Small Animal Prints

Artist: George Rodrigue (1944-2013) Title: Midnight Surprise (Blue Dog Series) Year: 2000 Edition: 62/150, plus proofs Medium: Silkscreen on archival paper Size: 22 x 17.5 inches Con...

Blocky black and white depiction of a goat, by artist Leonhardt Wüllfarth, c.1950. Displayed in a white mat with a gold border and fits a standard-size frame. Archival plastic sleeve...

Takashi Murakami - PANDA FAMILY AND ME, 2013 Offset lithograph with silver on paper Edition: 300 Size: 50 x 50 cm Offset lithograph with silver on paper hand-signed by Takashi Murak...

The Picador Incites the Bull. 1911. Drypoint. Hardie 104. 6 1/4 x 9 7/8 (sheet 8 1/4 x 11 7/8). Edition 30, #5. Slight mat line, 1 hinge stain in the lower margin, well outside the i...

Johnny FRIEDLAENDER (1912 - 1992) Cats Original handsigned etching On vellum BFK Rives 50 x 33 cm (c. 19.6 x 13 inch) Excellent condition, the sheet is slightly yellowed

Kissing Ass is a lithograph on paper, 6.75 x 9 inches image size. From the edition of 395, numbered 243/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-to...

Greyhound 1773-1802 Engraving 14 x 10 inches Framed: 24 x 21 inches

Roy Lichtenstein (after) Paintings Drawings Collages Prints at Kent State University, 1976 Historic Offset Lithograph Poster Unsigned 21 × 15 3/4 inches Unframed Vintage Roy Lichtenstein poster. It was acquired from the estate of Ohio artist Joseph O' Sickey, a personal friend of Roy Lichtenstein, who was involved with the creation of the show. Very few of these posters remain, and in fact the only other one we have seen in recent years also came from O'Sickey's estate. "Lichtenstein", 1976, exhibition invite/poster, Kent State University School of Art, January 4-23-1976, lithograph on paper. This image is a 2 color version of Lichtenstein's 1972 work "still life with goldfish bowl and painting of a golf ball", which was inspired by Henri Matisses's 1912 work "goldfish." In very good condition with original folds, as issued Over the course of his career, Roy Lichtenstein designed 70 posters...

Cathrine Raben Davidsen Medusa (Blue), 2024 46 × 37 cm Edition of 42 hand-signed and nubered by the artist Cathrine Raben Davidsen (b. 1972) is a Danish artist based in Copenhagen, ...

This artwork titled "Skull" c.1990 is an original color etching and aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is hand signed in pencil by the artist. The ...

Lithograph on Sicar paper 310 gr/m2, paper size 50cm x 70cm, work size 34cm x 50cm. Ellent condition. Cynthia Segato was born in Rome in 1958. She graduated in Astronomy and attended...

Digital print on canvas with embellishments. Hand signed lower front by Romero Britto. Studio stamp on verso with title, size, year and edition. From the edition of 300. Framed s...

PORTRAIT IMAGINAIRE is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival paper 100% acid free by the Dutch artist known as CORNE...

Etching from the studio of this acclaimed British Watercolorist. Good condition. Image 15.5" x 11.5" English artist Michael Chaplin is a Member of the Royal Watercolor Society, pa...

HOMAGE TO SIGMUND FREUD, is an original hand drawn, stone lithograph by the American artist/sculptor Chaim Gross. HOMAGE TO SIGMUND FREUD was hand proofed and printed from hand drawn lithographic stones on archival Arches paper in shades of warm yellow for the background texture and red brown for the master drawing. HOMAGE TO SIGMUND FREUD is a surrealistic portrait composition depicting Sigmund Freud's face(one portraying him with spectacles) surrounded by symbolic imagery including swirling birds, a child opening a heart-shaped lock, an embracing couple, fingers and bare leg. HOMAGE TO SIGMUND FREUD expresses an intriguing variety of visualized psychological references. This original, hand printed lithograph measures 18.5" x 22", registration marks are visible in print margins as evidence of the master printer's use of age-old printing methods first utilized in fine art lithography printmaking. HOMAGE TO SIGMUND FREUD is unframed, in excellent condition, pencil signed, dated and inscribed B.A.T., Trial Proof aside from the edition by Chaim Gross. Edition was published in 1976 as a fundraiser for the Hebrew University in Israel. Print size - 18.5 x 22 in., unframed, very fine condition, from the master printer's private collection Printer - Joseph Kleineman, J K Fine Art Editions Co. NYC Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze...

