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Frame Included
Clare Halifax, C Is for Canary, Silkscreen Print, Bird Art, Art Online
Located in Deddington, GB
Clare Halifax C Is for Canary Limited Edition 3 Colour Silkscreen Print Edition of 75 Image size H 22 x W 22cm Sheet Size: H 27 x W 25cm x D 0.1cm Sold Unframed Please note that in s...
Category

2010s Contemporary Animal Prints

Materials

Paper, Screen

Blue Dog "Dancing with the Crawfish"
Located in Mount Laurel, NJ
This Blue Dog work consists of a Blue Dog sitting to the left of a saxophone-playing chef. The chef is wearing a white apron, chef hat, and a brown shirt and trousers. The chef is ...
Category

1990s Pop Art Animal Prints

Materials

Screen

Glider, Abstract Lithograph by Benny Andrews
Located in Long Island City, NY
Artist: Benny Andrews, American (1930 - 2006) Title: Glider Year: 1980 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 275 Size: 30 in. x 22 in. (76.2 cm ...
Category

1980s Expressionist Animal Prints

Materials

Lithograph

Waha Waharangin, Pop Art Indigenous Screenprint by Sergio Gonzales-Tornero
Located in Long Island City, NY
Waha Waharangin Sergio Gonzales-Tornero, Chilean (1927–2020) Date: 1983 Screenprint, signed, numbered, titled and dated in pencil Edition of 250 Image Size: 24 x 30 inches Size: 28 x...
Category

1980s Pop Art Animal Prints

Materials

Screen

96: Labrus julis, Indented-Striped Wrasse
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 1800s Naturalistic Animal Prints

Materials

Color, Etching

Original San Diego (Home Federal) 1974 vintage poster
Located in Spokane, WA
Original travel poster: San Diego (Home Federal), artist: Robert Kinyon, 24.25" x 38", 1974; original Southern California poster. Excellent condi...
Category

1970s American Modern Landscape Prints

Materials

Offset

Sibling Love
Located in New York, NY
ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...
Category

2010s Animal Prints

Materials

Plexiglass, Photographic Paper

Original 1944 "... because somebody talked!" vintage poster
Located in Spokane, WA
Original vintage poster: …BECAUSE SOMEBODY TALKED. Original World War II (2) linen-backed 1944 poster. Artist: Wesley Heyman. Size 20" x 28" Linen backed. Excellent condition. Antique poster ready to frame. Original issued U. S. Government fold marks touched up during linen backing. This is not considered a defect on World War II posters. Because Someone Talked portrays a cocker resting his head on his master's scarf. The gold star flag behind his head reveals that his master has been killed in action. The flag was awarded to mothers who lost sons. Published by the United States Government Printing Office Interpretation This poster, issued by the United States government during World War II, is a warning to citizens that discussing troop movements, or other military information that might be useful to the enemy, could have serious consequences. The Service Flag...
Category

1940s American Realist Animal Prints

Materials

Offset

"Face Off" 36x48 - Black & White Fine Art Photography, Lion Photograph Africa
Located in Los Angeles, CA
This is a contemporary black and white photograph of an African Lion by Shane Russeck. 36x48 edition of 12 Signed and numbered Printed on archival paper and using archival inks Fra...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

"On The Waterfront" 36x48 Black & White Photography Kodiak Grizzly Bear Signed
Located in Los Angeles, CA
This is a contemporary photograph of a Kodiak Bear. This was shot on Kodiak Island in 2019. 36x48 Edition of 12 Singed and numbered Archival pigment paper Framing available. Inqui...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

Bassets D'Artois a Jambes Torses, French hound dog chromolithograph print 1930s
Located in Melbourne, Victoria
'Bassets D'Artois a Jambes Torses'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a Fre...
Category

1930s Art Deco Animal Prints

Materials

Lithograph

Bear with Predella, Rubber Stamp Portfolio, Don Nice
Located in Southampton, NY
Printer’s ink from rubber stamp on vélin d’Arches Satine paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publi...
Category

1970s Pop Art Animal Prints

Materials

Printer's Ink

Paul Jouve - Eagle - Original Engraving
Located in Collonge Bellerive, Geneve, CH
Paul Jouve - Eagle - Original Engraving Editions Rombaldi, Paris, 1950. Copy on velin creme de Rives Artwork by Paul Jouve. Original copper engraving heightened with pochoir. Paul...
Category

1950s Modern Animal Prints

Materials

Engraving

Butterflies, English antique natural history Lepidoptera chromolithograph print
Located in Melbourne, Victoria
English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...
Category

