon Landy Collection, Donors to Art Inst. of Chicago
Hamanishi Exhibition, Oct. 12, 2013-January 5, 2014
Reference: Hamanishi Small 98
Condition: Excellent
Sheet: 12 1/4 x 9 1/8";
Image 10 1/2 x 7 1/2"
Katsunori Hamanishi
Born: 1949, Hokkaido
Medium: Mezzotint, with relief printing and metallic foil. Also a few woodblocks
Hamanishi studied painting and graduated from Tokai University with a degree in Art, in 1973. Since then, he has been living in the Tokyo area, where his primary focus is printmaking. Mezzotint is a variation of intaglio printing--an exacting and laborious process whereby ink is transferred from below the surface of the plate by use of a press. First, the entire copper plate is indented with a toothed steel rocker...
Category
Early 2000s Abstract Abstract Prints
Materials
Woodcut
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