Items Similar to Untitled (5227C) by Wendy Pasmore, 1988
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Wendy PasmoreUntitled (5227C) by Wendy Pasmore, 19881988
1988
About the Item
Bits and Pieces No.7 by Wendy Pasmore, 1988
Additional information:
Medium: screenprint on heavy paper
18 1/4 x 20 1/8 in
46.2 x 51 cm
signed with initials, dated and numbered 4/50 in pencil
Wendy Pasmore was a Postwar and Contemporary painter. Born in Dublin, Wendy (née Blood) and her family moved to England while she was still a child. In 1933, aged eighteen, Wendy convinced her father, an Army officer, to allow her to attend art school in Chelmsford, before moving to London in pursuit of her artistic career. It was there that she met, and modelled for, a fellow artist, Victor Pasmore (1908-1998). The two were married in 1940 as Victor’s career was beginning to flourish; he had been elected to the London Artist’s Association and the London Group in the early ‘30s, had founded the Euston Road School in 1938, and would go on to become a key figure of the European art world in the mid-century.
Wendy and Victor were at the heart of London’s art scene. Their first home together was on Chiswick Mall, though they are most associated with an imposing house in Blackheath where they settled in 1948, a property still in the family today. Throughout the 1940s and early ‘50s Wendy continued to paint, but with Victor’s prospering career and two young children to care for, as well as her teaching roles, her own painting had become increasingly intermittent.
In 1955, there was a shift in her career and Wendy was elected a Member of the Women’s International Art Club, a society that aimed to help women artists by arranging dedicated exhibitions of their work in prominent galleries, with Sonia Delaunay, Elisabeth Frink, Gwen John and Lee Krasner among its members. Wendy first exhibited her abstract work with the London Group the following year and became a Member in 1958.
Having held teaching posts at a number of art colleges, including Sunderland and Scarborough, Wendy settled at Leeds, where she worked with Terry Frost and others to establish the foundation course that later grew into the Leeds College of Art. With interest in her work growing, in 1963, a retrospective was held for Wendy at the London galleries of Molton and Lords and she was thereafter regularly included in Summer Exhibitions at the Royal Academy.
Aside from London, the Pasmores had a strong connection with Malta, falling for the country after a visit following the 1965 Venice Biennale. The two had acquired a 17th-century farmhouse near Gudja, named Dar Gamri, and settled in to island life with a house full of animals. In 2014, the capital city, Valletta, became home to the Victor Pasmore Gallery, a project that had long been pursued by Wendy and the Pasmore Foundation.
- Creator:
- Creation Year:1988
- Dimensions:Height: 16.5 in (41.91 cm)Width: 23.5 in (59.69 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Kingsclere, GB
- Reference Number:1stDibs: LU2718214578422
About the Seller
No Reviews Yet
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
1stDibs seller since 2024
37 sales on 1stDibs
Typical response time: 21 hours
- ShippingRetrieving quote...Shipping from: Kingsclere, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllAreas Contrasted, from A Poem for Alexander, Brown and White Abstract Print 1972
By William Scott
Located in Kingsclere, GB
Areas Contrasted, from A Poem for Alexander by William Scott, 1972
Additional information:
Medium: screenprint
56.9 x 77.5 cm
22 3/8 x 30 1/2 in
signed, dated and inscribed A/P in p...
Category
20th Century Abstract Prints
Materials
Screen
Adytum S III, Neutral Tone Linear Abstract Screen Print, 1974
By Paul Feiler
Located in Kingsclere, GB
Adytum S III, 1974
signed, dated, titled and numbered 13/75 in pencil
screenprint in colours on wove
31 1/8 x 23 1/4 in
79 x 59 cm
Category
20th Century Prints and Multiples
Materials
Screen
Adytum S II - Tonal Abstract Stripes with White and Brown Screenprint, 1973
By Paul Feiler
Located in Kingsclere, GB
Adytum S II, 1973
signed, dated, titled and numbered in pencil
screenprint
31 1/2 x 22 7/8 in
80 x 58 cm
Category
20th Century Prints and Multiples
Materials
Screen
The Clifford Suite VI, Blue and Purple Abstract Print, 1972
By Peter Stroud
Located in Kingsclere, GB
The Clifford Suite VI by Peter Stroud, 1972
Additional information:
Medium: screenprint
38 x 42.5 cm
15 x 16 3/4 in
signed, dated and numbered in pencil
Category
20th Century Abstract Prints
Materials
Screen
Spring, from The Four Seasons by Richard Lin, 1966
By Richard Lin
Located in Kingsclere, GB
Spring, from The Four Seasons by Richard Lin, 1966
Additional information:
Medium: screenprint on TH Saunders paper
68.5 x 91 cm
27 x 35 7/8 in
inscribed 'Proof' in pencil
Born in ...