Early 1900s Art Nouveau Animal Prints

Materials

Lithograph

La Mort du Chat Murr - Etching by Jean François Raffaëlli - 1875
Located in Roma, IT
Etching on laid paper Signed in plate lower left: Jean François Raffaëlli. Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aqua...
Category

1870s Modern Figurative Prints

Materials

Drypoint, Etching

Black-throated Diver: Original 1st Edition Hand Colored Audubon Bird Lithograph
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Black-throated Diver", No. 96, Plate 477, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts three Black-throated Divers; an adult male (1), an adult female (2) and a young Diver (3). The male sits on the bank, while the young Diver floats in the water and the female watches...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Salvador Dali - Le Cerf from Le Bestiaire de la Fontaine - Signed Engraving
Located in Collonge Bellerive, Geneve, CH
SALVADOR DALI Le Cerf se voyant dans l'eau from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 in...
Category

1970s Surrealist Figurative Prints

Materials

Drypoint, Aquatint

Owl Haven, American Realist Lithograph by Chris Forrest
Located in Long Island City, NY
Chris Forrest, American (1946 - ) - Owl Haven, Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP 40, Image Size: 18 x 22 inches, Size: 23 in....
Category

1970s American Realist Animal Prints

Materials

Lithograph

ORANGE PERSONAGE Signed Lithograph, Abstract Cat Portrait, Bold Color Collage
Located in Union City, NJ
Orange Personage is an original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival Arches printmaking paper, 100% acid f...
Category

1980s Abstract Abstract Prints

Materials

Lithograph

"Soulmates" 40x60 Black and White Photography of Wild Horses Mustangs Photograph
Located in Los Angeles, CA
This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" Unsigned 40 x 60 Framing availab...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

Matisse's Dogs in Love, contemporary, print, silkscreen
Located in Deddington, GB
Silkscreen Image Size H 22 x 22cm Framed Size H 47 x 45cm Edition of 100 Additional information: Screen print on Paper Edition of 100 22 H x 22 W cm (8.66 x 8.66 in) Sold unframed ...
Category

2010s Contemporary Animal Prints

Materials

Paper

Sentinel, American Realist Lithograph by Chris Forrest
Located in Long Island City, NY
Chris Forrest, American (1946 - ) - Sentinel, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP XL, Image Size: 23 x 18...
Category

1980s American Realist Animal Prints

Materials

Lithograph

Autumnal Botanical Portrait – 2022, UV Print on Dibond, Contemporary Figurative
Located in FISTERRA, ES
Limited edition print on Dibond featuring an autumnal anthropomorphic portrait composed of leaves, dandelions, and botanical forms on vibrant orange. This limited edition UV print o...
Category

2010s Contemporary Portrait Prints

Materials

Metal

EASIN' EM HOME Signed Lithograph Western Landscape Cowboy Crossing River, Horses
Located in Union City, NJ
EASIN' EM HOME by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph(not a photo reproduction or digital print) printed using hand lithography ...
Category

