Items Similar to Silkscreen Oiran Day Glo Fluorescent 1960's Japanese Pop Art Print Geisha Kimono
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Ushio ShinoharaSilkscreen Oiran Day Glo Fluorescent 1960's Japanese Pop Art Print Geisha Kimonoc.1969
c.1969
About the Item
Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013).
Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo.
In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957.
In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo, Natsuyuki Nakanishi) This group of artists showed their works of art in an exhibition in the 1960s called the Yomiuri Independent Exhibition. This exhibition was sponsored by a newspaper, was open to the public, and was not judged by anyone. This type of exhibition was a form of an anti-salon and was a stepping stone for Shinohara’s sculptures of found objects which acquired the label of “junk art.” Later, while living in New York, to save money on canvases (which were and are expensive) Ushio would wander alleyways collecting scraps of cardboard which he would bring back to his studio, wash, and then use to create his sculptures (so-called "junk art") composed of other found objects including discarded trash, motorcycle parts, and other mass-produced tokens of modern society.
The Neo Dadaism Organizers, including fellow Yomiuri Independent Exhibition participants Akasegawa Genpei, Shusaku Arakawa, and Yoshimura Masanobu, eventually transitioned into the Neo-Dada movement. The Neo-Dada movement can be considered a phase into Pop Art and was influenced by many of the avant-garde artists. The art that was crafted during the Neo-Dada movement was made with everyday items. (An artist who was influenced by Neo-Dadaism was Andy Warhol.)
During this time Shinohara created work called “boxing paintings” in which the artist dipped boxing gloves in sumi ink or paint and punched paper or canvas to splatter it with pigment.
Shinohara, similar to many action-painting oriented artists of the 1950s and 1960s, cared more for the gesture and vitality and less for the beauty of the image. As Julia Cassim observed in her 1993 review of Shinohara's retrospective at Tsukashin Hall in Amagasaki, Japan, “His kaleidoscopic paintings of pneumatic, rubber-nippled nudes, bikers and Coney Island’s garish glories are painted in the acid reds, greens and pinks common to Asian street fairs from Tokyo to Bombay. They burst at the seams with detail. Seemingly slapdash and rapidly painted, they are, in fact, as carefully composed as any more formal work.”
By 1965 the Neo-Dada Organizers group gave way and Shinohara left for New York in 1969 with a grant from the John D. Rockefeller 3rd Fund To visit New York was Shinohara’s dream; he left with the intention of staying in New York for a short period to work and create new ideas because of the different surroundings. He came to love the city's spirit and the mix of ethnicities so much he decided not to return to Japan. In New York he loved being a tourist and getting inspiration from anything and anyone he ran into. He kept with the concept of reinventing American art such as comics and Neo-Dada works. In 1965, before Shinohara left for New York, he started one of his most successful series of works is called "Oiran". An oiran is a title given to a courtesan. Instead of making his work look beautiful to represent what an oiran's personality was like, he made her look ugly and based this work off work in the Edo period (1603–1868). This period can, in a way, be called the beginning of the modern period of Japan. The "Oiran" work was a backlash or rejection of what society believed to be beautiful. He used fluorescent paint and showed the grotesque beauty that was ignored many times in Japanese art. Kimono detail. For the "Oiran Series", Shinohara was awarded a prize by the William and Norma Copley Foundation.His next works of art became motorcycles done around 1970. In his mind, motorcycles represented America. He created these works out of discarded objects — primarily scraps of cardboard he washed and soaked in water to make them pliant, shaping them almost like papier-mâché. They were rough, vigorous sculptures. The motorcycles were reminiscent of what America meant to him, but many times these sculptures had geishas riding on the back seat. The sculptures were painted in shades of green, pink and red which paralleled the colors of street fairs in Tokyo. They were full of detail, very carefully composed, and extremely large. Shinohara wanted these pieces to have a great effect on the viewer and sought to accomplish that with the composition, vivid colors and the scale of the work. Around 1990, he turned to boxing-painting once more using a huge piece of paper and boxing gloves dipped into neon paint. This art was soon turned into a performance. He turned these performances into "battles" where he battles against other artists before a crowd, usually in New York.
Photographer Shōmei Tōmatsu was a strong influences on his art. Shomei Tomatsu was a Japanese photographer who studied at Aichi University. He took photos for Japanese photography magazines that were controversial and showed contemporary images. Shinohara was also influenced by Hollywood culture, comic books and the culture of jazz.
Ushio Shinohara has been married to artist Noriko Shinohara since the early 1970s, together they have a son who is also an artist, Alexander Kūkai Shinohara. Their tumultuous life together as a family was subject to the Zachary Heinzerling directed, 2013 documentary, Cutie and the Boxer. The family is based in the Dumbo neighborhood of Brooklyn, New York. Ushio Shinohara had a previous marriage in Japan and has two children from that marriage.
In 1982, the Japan Society in New York City hosted an exhibition of Shinohara's work, titled "Tokyo Bazooka". It was curator Alexandra Munroe's first project at the museum after having studied Japanese art through the mid-19th century and reportedly inspired her research into modern and contemporary Japanese artists practice, including the 1994 exhibition and catalogue "Japanese Art After 1945: Scream Against the Sky".
