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(after) Henri Matisse(after) Henri Matisse -- La maison au bout de l'allée1925
1925
$780
£595.84
€684.56
CA$1,115.23
A$1,228.73
CHF 636.06
MX$14,794.18
NOK 8,054.10
SEK 7,566.32
DKK 5,111.57
About the Item
(after) Henri Matisse
La maison au bout de l'allée from Dessins de Henri-Matisse, 1925
Lithograph on vélin Lafuma Navarre paper
Unsigned
Unnumbered, one of Edition 1000.
Image size: 12.5 x 18.5 cm
Sheet size: 21 x 26 cm
Published by Éditions des Quatre Chemins, Paris;
Lithographic plates rendered by Daniel Jacomet & Cie, Paris;
Printed by F. Dutal & Cie, Paris, December 15, 1925.
This album was printed in C examples on vélin d'Arches with an original example by Henri-Matisse, numbered from I to C, and M examples on vélin Lafuma. Printing was completed on December Fifteenth, One Thousand, Nine Hundred and Twenty-Five by F. Dutal & Cie, in Paris; the boards having been executed by the Daniel Jacomet & Cie workshops in Paris.
- Creator:(after) Henri Matisse (French)
- Creation Year:1925
- Dimensions:Height: 8.27 in (21 cm)Width: 10.24 in (26 cm)
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:The last two pictures are for reference.
- Gallery Location:BRUCE, AU
- Reference Number:1stDibs: LU1918217046572
(after) Henri Matisse
Henri Matisse was born on December 31, 1869, in Le Cateau-Cambrésis, France. At 22, he had given up studying law in Paris to pursue painting. He had briefly studied art at the Académie Julian and Ecole des Beaux-Arts with Gustave Moreau. At 32, Matisse exhibited at the Salon des Indépendants in Paris, where he met Maurice de Vlaminck, who with Matisse would eventually lead the Fauve art movement. Matisse's work was included in the 1913 Armory Show in New York, and throughout the 1910s and into the 1920s, his work began to find collectors around the world. Throughout the 1920s and 1930s, he divided his time between Paris and southern France, producing paintings, sculpture, lithographs, and etchings. Like many avant-garde artists in Paris, Matisse was receptive to a broad range of influences, particularly 'primitive' art, Near Eastern decorative art, African masks and sculpture, impressionist color, cubism, and the paintings of Paul Cezanne. The artist's images of the human face and figure -rendered in fluid lines and flat fields of color- typify these influences. Matisse argued for the prominence of instinct in art production, believing that an artist should not have complete control over color and form. He died on November 3, 1954, in Nice.
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