Small Animal Prints

Philippine-Islands Thickhead - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition FREE SHIPPING Accompanied by the information page from 'The Birds of A...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable off...

Ed. of 15 Sales can affect the inventory and the shipping time for works. Please contact the seller to confirm availability of works. James Lahey is a Canadian artist living in Toro...

Afghan Tit - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition FREE SHIPPING This remarkable ornithology lithograph with hand-finished colour is from the esteemed John Gould’s Birds...

This Blue Dog work consists of a purple and yellow split background with a light blue open laptop and 2 dogs on the screen with the website name. Both dogs have soulful yellow eyes....

Allison McIntyre (b. 1999 West Virginia) pulls from animal imagery and digital aesthetics to respond to contemporary human-animal relations, wrestling...

Allison McIntyre (b. 1999 West Virginia) pulls from animal imagery and digital aesthetics to respond to contemporary human-animal relations, wrestling...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Artist Commentary: “Collage is the exploitation of the chance meeting of two distant realities on an unfamiliar plane… and the spark of poetry that leaps across the gap as the two r...

This Blue Dog work consists of a white background with a blue and white female with yellow and black hair centered between 2 blue dogs. All 3 have soulful yellow eyes. This pop art...

This Blue Dog work consists of a white background. There is a woman with dog ears and red lipstick centered between 2 dogs. The woman and dogs are painted in black & white with onl...

Lithographic print / Black ink printed on 240gr JOHANOT paper. Signature : Monogram " PJ ", stamped in black ink Date, title and copy number, written in this order, in pencil by the...

Lithographic print / Black ink printed on 240gr JOHANOT paper. This version borrows the codes of the comic book, to represent a woman-eating shark. References used for this print: S...

"Minotaure-Manga-A ". Lithographic print / Black ink printed on 240gr JOHANOT paper. Dimensions : 56 x 38 cm signed and numbered at 6 copies by the artist The prints were made in...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable off...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable off...

Cinnamon-bellied Nuthatch - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition FREE SHIPPING This remarkable ornithology lithograph with hand-finished colour is from the esteemed John Gould’s Birds...

Ronald Katz was born in South Africa in 1939 to parents who emigrated from Germany. His first ten years were spent there. Arriving in the United States of ...

This Blue Dog work consists of a white background with a blue female with dog ears, red lips, yellow, orange and black hair, wearing a black shirt/sweater, centered between 2 blue do...

Etching and aquatint in colour "Char noir (Char V)" (Black Chariot, Chariot V) by Georges Braque from 1958. The edition on BFK RIVES comprises approx. 75 copies. The present copy...

"Poissons volants bleus" (Blue flying fish) by Georges Braque from Guillaume Apollinaire's “Si je mourais là-bas” (If I die there). The portfolio was published on the occasion of Geo...

"Oiseau de nuit noir" (Bird of the black night) by Georges Braque from Guillaume Apollinaire's “Si je mourais là-bas” (If I die there). The portfolio was published on the occasion of...

Fascinated by an experience in the Camargue bird sanctuary in 1955, the bird became a symbol of freedom and harmony for Georges Braque. ‘I now only draw birds, after my still lifes h...

If you look closely, I have taken a self-portrait of myself in a Land Rover within the cheetah’s eyes. It is always a thrilling experience being in the company of the world’s fasted ...

"When photographing lions with remote cameras, you often have to rely on their cat instincts for an image to materialise. This makes lions great subjects for remote cameras as the sm...

"Placing a well positioned remote camera with a wide angle lens allows for unique and intimate images. It is as if the rhino is walking out of the frame. This shot was a big moment...

"Almost exactly a year after I took one of my strongest images, “Drought” I found my lens once again pointed in the direction of two fighting zebras. There are clear similarities and...

Tommy Hartung Horse, 2011 Chromogenic print 13.5 x 20 inches (34.3 x 50.8 cm) Edition of 10

A superb impression of this color giclée print on wove paper. Signed and numbered 20/50 in pencil by Hirst. Published by Other Criteria, London.

One of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...

Marc Chagall "Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196) Color Lithograph on Arches Wove Paper Signed in Pencil "Marc Chagall" Lower Right Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90 *Floated in Gold Frame with Linen Matting, UV Plexiglass Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm) Image Size: 9 3/4 x 8 1/2 inches Framed Size: 28.5 x 24.25 inches Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson...

Left to Right - William Wegman (Colour Photography) Signed and inscribed with title Three unique colour Polaroid prints, printed 1989 24 x 20 inches each The dogs, bewigged and bede...

Dressed from Below - William Wegman (Colour Photography) Signed and inscribed with title Two unique colour Polaroid prints, printed 1994 24 x 20 inches each The dogs, bewigged and b...

Towelling - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1993 24 x 20 inches The dogs, bewigged and bedecked with outfit...

Climber - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1991 24 x 20 inches The dogs, bewigged and bedecked with outfits ...

Side Views - William Wegman (Colour Photography) Signed and inscribed with title Unique black and white Polaroid print, printed 1998 24 x 20 inches The dogs, bewigged and bedecked w...

Posed on Pedestal - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1994 24 x 20 inches The dogs, bewigged and bedecked wit...

Primary Trio - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1991 24 x 20 inches The dogs, bewigged and bedecked with out...

Chair Piece - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1991 24 x 20 inches The dogs, bewigged and bedecked with outf...

3 Out of Four - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1988 24 x 20 inches The dogs, bewigged and bedecked with ou...

My Coo Kie - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1991 24 x 20 inches The dogs, bewigged and bedecked with outfi...

Vintage chromogenic print (negative sandwich) (Edition of 12) Estate stamp in black ink, verso This artwork is offered by ClampArt, located in New York City. “Mark was an outlaw on...

Versaweiss Feathered up Peacock II, 2016 Archival pigment print and acrylic color spray on archival mat paper 50 x 50 cm Unique Don’t Kill Bambi: The studio 54 phenomenon repo...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

A series of exceptional paintings and rare prints have just arrived from a private west coast private collection. American artist Hans Burkhardt, "Morning Among the Trees", print, s...