Items Similar to Deneb

Anish Kapoor - Venice Biennale: XLIV Esposizione Internazionale D'arte (Hand signed by Kapoor)

Auricoste - unknown ... farm scene with workers and oxen, original lithograph

Jacques Truphémus - Sans titre, original lithograph

(after) Francis Bacon - 1960s Francis Bacon lithograph (Bacon Isabel Rawsthorne)

Kind of Cyan - Venice Seascape Triptych, Blue Lido Island Reflections, Contemporary Cyanotype

Want more images or videos?

Request additional images or videos from the seller

1 of 12

William T. Wiley
Deneb
1996

Name: Deneb
Brand: William T. Wiley
Price: 1591.96 AUD
Availability: InStock
Rating: 5 (98 reviews)

About the Item

Deneb Color lithograph on BFK Rives, 1996 Signed and dated in pencil lower right Titled and inscribed "Ed 265" lower left Publishers chop stamp l;ower left Printed by Shark's Ink, Published by Print Club of Cleveland, Publication No. 75 Edition: 265 (60/265) The title of this piece is "Deneb" - the brightest star in the distant constellation Cygnus - one of the few that it is said can be seen with the naked eye. Condition: Excellent Image size: 25 1/8 x 17 3/4 inches Frame size: 32 1/4 x 24 1/4 inches From a review in the Washington Post: Michael O'Sullivan, Washington Post Staff Writer, Friday, September 2, 2005: "THE ART OF William T. Wiley swirls with clues as to its meaning: punning fragments of text (e.g., "one sighs fits all"), symbols such as figure eights and tic-tac-toe grids, recurring motifs such as human skulls and dunce caps, and mischievous pop-cultural and art-historical references. On view at the Corcoran Gallery of Art, "Current Evince: Selected Prints by William T. Wiley From the Smithsonian American Art Museum. Take "Deneb," for instance, a color lithograph that takes its name from the star that appears in the constellation Cygnus and may, in fact, have long since gone out. On one level, it's a pretty straightforward commentary about the ephemeral nature of things. There's a passage of text, reading in part: "the light that touches our faces has fallen for sixteen thousand years -- maybe there's something behind it, and maybe there isn't." Wiley's art, in a sense, is like that light, and he's like the star. After the artist is gone, he seems to be saying, and all that's left is the picture, we may still be looking at it and trying to figure out the joke." Public Collections: Seattle Art Museum, Seattle, WA The Museum of Modern Art, New York, NY Art Institute of Chicago, Chicago, IL Whitney Museum of American Art, New York, NY University Art Museum, University of California, Berkeley, CA Des Moines Art Center, Des Moines, IA San Francisco Museum of Modern Art, San Francisco, CA Stedelijk van Abbemuseum at Eindhoven, The Netherlands Oakland Museum of Art, Oakland, CA Los Angeles County Museum, Los Angeles, CA Fort Worth Art Center, Fort Worth, TX Denver Art Museum, Denver, CO Dallas Museum of Art, Dallas, TX Carnegie Institute, Pittsburgh, PA Philadelphia Museum of Art, Philadelphia, PA National Museum of American Art, Washington D.C. Hirshhorn Museum and Sculpture Garden, Washington D.C. Walker Art Center, Minneapolis, MN Palm Springs Desert Museum, Palm Springs, CA Baltimore Museum of Contemporary Art, Baltimore, MD City of San Francisco, CA City of Hayward, CA City of Columbus, OH Red Deer College, Alberta, Canada Milwaukee Art Museum, Milwaukee, WI Museum of Fine Art, Boston, MA Indianapolis Center for Contemporary Art, Herron Gallery, Indianapolis, IN American Academy & Institute, New York, NY University of Idaho Minneapolis Institute of Art, Minneapolis, MN National Gallery of Victoria, Victoria, Australia Allen Art Museum, Oberlin College, Oberlin, OH Nelson Atkins Museum, Kansas City, MO Huntington Gallery, University of Texas, Austin, TX St. Louis Museum, St. Louis, MO Spencer Museum of Art, University of Kansas, Lawrence, KS Worcester Art Museum, Worcester, MA The Brooklyn Museum, Brooklyn, NY Krannert Art Museum, University of Illinois, Urbana-Champaign, IL San Francisco Art Commission, San Francisco, CA Birmingham Museum of Art, Birmingham, AL Graham Gund Collection, Cambridge, MA La Jolla Museum of Contemporary Art, La Jolla, CA Newport Harbor Art Museum, Newport Beach, CA Yale University Art Gallery, New Haven, CT Indiana University Art Museum, Bloomington, IN Lowe Art Museum, University of Miami, FL Akron Museum of Art, Akron, OH Boise Gallery of Art, Boise, ID Corcoran Gallery of Art, Washington D.C. Crocker Art Museum, Sacramento, CA Emporia State University, Emporia, KS Florida State University, Tallahassee, FL Joslyn Art Museum, Omaha, NE Kansas City Museum of Art, Kansas City, MO Mills College, Oakland, CA Museum & Art Galleries of North Territories, Queensland, Australia Pennsylvania Academy of the Fine Arts, Philadelphia, PA San Francisco Art Institute, San Francisco, CA Smith College Museum of Art, Northampton, MA Stanford University, Palo Alto, CA Richard B. Nelson Gallery, University of California, Davis, CA Sheldon Memorial Art Gallery, University of Nebraska, Sheldon, NE Sheppard Fine Arts Gallery, Reno, NY University of New Mexico, Albuquerque, NM Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC Awards: Painting Prize, San Francisco Art Institute, 1959 First prize, San Francisco Art Institute Festival 1960 Fletcher Award, California School of Fine Arts, 1960 First Prize in Painting, Oakland Annual, 1960 New Talent Award, Art in America, 1961 Painting Prize, 65th Annual Exhibition, Art Institute of Chicago, 1962 Sculpture Prize, Los Angeles County Museum of Art, 1962 Creative Arts Award, University of California, Davis, 1968 Purchase Prize, Whitney Museum, New York, 1968 Nealie Sullivan Award, San Francisco Art Institute 1968 Bartels Prize, 72nd American Exhibition, Art Institute of Chicago, 1976 Traveling Grant to Australia, Australian Arts Council, 1980 Honorary Doctorate at SFAI, San Francisco, California Recipient of Honor and Awards, American Academy of Letters and Arts, New York, NY