The Parrot is an original xilograph on paper realized by an anonymous artist in the XX century. Including a white cardboard passepartout: 69 x 49 cm. Monogram of the artist (AP) on ...

David Shrigley Distractions, 2022 Linocut, Somerset 300 gsm paper 20 1/2 × 15 in 52 × 38 cm Edition of 100 Hand-signed and numbered Published by schaefergrafik

This original limited edition graphic art lithographic poster entitled "Carousel Animals" was created by David Lance Goines in 1984 in his Berkeley ...

Getting My Ass in Gear III is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 187/275 (there were also 100 Roman an...

Serigraph from "Visual Poetics: The Art of Donald Sultan" framed under glass in natural wood frame. Initialed and numbered. Edition 112 of 395. Framed dimensions: 19 1/2 x 19 1/4 inc...

Olaf Wieghorst (1899 - 1988) California, New York, New Mexico, Arizona, Texas Artist Image Size: 11 x 8.5 Frame Size: 18.5 x 14.5 Medium: Print "Indian on Horse...

This is a hand-colored folio sized lithograph entitled "Iyngipicus Gymnophthalamus" (Ceylonese Pygmy Woodpecker) by John Gould from his monograph "The Birds of Asia", published in London in 1850-1883. The print, which was drawn by Gould and W. Hart and lithographed by Hullmandel and Walton, depicts two striped brown and ivory-colored woodpeckers with white and black on their heads. One is perched on a tree limb with pea green-colored leaves and the other on a round rose, brown-colored fruit. Both are pecking at fruit. This beautiful Gould hand-colored woodpecker lithograph measures 21" x 14.13". There is minimal faint focal discoloration in the lower margin. It is otherwise in excellent condition. The original text page is included with a round blindstamp in the right lower corner. There are several other unframed Gould woodpecker and other bird lithographs available via our 1stdibs storefront. Two or more of these would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds...

Woodcut Print Cat is a woodcut print realized by Simon Haret in the Mid-20th Century. Good condition with minor foxing. Monogrammed on a plate.

Mordecaï Moreh (1937-) The Vegetal Cow Original etching and aquatint Handsigned in pencil Numbered / 75 copies On vellum BFK Rives 45 x 56 cm (c. 17.7...

Beati pauperes...beati mites...beati is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithog...

Savo Radulović, Serbian American (1911 - 1991) - Exodus, Medium: Hand colored Lithograph, signed, titled and numbered in pencil, Edition: 20, Image Size: 9.5 x 14.25 inches, Size...

David Shrigley I Woke You At Dawn, 2024 Woodcut 53 x 40 cm Edition of 30 hand-signed and numbered by the artist published by Shäfer Editions and comes with COA from the publishers D...

Artist: John Gould (English, 1804-1881) Title: "Phalacrocorax Graculus (Spectacled Cormorant)" (Vol. 5, Plate 53) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 750 Printer: Walter or Walter & Cohn, London, UK Publisher: Taylor and Francis, John Gould, London, UK Reference: Sauer No. 23; Ayer/Zimmer page 261; Wood page 365; Nissen No. IVB 372; Sitwell page 78 Sheet size: 21.63" x 14.75" Image size: 17.25" x 12.25" Condition: Has been professionally stored away for decades. In excellent condition with strong colors Notes: Provenance: private collection - Aspen, CO. Lithography and hand-coloring by John Gould and English artist Henry Constantine Richter (1821-1902). Comes from Gould's five volume "The Birds of Great Britain", (1862-1873) (First edition), which consists of 367 hand-colored lithographs. Other contributing lithographers were German artist Joseph Wolf (1820-1899) and Irish artist William Hart (1830-1908). "The Birds of Great Britain" is recognized as Gould's greatest work. Gold gilded edges as issued. The spectacled cormorant or Pallas's cormorant is an extinct marine bird of the cormorant family of seabirds that inhabited Bering Island and possibly other places in the Commander Islands and the nearby coast of Kamchatka in the far northeast of Russia. Biography: John Gould FRS (14 September 1804 – 3 February 1881) was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, "On the Origin of Species".

