Small Animal Prints

Screenprint and collage Edition of 100

Water Mill (after the drawing by J.M.W. Turner, R.A., 1775-1851). 1885. Mezzotint. Hardie 3.ii. With the publication line. 7 x 10 1/8 (sheet 12 1/4 x 16 5/8...

Lovely etching of cattle and ranchers on mountain pass trail, 1991. Signed lower left. 20/50 Original artwork on paper displayed on a white mat with a gold border. Archival plasti...

Signed, titled and numbered in pencil Edition: Epreuve d'Artiste viii/X Reference: Passeron 359

Lumbermen. 1923. Etching. Appleby 91. 9 x 12 (sheet 12 3/8 x 18 1/8). Edition 100. A cleanly-wiped impression printed on off-white 'FG Head & Co' laid paper with full margins. Signed...

"Weaver Birds" is an original color lithograph by Louis Prang. It depicts multiple weaver birds with leaves surrounding them. 8 1/4" x 5" image 12 1/2" x...

MATTHAUS MERIAN, the Elder (1593-1650) MATTHAUS MERIAN, the Younger (1621 – 1687) Theatrum universale omnium Animalium. Frankfurt, 1650. Engraving with Later Hand-Color. 14.75” ...

A Yorkshire Dell or The Heron’s Pool. (after J.M.W. Turner, R.A., 1775-1851.) Soft-ground etching and mezzotint. Hardie 85. mezzotint over etching on India paper printed on chine-co...

David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas at Austin. Valley House began showing his multi-articulated, painted w...

photograph, edition of 25 (16"x20") framed signed on reverse Miho Suzuki was born in Tokyo. She studied theater art in Georgia, received a B.A. in Media Arts in New Jersey and M...

Signed, dated, titled in pencil by the artist; Annotated "To Jon from Ray" Reproduced in the artists Retrospective Exhibition catalogue. In the collection of the Wichita Art...

Fish & Chips is a lithograph on paper, 9.5 x 9" image size. From the edition of 395, numbered XXII/C (there were also 275 Arabic and 20 AP), framed in a contemporary, silver-tone fra...

Tommy Hartung Horse, 2011 Chromogenic print 13.5 x 20 inches (34.3 x 50.8 cm) Edition of 10

After Andy Warhol Neon light Cow Wall Display Sign, 2022 Acrylic-printed cow lined with red neon LED artwork with energy-efficient tubing, full board backing ACCOMPANIED BY A NUMBERE...

’3 Dogs’ By Tom Hammick Medium - Monoprinted lithograph Signed - Yes Edition - EV 10/15 Size - 505mm x 385mm Date - 2007 Condition - Excellent. 10 out of 10 Colour of print m...

"When photographing lions with remote cameras, you often have to rely on their cat instincts for an image to materialise. This makes lions great subjects for remote cameras as the sm...

If you look closely, I have taken a self-portrait of myself in a Land Rover within the cheetah’s eyes. It is always a thrilling experience being in the company of the world’s fasted ...

"Old bull elephants have to be the most interesting of all to photograph and with a tight portrait being all about textures, there is no question that a weathered and wrinkled indivi...

"The Giraffe has to be one of the most graceful and peculiar animals to walk the earth, and I have always been particularly drawn to the Reticulated sub-species due to their more def...

"Placing a well positioned remote camera with a wide angle lens allows for unique and intimate images. It is as if the rhino is walking out of the frame. This shot was a big moment...

"Almost exactly a year after I took one of my strongest images, “Drought” I found my lens once again pointed in the direction of two fighting zebras. There are clear similarities and...

See No Evil, Hear No Evil, Speak No Evil (Giraffes) is a lithograph on paper, 6 x 9" image size. From the edition of 395, numbered LIII/C (there were also 275 arabic and 20 AP). Robe...

Artist: Pablo Picasso Title: La Pique (I), Le Picador (II), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of f...

Modern colorful nature lithograph by Texas-based artist Billy Hassell. The work features various examples native wildlife including a bird, fish, and grasshopper set against a bright...

A group of four late eighteenth century hand-coloured engravings depicting monkeys. Set within giltwood frames From “Histoire Naturelle des Singes et des Makis Peintres d’après Natu...

A superb impression of this color giclée print on wove paper. Signed and numbered 20/50 in pencil by Hirst. Published by Other Criteria, London.