1980s American Realist Animal Prints

Materials

Lithograph

Frogs and Toad, Signed lithograph (AP), from Conspiracy: The Artist as Witness
Located in New York, NY
Jack Beal Frogs and Toad, 1971 Hand signed in pencil by Jack Beal, annotated AP One-color lithograph proofed by hand and pulled by machine from a zinc plate on Arches buff paper with deckled edges at the Shorewood Bank Street Atelier Stamped, hand numbered AP, aside from the regular edition of 150 Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears blind stamp 18 × 24 inches Unframed 18 x 24 inches Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears distinctive blind stamp of publisher (shown) Publisher: David Godine, Center for Constitutional Rights, Washington, D.C. Jack Beal's "Frogs and Toads" is a classic example of protest art from the early 1970s - the most influential era until today. This historic graphic was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman, Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. (The eighth activist, Bobby Seale, was severed from the case and sentenced to four years for contempt after being handcuffed, shackled to a chair and gagged.) Although Abbie Hoffman would later joke that these radicals couldn't even agree on lunch, the jury convicted them of conspiracy, with one juror proclaiming the demonstrators "should have been shot down by the police." All of the convictions were ultimately overturned by the 7th Circuit Court of Appeals. This lithograph has fine provenance: it comes directly from the original Portfolio: "Conspiracy The Artist as Witness" which also featured works by Alexander Calder, Nancy Spero and Leon Golub, Romare Bearden Sol Lewitt, Robert Morris, Claes Oldenburg, Larry Poons, Peter Saul, Raphael Soyer and Frank Stella - as well as this one by Jack Beal. It was originally housed in an elegant cloth case, accompanied by a colophon page. This is the first time since 1971 that this important work has been removed from the original portfolio case for sale. It is becoming increasingly scarce because so many from this edition are in the permanent collections of major museums and institutions worldwide. Jack Beal wrote a special message about this work on the Portfolio's colophon page. It says, "In 1956, shortly after Sondra and I moved to New York, two friends were arrested and jailed for protesting air-raid drills. From them and their friends came our education. This work is dedicated to them and their families. "In Memory of Patricia McClure Daw and AL Uhrie" - This print was made for their children. Jack Beal Biography: Early in his career Walter Henry “Jack” Beal Jr. painted abstract expressionist canvases, because he believed it was “the only valid way to paint.” By the early 1960s he totally altered his approach and fully repudiated abstraction. Turning to representation, he painted narrative and figurative subjects, often enhanced by bright colors and dramatic perspectives. Beal was born in Richmond, Virginia, and from 1950 to 1953 he attended the Norfolk Division of William and Mary College Polytechnic Institute, (now Old Dominion University) where he studied biology and anatomy. Shifting gears, he sought art training at the School of the Art Institute of Chicago where he focused on drawing, and met his wife, artist Sondra Freckelton. His art history instructor encouraged her students to paint in the manner of established artists, and to that end he frequented the Institute’s galleries. For Beal this was significant: “Until I saw pictures of real quality I had tended to think of painting as just so much self-indulgent smearing around, but when I saw masterpieces by Cézanne and Matisse, and other painters of similar stature, I was bowled over; suddenly I realized the force of art.” After spending three years (1953–1956) at the Art Institute, Beal concluded his studies there without getting a terminal degree, thinking it was only useful if he wanted to teach, which, at the time, he did not. He also took courses at the University of Chicago in 1955 and 1956. During this period he married Freckelton, a fellow student and sculptor who began her career working in wood and plastic. Together they moved to New York’s SoHo District before its transformation from a wasteland of sweatshops and small factories into an arts district. They were active with the Artist Tenants Association which was instrumental in getting zoning laws changed so that artists could live and work in the well-lit lofts. Embracing what came to be called “New Realism,” Beal initially painted an occasional landscape as well as earthy-toned still lifes which consisted of jumbled collections filled with personal objects. His signature style started with a series of female nudes—all modeled by Freckelton—based on Greek mythology. These were large canvases with flat paint surfaces, dramatic foreshortening, and unusual perspectives. He further enlivened them with vivid colors, stark lighting, and dynamic patterns derived from textiles and overstuffed furniture. He stopped painting nudes after two episodes. The first came as he was loading a canvas of his naked wife onto a truck in lower Manhattan; several laborers walked by and started to fondle and kiss the painting. On the one hand he felt his wife had been violated, while on the other he was pleased that his realism was so convincing. The second occurred after a solo exhibition in Chicago at which the reception had been sponsored by Playboy magazine. A few days later he was approached by a publicist and asked if Playboy bunnies could be photographed in front of his paintings. He refused. Some portrait commissions came Beal’s way, but he preferred only portraying friends. More significant were four large murals on the History of Labor in America, the 20th Century: Technology (1975), which he undertook for the headquarters of the United States Department of Labor in Washington. Following a historical timeline, the themes were: colonization, settlement, nineteenth century industry, and twentieth century technology. The unveiling ceremony was attended by government officials and Joan Mondale, an arts advocate and wife of the vice-president. The reviewer for the Washington Post wrote enthusiastically: “They’re heartfelt and they’re big (each is 12 feet square). Their many costumed actors (the Indian, the trapper, the scientist, the hardhat, the capitalist in striped pants, the union maid, etc.) strike dramatic poses in dramatic settings (a seaside wood at dawn, an outdoor blacksmith’s forge, a 19th-century mill, a 20th-century lab). The lighting is theatrical. Beal’s compositions, with their swooping curves and bunched diagonals, are as complicated as his interwoven plots.” To accomplish the murals Beal assembled a team of assistants and models, much in the manner of Renaissance masters, which included artist friends and Freckelton. who by then was painting brightly colorful still lifes. A second mural commission ensued from New York City’s Metropolitan Transit Authority for two twenty-foot long installations for the Times Square Interborough Rapid Transit Company subway station. Beal’s designs for The Return of Spring (installed in 2001, three days after the terrorist attacks in New York, Washington, DC and Philadelphia) and The Onset of Winter (installed in 2005), Beal captured the appearance of his models in an oil painting made to the scale of the intended mosaic. A collaboration with Miotto Mosaics, the canvases were shipped to the Travisanutto Workshop, in Spilimbergo, Italy, where craftsmen fabricated the design to glass mosaics. The Return of Spring depicted construction workers and other New Yorkers in front of a subway kiosk and an outdoor produce market and in The Onset of Winter, a crowd watches a film crew recording a woman entering the subway as snow falls against the city’s skyline. Harkening back to some of his early nudes based on Greek myth, Persephone, goddess of fertility and wife of Hades, appears in both. The symbolism is pertinent, since she spent six months each year below ground. Although he disparaged teaching early on, Beal and Freckelton offered four summertime workshops on their farm in Oneonta, New York. He was an instructor at the New York Academy of Art, a graduate art school he helped to establish in 1982. Returning to Virginia, he taught at Hollins College...
Category