Creator:

William T. Wiley (1937, American)

Creation Year:

1996

Dimensions:

Height: 25.13 in (63.84 cm)Width: 17.75 in (45.09 cm)

Medium:

Lithograph

Movement & Style:

Contemporary

Period:

1990-1999

Condition:

Gallery Location:

Fairlawn, OH

Reference Number:

Materials

Lithograph

Wifredo Lam
El Ultimo viaje del buque fantasma, Plate I, 1976

$2,500

1990s Contemporary Abstract Prints

Materials

Drypoint, Etching, Aquatint, Lithograph

Louise Bourgeois
Metamorfosis, 1999

$18,000

Venice Biennale: XLIV Esposizione Internazionale D'arte (Hand signed by Kapoor)

By Anish Kapoor

Located in New York, NY

Rare collectors' item: Anish Kapoor Venice Biennale: XLIV Esposizione Internazionale D'arte Biennale Di Venezia (Hand signed and inscribed by Anish Kapoor), 1990 HISTORIC signed poster published on the occasion of Kapoor representing Great Britain at the Venice Biennale Offset lithograph poster (Hand signed, inscribed to Nadine and dated 2016) Boldly signed, inscribed and dated by Anish Kapoor on the lower right front 33 × 23 inches Unframed Boldly signed and inscribed by Anish Kapoor on the lower right front for the present owner, Nadine, so provenance is direct. Accompanied by gallery issued Certificate of Guarantee This offset lithograph poster was published on the occasion of Anish Kapoor's exhibition "XLIV Esposizione Internazionale D'Arte" at the Biennale Di Venezia from May 27 to September 30, 1990. Hand signed posters by Kapoor are quite elusive. The poster is two sided as it was published on the occasion of the artist's participation in the 1990 Venice Biennale (the verso has his lengthy biography), and it bears the original folds as issued. British-Indian sculptor Anish Kapoor was chosen to represent Britain at the first Biennale of the 1990s. He had been exhibiting since 1980 but it was this show that brought him widespread recognition on the international stage. Sixteen huge sandstone blocks dominated the Pavilion’s main room; they were so heavy that the floor had to be reinforced with supports. Kapoor had started working in stone in the late 1980s and each block in Void Field (1989) has a hole filled with another motif in his work, the powdered blue pigment used in Indian religious ceremonies. The same vibrant tones, which was also inspired also by Yves Klein’s statement bold blue colour, were used in his low-lying slate sculpture, A Wing at the Heart of Things (1990), in the back gallery of the Pavilion; this work is now part of Tate’s collection. “Venice is an interchange of East and West, reflecting the way Kapoor borrows from both cultures” said Henry Meyric Hughes, British Council. Kapoor’s exhibition also wove together references to spiritualism and eroticism, with the red slit in the Pavilion's wall, entitled The Healing of St. Thomas (1989), alluding to the saint that doubted Jesus’ resurrection...

Category

1990s Contemporary Interior Prints

Materials

Lithograph, Offset

Anish Kapoor
Venice Biennale: XLIV Esposizione Internazionale D'arte (Hand signed by Kapoor), 1990

$5,000

unknown ... farm scene with workers and oxen, original lithograph

Located in Belgrade, MT

This piece is from my private collection and is a limited edition numbered and signed by the artist. This artist is also very much known for sculpture, he followed the teachings of A...

Category

20th Century Contemporary Abstract Prints

Materials

Color, Lithograph

Auricoste
unknown ... farm scene with workers and oxen, original lithograph, 1952

$556 Sale Price

44% Off

Sans titre, original lithograph

Located in Belgrade, MT

This piece is from my private collection of early to mid 20th Century artists. It is in very good condition and is a limited edition signed by the artist.

Category

20th Century Contemporary Abstract Prints

Materials

Color, Lithograph

Jacques Truphémus
Sans titre, original lithograph, mid 20th Century

$636 Sale Price

51% Off

1960s Francis Bacon lithograph (Bacon Isabel Rawsthorne)

By (after) Francis Bacon

Located in NEW YORK, NY

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's ...

Category

1960s Contemporary Abstract Prints

Materials

Lithograph

(after) Francis Bacon
1960s Francis Bacon lithograph (Bacon Isabel Rawsthorne), 1966

$575

Venice Seascape Triptych, Blue Lido Island Reflections, Contemporary Cyanotype

By Kind of Cyan

Located in Barcelona, ES

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Category