Zao Wou-Ki

Untitled

1978

Giulio Turcato Six Colored Etchings - Print 4, 1965 etching, edition of 50 19 x 25 in. (48.3 x 63.5 cm)

Giulio Turcato Six Colored Etchings - Print 2, 1965 etching, edition of 50 19 x 25 in. (48.3 x 63.5 cm)

Victor Pasmore Blue Development, 1974 Etching and screenprint edition of 60 27 x 33 inches

color etching and aquatint, edition of 99 + 15 AP 22 x 29 7/8 in. / 55.9 x 75.9 cm Printed & published by Ediciones Poligrafa, Barcelona.

Francis Bacon Triptych 1986-1987, 1988 aquatint, edition of XV AP 35 3/8 x 24 3/4 in. (89.9 x 62.9 cm) signed lower right

Stephen Edlich Seasons I, Summer IV, 1980 etching 31 x 22 inches edition of 45 Stephen P. Edlich (1944-1989) was born in New York City. He graduated from NYU in 1967, and spent a lo...

This large, striking color etching and aquatint is an artist's proof, aside from the edition of 20. Signed, titled and inscribed "AP" in pencil by Barnet.

Nancy Graves Calibrate, 1981 16 color etching, aquatint, engraving and lithograph. Printed from 5 copper plates, 1 zinc plate and 1 stone Hand signed, numbered, dated on the front Fr...

Antoni Tapies (Spain, 1923-2012) 'Grille de papier colle', 1976 aquatint, collage, lithograph on paper Velin Arches 250 g. 24.9 x 35.5 in. (63 x 90 cm.) Edition of 50 Unframed ID: TA...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

88.3 x 69.9 cms (34.7 x 27.51 ins) Edition of 100

Two whaling ships meet out at sea, one named after an Indigenous American tribe and the other after the first king of the northern Kingdom of Israel, the latter set upon by a malignant epidemic and a sailor gone mad with the belief that he is the Archangel Gabriel. Both ships are plagued, one by sickness and the other by obsession, and neither heeds the warnings of the mad prophet. Built out in layers of paper that have been printed using techniques like lithography and etching, this colossal print by Frank Stella employs careful color against warping black and white grids to give the impression of control slowly slipping and giving way to chaos. Photos don't give this piece proper justice; it is carefully collaged in purposeful layers that constantly pull the eye in every direction and the viewer closer and closer in. The Pequod Meets the Jeroboam: Her Story...