MILLARD SHEETS (1987 – 1989) HORSE FRIGHTENED BY LIGHTNING, 1939 Lithograph signed in pencil, annotated “TRIAL PROOF”. The published edition is 75. Image, 17 x 22”. Sheet 19 ½” x 2...

"Egret, Grassy Lake" is a print by Billy Hassell. It is number 7 in an edition of 30. The piece is 22 inches high and 22 inches wide. It is a lithograph and it was completed in 2011.

Alex Katz Sunny, 1974 aquatint and drypoint, edition of 52 15 x 22 3/8 in. (38.1 x 56.8 cm)

One of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...

One of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...

Andreas Amrhein The Prince of Cards 3D-Construction on Hahnemühle Velvet Year: 2022 Signed by hand Edition 25 Size: 22.4 × 16.3 on 24.0 × 16.9 inches COA provided Ref.: 924802-977 -------------------------- Andreas Amrhein is a german male artist born in Marburg (GERMANY) in 1963. Andreas Amrhein’s first exhibition was Arbeiten auf Papier „Blau“ at Galerie Michael Schultz in Berlin in 1994, and the most recent exhibition was 12. Kunstpreis Wesseling - Zeit aus den Fugen at Kunstverein Wesseling e.V. in Wesseling in 2021. Andreas Amrhein is most frequently exhibited in Germany, but also had exhibitions in Austria...

Andreas Amrhein The Fairy Princess 3D-Construction on Hahnemühle Velvet Year: 2022 Signed by hand Edition 25 Size: 22.4 × 16.3 on 24.0 × 16.9 inches COA...

The work comes directly from the artist, is numbered out of limited edition of 20, signed and made on sealed paper. Size of paper: ca 100 x 70 cm ( ca 39 x 20 inch) Dimensions of im...

Marc Chagall "Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196) Color Lithograph on Arches Wove Paper Signed in Pencil "Marc Chagall" Lower Right Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90 *Floated in Gold Frame with Linen Matting, UV Plexiglass Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm) Image Size: 9 3/4 x 8 1/2 inches Framed Size: 28.5 x 24.25 inches Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson...

Dr. Seuss We Looked Then We Saw Him DIPTYCH Serigraph on Black Stonehenge Paper Image Size: 17" x 11" Paper Size: 21.5" x 15" Authorized Estate Edition Declared sold out by the publ...

Boy and His Boy - William Wegman (Colour Photography) Signed and inscribed with title Two unique colour Polaroid prints, printed 2002 24 x 20 inches each The dogs, bewigged and bede...

Illuminary - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1993 24 x 20 inches The dogs, bewigged and bedecked with outfi...

Left to Right - William Wegman (Colour Photography) Signed and inscribed with title Three unique colour Polaroid prints, printed 1989 24 x 20 inches each The dogs, bewigged and bede...

Dressed from Below - William Wegman (Colour Photography) Signed and inscribed with title Two unique colour Polaroid prints, printed 1994 24 x 20 inches each The dogs, bewigged and b...

Climber - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1991 24 x 20 inches The dogs, bewigged and bedecked with outfits ...

Towelling - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1993 24 x 20 inches The dogs, bewigged and bedecked with outfit...

Side Views - William Wegman (Colour Photography) Signed and inscribed with title Unique black and white Polaroid print, printed 1998 24 x 20 inches The dogs, bewigged and bedecked w...

Posed on Pedestal - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1994 24 x 20 inches The dogs, bewigged and bedecked wit...

Primary Trio - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1991 24 x 20 inches The dogs, bewigged and bedecked with out...

Chair Piece - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1991 24 x 20 inches The dogs, bewigged and bedecked with outf...

3 Out of Four - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1988 24 x 20 inches The dogs, bewigged and bedecked with ou...

My Coo Kie - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1991 24 x 20 inches The dogs, bewigged and bedecked with outfi...

Vintage chromogenic print (negative sandwich) (Edition of 12) Estate stamp in black ink, verso This artwork is offered by ClampArt, located in New York City. “Mark was an outlaw on...

Versaweiss Feathered up Peacock II, 2016 Archival pigment print and acrylic color spray on archival mat paper 50 x 50 cm Unique Don’t Kill Bambi: The studio 54 phenomenon repo...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

A series of exceptional paintings and rare prints have just arrived from a private west coast private collection. American artist Hans Burkhardt, "Morning Among the Trees", print, s...