In 1990, Ushio Shinohara's work was part of a traveling exhibition that was sponsored by the Museum of Modern Art in New York. Also, his boxing-painting and motorcycle sculptures were a part of an exhibition at MoMA from September through November 2005. Shinohara's work "Coca-Cola Plan" (1964) was included in "Tokyo 1955–1970: A New Avant-Garde" with ran from November 2012 until February 2013 at the MoMA in New York.
Collections
Shinohara's work is found in multiple public museum collections including: Museum of Modern Art (MoMA) New York, the Metropolitan Museum of Art, Hara Museum of Contemporary Art, Hyogo Prefectural Museum of Art with the Yamamura Collection, and others.
A 1961 photograph by William Klein, of Shinohara creating a boxing painting performance is included in the collection at Museum of Fine Arts, Houston.
- Creator:Ushio Shinohara (1932, Japanese)
- Creation Year:c.1969
- Dimensions:Height: 17 in (43.18 cm)Width: 13.5 in (34.29 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:light toning where it was matted. please se photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU3827386842
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2014
1,479 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Silkscreen Day Glo Fluorescent 1960's Japanese Pop Art Print Samurai KimonoBy Ushio ShinoharaLocated in Surfside, FLUshio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo, Natsuyuki Nakanishi) This group of artists showed their works of art in an exhibition in the 1960s called the Yomiuri Independent Exhibition. This exhibition was sponsored by a newspaper, was open to the public, and was not judged by anyone. This type of exhibition was a form of an anti-salon and was a stepping stone for Shinohara’s sculptures of found objects which acquired the label of “junk art...Category
1960s Pop Art Abstract Prints
MaterialsScreen
- French Modernist Abstract Portrait Lithograph (After Jasper Johns)By André CottavozLocated in Surfside, FLBorn in 1922 in Saint-Marcellin, in Isère, André Cottavoz studied at the École des Beaux-Arts in Lyon in 1939. In 1942, Cottavoz at 20 years, he is in class 22 and must go to the Com...Category
1960s Abstract Abstract Prints
MaterialsLithograph
- Erotic Nude French Surrealist Aquatint Etching Photo Collage Silkscreen PrintBy Zvi MilshteinLocated in Surfside, FLThis is numbered by hand in pencil and signed in pencil. An erotic nude etching. Zwy Milshtein (Zvi Tzvi Milstein) BIOGRAPHY 1934 Born in Kishinev (Bessarabia) Russian, Romanian reg...Category
20th Century Expressionist Portrait Prints
MaterialsEtching, Aquatint
- Zohar Kabbalah Portrait French Jewish Surrealist Aquatint Etching Hebrew JudaicaBy Zvi MilshteinLocated in Surfside, FLEtching and Aquatint with embossing, Zwy Milshtein (Zvi Tzvi Milstein) BIOGRAPHY 1934 Born in Kishinev (Bessarabia) Russian, Romanian region. 1948 Arrived in Israel via Cyprus, where he studied with Rafael Ben Zvi. Studies in Tel Aviv with Mordecai Ardon, Aharon Avni, Mosher Mokadi and Marcel Janco founder of the Dada art movement. Studies at The Bezalel Art School,Jerusalem. 1956 Awarded a scholarship by the Israel American Fund. Select Group Exhibitions 1950 55Israeli Artists Exhibition, Tel Aviv Museum 1956 Cimaise de Paris, 1958 "School of Paris", Charpentier Gallery, 1959 Les Grands et les Jeunes Aujourd hui Salon National 1960 Les Grands et les Jeunes d Aujourd hui Contemporary Israeli Art, Museum of Modern Art, Paris 1961 "Russian Artists of the Paris School 1961Salon de la Jeune Peinture, 1964 Salon des Indépendants, Grand Palais, Paris 1965 Salon d'Automne, GrandPalais,Paris 1966 Laureat for the Gravure du Prix de la Critique 1967 Biennale, Paris 1970 stay with Theodor Ahrenberg, the eminent Swedish art collector. MILSHTEIN has an exhibition at ARC, in the museum of modern art in Paris. Drawings suspended in a liquid contained in a bottle thus creating a three dimensional effect. 1978 An retrospective exhibition of his etchings engravings is held at the Bibliotheque Nationale; the publication of a book illustrated with 33 drawings : Le rite du chat, on show at Artcurial in Paris. Milshtein has also written several plays and has worked in etching intaglio carborundum, lithograph techniques. listed in adec artprice. He has exhibited at galleries in Germany, France and Switzerland with Theodore Theo Tobiasse, Mane Katz, Raya Sorkine, Avigdor Arikha and Abram Krol. A fine Judaica artist.Category
20th Century Expressionist Portrait Prints
MaterialsEtching, Aquatint
