Yaacov Agam

I from Double Metamorphosis Series, OP Art Silkscreen by Yaacov Agam

1980

Skylight XVII Evelyn B. Johnson Date: 1981 Screenprint, signed, numbered, dated and titled in pencil Edition of 19/25 Image Size: 26 x 38 inches Size: 30 x 42 ...

Skylight XXX Evelyn B. Johnson Date: circa 1980 Screenprint, signed, numbered, and titled in pencil Edition of 14/30 Image Size: 38 x 28.5 inches Size: 41.5 x 29.5 in. (105.41 x 74.9...

A limited edition screenprint from the Inward Eye portfolio. The work bears the publisher's stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, Ame...

Space Sounds no.3 Evelyn B. Johnson Date: circa 1980 Screenprint, signed, numbered, and titled in pencil Edition of 7/25 Image Size: 28 x 21 inches Size: 30 x 22 in. (76.2 x 55.88 cm)

VICTOR VASARELY, Pecs 1908 - Paris 1997 Composition, 1982 Original hand-signed color silkscreen print. (mm.508x508). Bibliography: Marcel Joray, Vasarely Ed. du Griffon, Neuchâtel. P...

Victor Vasarely born in 1906 was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader of the Op Art movement. Op Art is a form of abstract art that gives the illusion of movement by the precise use of pattern and color, or in which conflicting patterns emerge and overlap. Victor Vasarely and Brigit Riley are its most famous exponents. In its visual balancing act of color and movement from a flat plane to developed continuous flow “Untitled” is a complex arrangement of squares and colors that visually expand and contract. It is one of Vasarely’s most successful Op Art abstract works. The piece is signed on the lower right and number 20/150 on the lower left. The print is behind glass and matted. Vasarely was born in Pecs and grew up in Slovakia and Budapest, where in 1925, he took up medical studies. Abandoning medicine he turned to traditional academic painting at the private Podolini-Volkmann Academy. In 1928/1929, he enrolled at Sandor Bortnyik’s private art school widely recognized as Budapest's centre of Bauhaus studies. His studies concentrated on applied graphic art and typographical design. In 1929, he painted his Blue Study and Green Study. In 1930, he married his fellow student Claire Spinner (1908–1990). Together they had two sons, Andre and Jean-Pierre. Vasarely became a graphic designer and a poster artist during the 1930s combining patterns and organic images with each other. Vasarely utilized geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard...

Roy Ahlgren (American, 1927 - 2011) Concatenation, 1970 Silkscreen (Print), signed, titled and numbered in pencil Edition 31/100 Image Size: 18 x 18 inches Sheet 20.5 in H x 20 in L ...

A vintage screen print poster after minimalist, op artist Joseph Albers from 1968. The piece advertises and exhibit of paintings and graphic works at Denise Rene, a Paris Art Galler...