Large Animal Prints

This Blue Dog work consists of 1 blue and 1 red dog on either side of Lady Justice centered and standing on a moon. All are on a two-toned black background and the dogs have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Equal Justice...

Utagawa Hiroshige (1797 - 1858) Mullet, Asparagus, and Camellia (魚尽くし ぼら、うど、椿), from a series known as Large Fish Size: Oban, 38 * 26.5 cm Edo period Excellent impression and ...

This Blue Dog Work consists of 3 dogs of various sizes on a white background; 1 dog has a black head and white body, 1 dog is all red and the largest dog is blue. All 3 dogs have soulful yellow eyes. This pop art animal silkscreen print on paper is a proof, guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Waiting For My TV Dinner...

Utagawa Hiroshige (1797–1858) Sweet Sea Bream, Mebaru, and Horseradish (魚尽くし 甘鯛、 目ばる、 わさび) From a series known as Large Fish Size: Oban 38 * 26.5 cm Edo period Excellent imp...

This Blue Dog work consists of a multi colored background of pink, red and blue hues in descending order. There are 2 dogs; 1 full blue dog and the head of a red dog above. Eyes on...

This Blue Dog work consists of 3 dogs; 1 large blue dog centered in the foreground, 1 smaller black and white dog sitting on a fuchsia chair and 1 smaller red dog sitting on a dark blue chair in the background. There is also a blue tree and a blue moon in the background all on a full white background. The Dogs all have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Waiting For My TV Dinner...

This Blue Dog work consists of a blonde female sitting on a floral swing hanging from a tree. The female is wearing an ecru dress with flowers on the edges...

This Blue Dog work consists of a dog sitting on a marbled white box with a tree and moon on a background of blue and purple. The dog has soulful yellow eyes. This pop art animal or...

This Blue Dog work consists of a blue dog centered between a purple chicken and a pink chicken in a basket with a yellow moon on a white and green background and a painted yellow fra...

This Blue Dog work consists of a dog sitting on an orange/yellow chair in the foreground with the earth and a moon on a red and blue background of varying shades. The dog has soulful yellow eyes. This pop art animal original split font silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Strato Lounger...

GREGG HESSEL-Hessel Moore McPherson Overland Printers. Publishing Information: Copyright Mirage Editions, Inc. 1981/Gregg Hessel, Santa Monica, Californ...

This Blue Dog work consists of a single dog with soulful yellow eyes sitting in the center of a yellow background diagonally divided with stars on the top and solid on the bottom. Th...

This Blue Dog work consists of a red dog sitting on an orange/yellow chair in the foreground with the earth and a moon on a red and blue background of varying shades. The dog has soulful yellow eyes. This pop art animal original split font silkscreen print on paper is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Strato Lounger...

This Blue Dog work consists of a dog sitting on an orange/yellow chair in the foreground with the earth and a moon on a red and blue background of varying shades. The dog has soulful yellow eyes. This pop art animal original split font silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Strato Lounger...

Hand signed, titled and numbered by the artist. Image size approx 24 x 36 inches. From the roman numeral edition of 150 (CL). Artwork is in excellent condition but please note due t...

This Blue Dog work consists of 2 blue dogs: one on a black background and one on a red background. Both dogs have soulful yellow eyes. This pop art animal original silkscreen print...

This Blue Dog work consists of 1 blue and 1 red dog on either side of Lady Justice centered and standing on a moon. All are on a two-toned green background and the dogs have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Equal Justice...

David Burdeny - Resting Elephant, Amboseli, Kenya, Africa (BW Photograph) Archival Pigment Print Signature Label Ask us for framing options.

David Burdeny - Heads Together, Kenya, Africa (BW Photograph) Archival Pigment Print Signature Label Ask us for framing options.

In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in...

This Blue Dog work consists of 2 dogs with soulful yellow eyes. One dog is on a black background and the other dog is on a white background covered in the dog's soulful yellow eyes ...

This Blue Dog work consists of 3 dogs; one blue, one black & white and one red. The background consists of dark blue. There is a brownish moon encircled with li...

This Blue Dog work consists of 3 dogs; one blue, one black & white and one red. The background consists of blue shades from dark to light. There is a brownish m...

This Blue Dog work consists of a white background with a single blue dog sitting in front of an undecorated tree with only a single gold star atop the tree. The dog has soulful yell...

This Blue Dog work consists of 5 blue dog heads nestled in the leafy section of a black tree. The background is green, red and purple with 4 flower sprigs. The dogs all have soulfu...

This Blue Dog work consists of a black, blue, pink, yellow and red background and a dog sitting on a dark red chair in front of earth. The dog has soul...

Archival Pigment Print Under Acrylic Glass All available sizes and editions: 40" x 40", Edition of 15 48" x 48", Edition of 15 55" x 55", Edition of 15 6" x 60", Edition of 10 ...