Horse Team is a black and white etching realized by Frederic Jacque in the late 19th Century. The artwork represents a farmer and horses struggling with rural jobs Good condition e...

Etching on laid paper Signed in plate lower left: Jean François Raffaëlli. Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aqua...

Flamenco Flamingo [2014] limited_edition and hand signed by the artist Etching/aquatint Edition number 100 Image size: H:46cm cm x W:31cm cm Complete Size of Unframed Work: H:56cm c...

shakespeare by Helen Fay [2016] Limited Edition Etching , hand printed on Hanemulle etching paper Edition number total edition number 75 Image size: H:27 cm x W:48 cm Complete Size o...

The Ass Whipping is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 16/275 (there were also 100 Roman and 20 AP). F...

The donkey in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of on...

Medium: 7 color Screenprint Year: 2023 Image Size: 20.75 x 14.5 inches Edition of 12 The abandoned cannery at one end of the beach at Punta Lobos dates from the period 1960-80. Over...

Artist: Ben Shahn, American (1898 - 1969) Title: One Must Know the Animals from the Rilke Portfolio Year: 1968 Medium: Lithograph, signed in the plate Edition: 750 Size: 22.5 x 17.7...

Equestrian Scene No. 10 by Charles Ancelin. Original hand-painted pochoir process print. Paris: Galerie Lutetia, circa 1920.

Charles Bragg, American (1931 - 2017) - And He Saw That it Was Good 2, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 9 x 12 i...

Artist: Cornelius Nozeman (Dutch, 1720-1786) Title: "Ardea, Stellaris (Eurasian Bittern)" (Plate 41) Portfolio: Nederlandsche Vogelen (Dutch Birds) Year: 1770-1829 Medium: Original H...

A purple butterfly print with diamond dust. A purple butterfly appears in front of a white background. Additional information: Claire Robinson: Papilio Ulysses - Aubergine. Foam on ...

Artist: Jack Beal, American (1931 - 2013) Title: Blue Crab Year: circa 1975 Medium: Screenprint, Signed and numbered in pencil Edition: 52 Image Size: 9 x 12...

Racehorses, and the people in their realm, turned out to be his ideal subjects. Reardon’s eye found the elegance, power, and plaintive vulnerability of whatever settled before his ca...

Ancient Roman statue of a horse, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th ce...

Ancient Roman statue of a horse, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carol Nolli in the 18th ce...

Kilbourne, S.A. Game Fishes of the United States. This plate: California Salmon. New York, Scribner & Sons, 1878-81. Original chromolithograph.

2 Lazy 2P, ca. 1939 Lon Megargee Serigraph 20 x 24 inches Signed in screen Original serigraph print by Lon Megargee 1883 - 1960 Featured in "Hot Irons" by Oren Arnold and John Hale, 1940 SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Lon Megargee created this serigraph from his commission with Oren Arnold and John Hale to do their dust jacket for the book, " Hot Irons", 1940. Arnold and Hale wanted to establish a reference work, an "authority", with a entertaining history about the evolution of the brand. Megargee created a painting of a steer that was branded with the script, 2 Lazy 2 P. Surrounding the steer is a random display of famous brands of ranches in the Southwest. It was well received and must have prompted Megargee to create the likeness as a print. The brand is described in chapter thirteen, page 207-208 and says, " Ed Stram, who was Arizona state veterinarian for sixteen years, fire-branded his cattle with this peculiar crest. It isn't peculiar unless you have an equally peculiar sense of humor. At a glance it appears to be just another typically unimaginative brand, but it has been used to make many a thousand girls blush, and a few thousand bashful young men as well". COLLIER GALLERY, FINE ART ESTATE OF LON MEGARGEE Born and raised in Philadelphia, Pennsylvania, Lon Megargee, at age 13, ran away from his upper class home and went West in 1896 led by his zest for the wild and adventuresome life. There he established a reputation as a cowboy painter and illustrator with work most associated with Arizona Brewing Company ads featuring humorous aspects of cowboy life. In his youth, he worked as a free-lance cowboy, exhibition roper, poker dealer, and bronco buster in Arizona, and then went east again to study art in Philadelphia at the Pennsylvania Academy of Fine Arts, and to New York at the Art Students League and Pratt Institute. He returned to Arizona, living in Cave Creek, Salt River Canyon, Phoenix and the last years of his life near Sedona. His Phoenix home later became a popular hotel and dining place called the Hermosa Inn. Megargee was a ranch owner and also did oil canvases of the places he loved and the cowboy life he admired. By 1910, he was among the earliest resident artists, and was probably the best known artist in Arizona. His name was first associated with a landscape series of 15 large murals for the Capitol Building, newly constructed just after Arizona became a state in 1912. Another one of his paintings, Elemental, was the first painting by an artist living in Arizona to be acquired for the Municipal Collection of Phoenix. These works were chosen from entries in the State Fair, where he continued to win prizes for figure and landscape painting. From 1911 to 1953, he did numerous commission works for the Santa Fe Railroad, including a work titledNavajos Watching a Santa Fe Train. Between 1915 and 1930, he also painted in the Los Angeles area of California and had entries in the California State Fair. He died in Cottonwood, Arizona. After his death, theSaturday Evening Post had a double-page reproduction of his painting Cowboy's Dream. Creator of the iconic logo for the Stetson Hat Company, " Last Drop From his Stetson", still in use today. Fine Art Estate of Lon Megargee We offer signed in print and original signature block prints. Custom, hand carved, signature frames, with archival standards and a speciality in hand dyed mats and french matting are provided for a beautiful and timeless presentation. Megargee explored different mediums; printmaking captivated him in particular. The contrast of the black and white block print method captured perfectly his interpretation of a bold American West. The first print was produced around 1921 and culminated with the creation of “The Cowboy Builds a Loop” in 1933 with 28 images and poetry by his friend, Roy George. Megargee continued producing prints throughout the 1940s and early 50s. At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar Ranch . . . and, after a few years, was offered a job by Billy Cook...

