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Andy Warhol 'Albert Einstein FS-229' from the Suite 10 important Jews Signed ann

1980

$1,850List Price

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HAJIME SORAYAMA, JAPAN, B. 1947, EROTIC FEMALE, SIGNED & NUMBERED
Located in Pembroke Pines, FL
Artist: Hajime Sorayama, Japan, b. 1947 Size: 17" x 24" Medium: Lithograph on High Gloss Paper Signature: Lower Left Subject: Nude Female in Black Leather Jacket and Boots, Urinating...
Category

1990s Pop Art Nude Prints

Materials

Offset

Andy Warhol, 'Mick Jagger FSII.138', Framed Announcement-card, 1975
By (after) Andy Warhol
Located in Pembroke Pines, FL
Artist: Andy Warhol. Title: 'Mick Jagger' FS II.138 Framed Announcement card. Medium: Lithograph Size: Image size: 6" x 4" Framed: 10" x 8" Year: 1975 Description: Signed and numbere...
Category

1970s Pop Art Figurative Prints

Materials

Offset

Andy Warhol, 'Mick Jagger FSII.143, Framed Announcement-card, 1975
By (after) Andy Warhol
Located in Pembroke Pines, FL
Artist: Andy Warhol. Title: 'Mick Jagger' FS II.143 Framed Announcement card. Medium: Lithograph Size: Image size: 6" x 4" Framed: 10" x 8" Year: 1975 Description: Signed and numbere...
Category

1970s Pop Art Figurative Prints

Materials

Offset

Andy Warhol, 'Mick Jagger FSII.140', Framed Announcement-card, 1975
By (after) Andy Warhol
Located in Pembroke Pines, FL
Artist: Andy Warhol. Title: 'Mick Jagger' FS II.140 Framed Announcement card. Medium: Lithograph Size: Image size: 6" x 4" Framed: 10" x 8" Year: 1975 Description: Signed and numbere...
Category

1970s Pop Art Figurative Prints

Materials

Offset

Andy Warhol, 'Mick Jagger FSII.139', Framed Announcement-card, 1975
By (after) Andy Warhol
Located in Pembroke Pines, FL
Artist: Andy Warhol. Title: 'Mick Jagger' FS II.139 Framed Announcement card. Medium: Lithograph Size: Image size: 6" x 4" Framed: 10" x 8" Year: 1975 Description: Signed and numbere...
Category

1970s Pop Art Figurative Prints

Materials

Offset

Andy Warhol "Mick Jagger-F&S. II.142" Framed Announcement card, Hand signed
By Andy Warhol
Located in Pembroke Pines, FL
Artist: Andy Warhol. Title: Mick Jagger F&S II.142 Framed Announcement card. Medium: Lithograph Hand Signed Size: Image size: 6" x 4", Framed: 10" x 8 Year: 1975 Edition: Limited Re...
Category

1970s Pop Art More Art

Materials

Offset

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Ed Ruscha, Los Angeles Bicentennial Lithograph, 200 Years Old, rare Signed/N ed.
By Ed Ruscha
Located in New York, NY
Ed Ruscha 200 Years Old, 1980 Lithograph with offset lettering Hand signed and numbered 132/425 by Ed Ruscha in graphite pencil on the front 30 1/2 × 25 inches Unframed Bibliography...
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Deutsches Schauspielhaus Hamburg - Offset after Gottfried Helnwein - 1970s
By Gottfried Helnwein
Located in Roma, IT
Vintage rare poster realized in occasion of Helnwein's Exhibition in Hamburg, Germany. Good condition except for some folds.
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Keith Haring Into 84 (set of 2 Haring Shafrazi announcements)
By Keith Haring
Located in NEW YORK, NY
'Keith Haring Painted Man'/Keith Haring Into 84: A set of 2 announcement cards for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this series Haring borrowed Jones' body — from head to toe — as the canvas to his work. A bodily canvas defined by much of the bold pictograms characteristic of Haring's artistic signature. Photos by Haring's long-time friend and collaborator Tseng Kwong Chi. Looks fantastic framed as a set. Off-set printed gallery announcements, 1983. Dimensions: 6 x 4 inches (applies to each individual). Good overall condition with well-preserved colors. Some surface creating to red card. Unsigned from an edition of unknown. Further About: In 1983 Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company. Keith and Bill met in London in 1983 at a time when the graffiti artist was opening a major show at the Robert Fraser Gallery, and together they produced a series of exceptional collaborations in both performance and drawing. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories Modern Dance. Ballet. Keith Haring Figurative Drawings. Keith Haring Into 84 poster. Keith Haring and Tony Shafrazi. Haring Shafrazi.
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1980s Pop Art Figurative Prints