Archival Pigment Print Under Acrylic Glass All available sizes and editions: 40" x 40", Edition of 15 48" x 48", Edition of 15 55" x 55", Edition of 15 6" x 60", Edition of 10 ...

Archival Pigment Print Under Acrylic Glass All available sizes and editions: 40" x 40", Edition of 15 48" x 48", Edition of 15 55" x 55", Edition of 15 6" x 60", Edition of 10 ...

This artwork titled "Jaguar Family" 1980 is an original color serigraph on paper by noted American artist Leroy Neiman, 1921-2012. It is hand signed and numbered 157/300 in pencil by...

An iconic and highly collectible unique work on paper by Andy Warhol outside of the Endangered Species portfolio, Siberian Tiger TP was created as a unique screenprint in colors on L...

Growing Strong, by Melanie Yazzie, Native American, monotype, green, black, bird natural wood frame 27.25" x 35.25" paper size 20" x 28"

This artwork titled "Insect, Simulating Seeds" from the suite "Bestiary and some Correspondences" 1968 is an original lithograph on Arches paper by renown British artist Graham Vivia...

Billy Schenck (American, b. 1947) Hurry Sundown, 1985 Edition 19/60 Serigraph 21 x 38 inches Signed, Titled, Dated, and Numbered Lower Margin Billy Schenck is a contemporary artist ...

Jamie Wyeth "Herring Gulls" 1978 Color Lithograph Signed Lower Right Numbered Lower Left 149/300 Born in 1946, James Browning Wyeth came of age when the meaning of patriotism was clouded by the traumas of the Vietnam War and the scandals of Watergate. Working in an era of turmoil and questioning of governmental authority, he did art that encompassed both marching off to war and marching in protest. One of James's early masterworks, Draft Age (1965) depicts a childhood friend as a defiant Vietnam-era teenager resplendent in dark sunglasses and black leather jacket in a suitably insouciant pose. Two years later Wyeth painstakingly composed a haunting, posthumous Portrait of President John F. Kennedy (1967) that seems to catch the martyred Chief Executive in a moment of agonized indecision. As Wyeth Center curator Lauren Raye Smith points out, Wyeth "did not deify the slain president, [but] on the contrary made him seem almost too human." Based on hours of study and sketching of JFK's brothers Robert and Edward - documented by insightful studies in the exhibition - the final, pensive portrait seemed too realistic to family members and friends. "His brother Robert," writes Smith in the exhibition catalogue, "reportedly felt uneasy about this depiction, and said it reminded him of the President during the Bay of Pigs invasion." In spite of these misgivings, James's JFK likeness has been reproduced frequently and is one of the highlights of this show. The poignancy, appeal and perceptiveness of this portrait, painted when the youngest Wyeth was 21 years old, makes one wish he would do more portraits of important public figures. James himself feels he is at his best painting people he knows well, as exemplified by his vibrant Portrait of Jean Kennedy Smith (1972), which captures the vitality of the slain President's handsome sister. He did paint a portrait of Jimmy Carter for the January 1977 man-of-the-year cover of Time magazine, showing the casually dressed President-elect as a straightforward character posed under a flag-draped water tower next to the family peanut plant in Plains, Ga. James recalls that Carter had one Secret Service agent guarding him as he posed outdoors, a far cry from the protection our Chief Executives require today. As a participating artist in the "Eyewitness to Space" program organized by the National Aeronautics and Space Administration in collaboration with the National Gallery of Art in the late 1960s, Wyeth deftly recorded in a series of watercolors his eyewitness observations of dramatic spacecraft launchings and more mundane scenes associated with the space program. Commissioned by Harper's Magazine to cover the 1974 congressional hearings and trials of Watergate figures, James Wyeth executed a series of perceptive and now evocative sketches that recall those dark chapters in our history. Memorable images include a scowling John Ehrlichman, a hollow-eyed Bob Haldeman, an owlish Charles Colson, a focused Congressman Peter Rodino, a grim visaged Father/ Congressman Robert Drinan, and vignettes of the press and various courtroom activities. An 11-by-14-inch pencil sketch of the unflappable Judge John Sirica is especially well done. These "images are powerful as historical records," observes Smith, "and as lyrically journalistic impressions of events that changed the nation forever." Wyeth's sketch of early-morning crowds lined up outside the Supreme Court building hoping to hear the Watergate case, with the ubiquitous TV cameramen looking on, is reminiscent of recent scenes as the high court grappled with the Bush-Gore contest. The Wyeth family penchant for whimsy and enigmatic images is evident in Islanders (1990), showing two of James's friends, wearing goofy hats, sitting on the porch of a small Monhegan Island (Me.) cottage draped with a large American flag. Mixing the serious symbolism of Old Glory with the irreverent appearance of the two men, James has created a puzzling but interesting composition. Painting White House...

Monkey Train (birds) 2007 silkscreen with archival pigmented inkjet 33 x 26.25 inches ed 40