- Portrait of Woman on Typeface French Jewish Surrealist Aquatint Etching JudaicaBy Zvi MilshteinLocated in Surfside, FLEtching and Aquatint with embossing, This is numbered by hand in pencil but does not appear to be signed. Zwy Milshtein (Zvi Tzvi Milstein) BIOGRAPHY 1934 Born in Kishinev (Bessarab...Category
20th Century Expressionist Portrait Prints
MaterialsEtching, Aquatint
- Portraits Erotic Vignettes French Israeli Surrealist Aquatint Etching Le ColonelBy Zvi MilshteinLocated in Surfside, FLEtching and Aquatint with embossing featuring a clock, the colonel, a nude woman undressing and a figure. This is numbered by hand in pencil and signed in pencil. Zwy Milshtein (Zvi ...Category
20th Century Expressionist Portrait Prints
MaterialsAquatint, Etching
You May Also Like
- Falling Man Manscape VlBy Ernest TrovaLocated in New York, NYLimited-edition of 175 numbered in the lower margin Hand-signed in pencil in the lower right margin Custom frame dimensions: 31" high x 31" wide Published by Pace EditionsCategory
1960s Pop Art Portrait Prints
MaterialsArchival Paper, Screen
- Midnight ProfileBy Peter MaxLocated in New York, NYLimited-edition of 300 annotated in white pencil crayon lower left Hand-signed "Max" in white pencil crayon lower right Framed dimensions 43" high x 31" wide Copyright chop mark lowe...Category
1980s Pop Art Portrait Prints
MaterialsScreen
- AUFBRUCH AUS MOSKAU MOCKBA (Linen portfolio box of 20 works by Russian artistsBy Grisha BruskinLocated in New York, NYAUFBRUCH AUS MOSKAU MOCKBA - PORTFOLIO OF TWENTY (20) ORIGINAL LIMITED EDITION SIGNED GRAPHICS, 1990 20 Limited edition, hand signed and numbered Screenprints, unframed in original Portfolio case 22 4/5 × 29 9/10 inches (each work) Edition of 100 Each print is hand signed and numbered 64 from the edition of 100 This is the complete Portfolio with 20 original limited edition, hand signed and numbered from the limited edition of only 100 - graphics by 20 Russian artists, including screen printing and collotypes. This portfolio was the mastermind of legendary printer and publisher Michael Domberger, who crisscrossed the globe from Rome, Sydney, Amsterdam, New York, Cologne and Moscow to realize this ambitious project - technically and artistically. Domberger writes that to his great surprise and delight -all of the artists invited agreed to participate. The 20 Russian artists invited to contribute works to this portfolio are: Jurij Albert, Grisha Bruskin, Erik Bulatov, Andrey Filippov, Sven Gundlach, Vladimir Yankilevsky, Ilya Kabakov, Igor Kopystyansky, Svetlana Kopystyanskaya, Georgiy Litvsky, Sergei Mironenko, Vladimir Mironenko, Boris Orlov, Dmitry Prigov, Andrei Roiter, Jurij Sobolev, Ivan Chujkov, Sergei Wolkov, Wadim Zakharov and Constantine Zwesdotschotov. Each print is housed in the original elegant Linen Portfolio Box...Category
1990s Pop Art Abstract Prints
MaterialsScreen
- Yes You Can Can (Splats Edition)Located in Deddington, GBYes You Can Can (Splats Edition) by Amy Gardner [2020] limited_edition Screen Print, Watercolour Edition number 40 Image size: H:50 cm x W:50 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This print is about women supporting women. 'YES YOU CAN CAN' splats edition limited edition of 40 Archival Bread & Butter bright white paper 270gsm 50x 50cms 5 screen...Category
21st Century and Contemporary Pop Art Abstract Prints
MaterialsPaper, Watercolor, Screen
- Joseph Beuys, FIU Joseph Beuys, 7000 Eichen - Signed Screenprint from 1982By Joseph BeuysLocated in Hamburg, DEJoseph Beuys (German, 1921-1986) FIU Joseph Beuys, 7000 Eichen, 1982 Medium: Screenprint on black card stock Dimensions: 61.5 x 45.8 cm Edition of 100: Hand-signed in silver Conditio...Category
20th Century Pop Art Portrait Prints
MaterialsScreen
- Reflections on Conversation, from Reflection seriesBy Roy LichtensteinLocated in Miami, FLRoy Lichtenstein (1923-1997, American) Reflections on Conversation, from Reflection series 1990 Lithograph, screenprint, woodcut, relief and metalized PVC collage with embossing 53 3...Category
1990s Pop Art Portrait Prints
MaterialsPVC, Mixed Media, Lithograph, Screen, Woodcut
Recently Viewed
View AllMore Ways To Browse
Japanese 1960
Japanese Stone Art
Ethnic Art
Midcentury Pop Art
Mother Son Art
Yellow Red 1960s
Mid Century Modern Large Prints
Kimono Art
Canvas Midcentury Print
Japanese Step
Japanese Kimono Art
Kimono Print
Retro Kimono Japanese
Japan Abstract Art Midcentury
Midcentury Pop Prints
Japanese Kimono Prints
Japanese Kimono Print
1950s Vintage Gloves 1950s Gloves