Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Wendy Pasmore
Untitled (Bits and Pieces No.5) by Wendy Pasmore, 1988

1988

$1,333.37
£975
€1,162.88
CA$1,828.22
A$2,053.79
CHF 1,093.01
MX$25,395.95
NOK 13,318.40
SEK 12,876.98
DKK 8,673.97
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Untitled (Bits and Pieces No.5) by Wendy Pasmore, 1988 Additional information: Medium: screenprint on heavy paper 18 1/4 x 19 1/8 in 46.2 x 48.5 cm signed with initials, dated and numbered 6/50 in pencil Wendy Pasmore was a Postwar and Contemporary painter. Born in Dublin, Wendy (née Blood) and her family moved to England while she was still a child. In 1933, aged eighteen, Wendy convinced her father, an Army officer, to allow her to attend art school in Chelmsford, before moving to London in pursuit of her artistic career. It was there that she met, and modelled for, a fellow artist, Victor Pasmore (1908-1998). The two were married in 1940 as Victor’s career was beginning to flourish; he had been elected to the London Artist’s Association and the London Group in the early ‘30s, had founded the Euston Road School in 1938, and would go on to become a key figure of the European art world in the mid-century. Wendy and Victor were at the heart of London’s art scene. Their first home together was on Chiswick Mall, though they are most associated with an imposing house in Blackheath where they settled in 1948, a property still in the family today. Throughout the 1940s and early ‘50s Wendy continued to paint, but with Victor’s prospering career and two young children to care for, as well as her teaching roles, her own painting had become increasingly intermittent. In 1955, there was a shift in her career and Wendy was elected a Member of the Women’s International Art Club, a society that aimed to help women artists by arranging dedicated exhibitions of their work in prominent galleries, with Sonia Delaunay, Elisabeth Frink, Gwen John and Lee Krasner among its members. Wendy first exhibited her abstract work with the London Group the following year and became a Member in 1958. Having held teaching posts at a number of art colleges, including Sunderland and Scarborough, Wendy settled at Leeds, where she worked with Terry Frost and others to establish the foundation course that later grew into the Leeds College of Art. With interest in her work growing, in 1963, a retrospective was held for Wendy at the London galleries of Molton and Lords and she was thereafter regularly included in Summer Exhibitions at the Royal Academy. Aside from London, the Pasmores had a strong connection with Malta, falling for the country after a visit following the 1965 Venice Biennale. The two had acquired a 17th-century farmhouse near Gudja, named Dar Gamri, and settled in to island life with a house full of animals. In 2014, the capital city, Valletta, became home to the Victor Pasmore Gallery, a project that had long been pursued by Wendy and the Pasmore Foundation.
  • Creator:
  • Creation Year:
    1988
  • Dimensions:
    Height: 18.25 in (46.36 cm)Width: 19.13 in (48.6 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Kingsclere, GB
  • Reference Number:
    1stDibs: LU2718214578382

More From This Seller

View All
Betwixt and Between by John Hoyland, 1982
By John Hoyland
Located in Kingsclere, GB
Betwixt and Between by John Hoyland, 1982 Additional information: Medium: screenprint 55 1/2 x 40 7/8 in 141 x 103.8 cm signed and dated in pencil
Category

20th Century Abstract Prints

Materials

Screen

Areas Contrasted, from A Poem for Alexander, Brown and White Abstract Print 1972
By William Scott
Located in Kingsclere, GB
Areas Contrasted, from A Poem for Alexander by William Scott, 1972 Additional information: Medium: screenprint 56.9 x 77.5 cm 22 3/8 x 30 1/2 in signed, dated and inscribed A/P in p...
Category

20th Century Abstract Prints

Materials

Screen

Adytum S II - Tonal Abstract Stripes with White and Brown Screenprint, 1973
By Paul Feiler
Located in Kingsclere, GB
Adytum S II, 1973 signed, dated, titled and numbered in pencil screenprint 31 1/2 x 22 7/8 in 80 x 58 cm
Category

20th Century Prints and Multiples

Materials

Screen

Adytum S III, Neutral Tone Linear Abstract Screen Print, 1974
By Paul Feiler
Located in Kingsclere, GB
Adytum S III, 1974 signed, dated, titled and numbered 13/75 in pencil screenprint in colours on wove 31 1/8 x 23 1/4 in 79 x 59 cm
Category

20th Century Prints and Multiples

Materials

Screen

Early Style, After Powhatan - Bright Abstract Print with Yellow and Green
By Gordon House
Located in Kingsclere, GB
Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...
Category

Late 20th Century Abstract Prints

Materials

Screen

Ritual Red, After Powhatan - Large Bright Abstract Print with Geometric Shapes
By Gordon House
Located in Kingsclere, GB
Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...
Category

1990s Prints and Multiples

Materials

Screen

You May Also Like

Victor Vasarely "Axo-Charga" Hand-Signed Limited Edition Serigraph, Framed
By Victor Vasarely
Located in Miami, FL
"AXO-CHARGA" BY VICTOR VASARELY (1906-1997) Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed A VISIONARY MASTERWORK OF OP ART "Axo-Charga" is a striking original serigraph by V...
Category

1970s Op Art Abstract Prints

Materials

Screen, Paper

Pulsar
By Roy Ahlgren
Located in Fairlawn, OH
11 value silkscreen print Signed, dated, titled and numbered in pencil by the artist. Edition of 150, plus 20 AP's as is here AP XV/XX. Provenance: Estate of the Artist By dece...
Category

1980s Op Art Abstract Prints

Materials

Screen

Solar Imp
By Helen Frankenthaler
Located in New York, NY
Screenprint in colors on wove paper. Signed by the artist in pencil and also numbered 96/126 in pencil. Published by Lincoln Center List Poster and Print Program, New York. Second ...
Category

Early 2000s Abstract Expressionist Abstract Prints

Materials

Screen, Color

Red-Green Rosso-Verde - Italian Art Minimalism Abstract PVC
By Antonio Calderara
Located in London, GB
This original screenprint diptych in colours are each hand signed in pencil by the artist with his monogram "A. C." at the lower left margins. Each are dated “1973” next to the sign...
Category

1970s Abstract Abstract Prints

Materials

PVC, Screen

Une Bouchee D'Amour (signed presentation print by female photorealist artist)
By Audrey Flack
Located in New York, NY
Audrey Flack Une Bouchee D'Amour, 2013 Mixed media: Digitized drawing with silkscreen Signed, titled and numbered recto (front) in graphite pencil Annotated presentation proof Frame included: in elegant vintage wood frame Print Club of New York, Publisher; Printer: Experimental Printmaking Institute, Lafayette College, Easton, PA Digitized drawing with silkscreen Flack's "Une Bouchee d'Amour" was the 2013 presentation print commissioned by The Print Club of New York, and it is accompanied by a COA issued by the Print Club of NY as well as Alpha 137...
Category

2010s Photorealist Abstract Prints

Materials

Mixed Media, Digital, Screen, Pencil, Graphite

Untitled Whitney Museum Scarf Color Field Geometric Abstraction Limited Edition
By Kenneth Noland
Located in New York, NY
Kenneth Noland Untitled Whitney Museum Limited Edition Silk Scarf, 1999 Artist designed scarf in colors on 100% Silk in original Whitney Museum packaging with artist's printed name a...
Category

1990s Abstract Geometric Mixed Media

Materials

Silk, Screen