Category
20th Century Abstract Prints
Materials
Screen
Indian View G by Howard Hodgkin, 1971
By Howard Hodgkin
Located in Kingsclere, GB
Indian View G by Howard Hodgkin, 1971
Additional information:
Medium: screenprint in colours on J Green, printed to the edges
22 7/8 x 30 1/2 in
58 x 77.5 cm
signed, dated and numbered 46/75 in pencil
Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54).
Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames.
In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1995–96 Hodgkin had an exhibition at the Metropolitan Museum of Art, New York, which travelled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent.
Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group. His black stone and white marble mural...
Category
20th Century Abstract Prints
Materials
Screen
You May Also Like
Victor Vasarely "Axo-Charga" Hand-Signed Limited Edition Serigraph, Framed
By Victor Vasarely
Located in Miami, FL
"AXO-CHARGA" BY VICTOR VASARELY (1906-1997)
Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed
A VISIONARY MASTERWORK OF OP ART
"Axo-Charga" is a striking original serigraph by V...
Category
1970s Op Art Abstract Prints
Materials
Screen, Paper
$3,500 Sale Price
36% Off
Pulsar
By Roy Ahlgren
Located in Fairlawn, OH
11 value silkscreen print
Signed, dated, titled and numbered in pencil by the artist.
Edition of 150, plus 20 AP's as is here AP XV/XX.
Provenance:
Estate of the Artist
By dece...
Category
1980s Op Art Abstract Prints
Materials
Screen
Solar Imp
By Helen Frankenthaler
Located in New York, NY
Screenprint in colors on wove paper. Signed by the artist in pencil and also numbered 96/126 in pencil. Published by Lincoln Center List Poster and Print Program, New York.
Second ...
Category
Early 2000s Abstract Expressionist Abstract Prints
Materials
Screen, Color
Red-Green Rosso-Verde - Italian Art Minimalism Abstract PVC
By Antonio Calderara
Located in London, GB
This original screenprint diptych in colours are each hand signed in pencil by the artist with his monogram "A. C." at the lower left margins. Each are dated “1973” next to the sign...
Category
1970s Abstract Abstract Prints
Materials
PVC, Screen
Une Bouchee D'Amour (signed presentation print by female photorealist artist)
By Audrey Flack
Located in New York, NY
Audrey Flack
Une Bouchee D'Amour, 2013
Mixed media: Digitized drawing with silkscreen
Signed, titled and numbered recto (front) in graphite pencil
Annotated presentation proof
Frame included: in elegant vintage wood frame
Print Club of New York, Publisher; Printer: Experimental Printmaking Institute, Lafayette College, Easton, PA
Digitized drawing with silkscreen
Flack's "Une Bouchee d'Amour" was the 2013 presentation print commissioned by The Print Club of New York, and it is accompanied by a COA issued by the Print Club of NY as well as Alpha 137...
Category
2010s Photorealist Abstract Prints
Materials
Mixed Media, Digital, Screen, Pencil, Graphite
Infinity Umbrella
By Yayoi Kusama
Located in New York, NY
Yayoi Kusama
Infinity Umbrella, 2014
Silkscreen on 100% polyester umbrella with plastic handle
37 × 54 × 54 inches
This limited edition silkscreened umbrella was created exclusively...
Category
2010s Pop Art Abstract Prints
Materials
Plastic, Polyester, Screen