Keith Haring Club DV8 San Francisco 1991: A rare 1991 Club DV8's poster featuring Keith Haring balloon dog artwork originally created by the artist for DV...

Guy Allen Dachshund and Butterfly Etching Edition Size: 75 Year Completed: 2015 Image Size: H 40m x W 54 cm Approximate Size When Framed: H 69c...

Annabel Pope. Frosty Morning is a beautiful Limited edition print featuring a sweet rabbit bouncing through the snowy fields on a cold winters morning. This work of art is sold moun...

This plate is unique both for the unmistakable beauty of the bird species and for the great scientific and artistic skill of Elisabeth and Jhon Gould to have rendered it. The price ...

Artist: Pablo Picasso Title: Head of Satyr (Plate XXV) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sheet Size: 13" x 10 3/16...

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Edwards (1878 - 1966) The Berkeley Hunt...

Guy Allen Dachshund and Butterfly Etching Edition Size: 75 Year Completed: 2015 Image Size: H 40m x W 54 cm Approximate Size When Framed: H 69c...

Offset lithograph, circa 1954, on wove paper, with the Estate of Andy Warhol and the Warhol Foundation ink stamps on the reverse, 49.1 x 34.2 cm. (19¼ x 13½ in.) From the '25 Cats Name[d] Sam and One Blue Pussy' series. 25 cats name[d] Sam, and One Blue Pussy, circa 1954, was one of Warhol’s first illustrated bound books. Produced with Seymour Berlin of Record Offset Corporation in New York, and written by Charles Lionsby, Warhol illustrated 25 cats name[d] Sam, and One Blue Pussy with sixteen drawings of cats...

Stanley William Hayter Big Horse (Black & Moorhead 46), 1932 Engraving & Drypoint on antique white Canson Vidalon laid paper affixed to original matting Hand signed, numbered 8/30 an...

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Ed...

Jack Rabbit is a lithograph on paper, 9.5 x 7.5 inches image size. From the edition of 395, numbered 151/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-t...

An original hand signed and editioned etching by Leonor Fini from her "Parade des Chats " Cat Parade Series. This is an E.A or an edition of the artist. This piece comes in an ar...

The Party Animal III (Buffalo) is a lithograph on paper, initialed lower right 'BD', 7.25 x 9" image size. From the edition of 395, numbered C/C (there were also 275 Arabic and 20 AP...

Artist: Georges Braque Title: Le Coq Portfolio: Verve Vol VII No. 27-28 Medium: Lithograph Date: 1952 Edition: 6000 Frame Size: 22" x 18 1/4" Sheet Size: 14" x 10" Signature: Unsigned