Materials

Offset, Lithograph

TAKASHI MURAKAMI: And Then x 727 (Vermillion SHU) Hand signed Superflat, Pop Art
By Takashi Murakami
Located in Madrid, Madrid
And Then x 727 (Vermillion SHU) Date of creation: 2013 Medium: Offset lithograph with silver Media: Paper Edition: 300 Size: 50 x 50 cm Observations: And Then x 727 (Vermillion SHU) ...
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Rare Philadelphia Museum of Art exhibition poster (Hand Signed by Jasper Johns)
By Jasper Johns
Located in New York, NY
Jasper Johns, Prints, 1960-70 (Hand Signed by Jasper Johns), 1970 Offset lithograph poster (signed by Jasper Johns) Boldly signed in black marker on the front 35 × 23 1/2 inches Published by the Philadelphia Museum of Art The artwork depicted in the poster is Jasper Johns lithograph...
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Postcard signed, inscribed by Robert Indiana about his portrait at Coenties Slip
By Robert Indiana
Located in New York, NY
Robert Indiana "My portrait was taken on Coenties Slip"...., 1993 Handwritten letter on an offset lithograph postcard Boldly signed in black marker under the letter 4 2/5 × 7 3/5 inches Unframed Unique one-of-a-kind hand written, hand signed note from Robert Indiana, dated 23 VII '93, written on the postcard depicting Robert Indiana's work "Mother and Father", published by the Farnsworth Museum in Maine. The note, done in black marker, is addressed to Don Allan II of Barrington, N.H. and reads" "DON - MY PORTRAIT IF YOU DO NOT KNOW, WAS TAKEN ON COENTIES SLIP IN NYC". Robert Indiana then signs the note.. (Presumably, the reply is in response to a letter or question this fan sent to the artist asking where Indiana's portrait was taken). Makes a great gift for Robert Indiana fans! Coenties Slip is a historic artist's address in the New York art scene - there was even a book written about it! Coenties Slip is a street in the Financial District of Manhattan in New York City. It runs southeast for two blocks in Lower Manhattan from Pearl Street to South Street. A walkway runs an additional block north from Pearl Street to Stone Street Here's an excerpt from Art in America reviewing the book: "How does specificity of place play a role in art, enough to become more figure than ground, less a context than a character? This is one of the larger questions framing art historian Prudence Peiffer’s momentous new survey The Slip: The New York City Street That Changed American Art Forever. The book vividly documents a moment in the 1950s and ’60s when a cast of artists settled, at staggered intervals, in a three-block area around Coenties Slip, a street on Manhattan’s lower tip. Coenties Slip borrowed its name from one of the “slips”—inlets for the docking and repairing of boats—that once cut sharply into New York’s downtown waterfront, facilitating the busy circulation of fish, freight, and sailors between land and sea. While New York’s status as a maritime trading hub lured fleets of boats, it was the skeletal remains of that activity, by then sharply diminished, that drew artists to Coenties Slip. In place of industry, they found vast and vacant loft spaces, cheap to rent, in which they could both work and live (illegally, owing to zoning laws)....Peiffer’s book arrives nearly 50 years after the earliest attempt to honor the Slip: the 1974 exhibition “Nine Artists/Coenties Slip,” organized for an old downtown branch of the Whitney Museum on Water Street nearby. The exhibition showcased lesser-known inhabitants of the Slip, including Fred Mitchell (the first to settle there), Ann Wilson...
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