1970s Realist Animal Prints

Materials

Lithograph

Pied Flycatcher Birds: 19th C. Hand-colored Folio-sized Lithograph by John Gould
Located in Alamo, CA
This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Atricapilla" (Pied Flycatcher) by John Gould from his monograph "The Birds of Great Britain ", published i...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

LITTLEWOODS Signed Lithograph, Historic Stone Farmhouse, Bucks County Landscape
Located in Union City, NJ
LITTLEWOODS is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100...
Category

1980s Realist Landscape Prints

Materials

Lithograph

David Shrigley - I Am Elegant, I Am Oh So Very Very Elegant 2021
Located in Central, HK
David Shrigley - I Am Elegant, I Am Oh So Very Very Elegant, 2021 Screenprint in colours 29 1/2 × 22 in 75 × 56 cm Edition of 125 Edition number 66/125 Publisher AllRightsReserved, ...
Category

2010s Animal Prints

Materials

Paper

Abstract
Located in Houston, TX
Abstract French lithograph, circa 1980. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival plasti...
Category

1980s Animal Prints

Materials

Lithograph

Cream-coloured Plover, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Animal Prints

Materials

Engraving

Spectacle Owl, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Animal Prints

Materials

Engraving

The Cat - Etching on Paper by Gianpaolo Berto - 1970s
Located in Roma, IT
The Cat is an original etching on paper realized by Gian Paolo Berto in 1970s. Good conditions. The artwork represents a cat through perfect hatching. The artwork is depicted skill...
Category

1970s Modern Figurative Prints

Materials

Etching

Arabian, American Realist Lithograph by Mel Hunter
Located in Long Island City, NY
Mel Hunter, American (1927 - 2004) - Arabian, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 500, Size: 22 in. x 29.5 in. (55.88 cm x 74.93 cm), Descript...
Category

1970s American Realist Animal Prints

Materials

Lithograph

Original 'Produits Lavocat' vintage poster for Force and Energy
Located in Spokane, WA
Original vintage poster: Lavocat aliments irradies. Force, Energie par les produits. This is a classic French late Art Deco period poster featuring a buff rugby player almost outpacing a steed - due no doubt to Lavocat, an 'irradiated' food. Even today, the American FDA believes that irradiating food can burn off harmful bacteria, airborne germs, and other microbes which can adversely affect food. We love this poster's depth of color, texture, and oomph - powerful and very, very Art Deco. This poster is an original Art Deco lithograph. This poster is related more to sports and running than food, but food provides energy. Note that the red is cherry red since different monitors produce the red color of this poster in different qualities. Excellent condition, undated on the poster. Behind the rugby runner is a black horse that appears to be neck and neck...
Category

1930s Art Deco Animal Prints

Materials

Lithograph

Bonnard, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...
Category

1960s Modern Figurative Prints

Materials

Lithograph

Crow on the Branch - Etching by Leo Guida - 1972
Located in Roma, IT
Crow on the Branch is an artwork realized in 1972 by the Italian Contemporary artist Leo Guida (1992 - 2017). Etching on cardboard. Hand Signed and dated on the lower right marg...
Category

1970s Contemporary Figurative Prints

Materials

Etching

Mod Animal Print
Located in Surfside, FL
Original serigraph silkscreen prints by German/Canadian expressionist Yargo de Lucca (1925-2008) from the “Canada Suite” series, a hand-signed and numbered Inuit-inspired silkscreen...
Category

20th Century Animal Prints

Materials

Lithograph

Moths, English antique natural history Lepidoptera chromolithograph print
Located in Melbourne, Victoria
English moth chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there is an ...
Category

Early 1900s Art Nouveau Animal Prints

Materials

Lithograph

The Rabbit - Original Woodcut by Giselle Hallf - Early 20th Century
Located in Roma, IT
The Rabbit is an original woodcut print by Giselle Hallf in the first half of the 20th Century. Good conditions. The artwork is depicted through strong strokes in a well-balanced c...
Category

Early 20th Century Modern Figurative Prints

Materials

Woodcut

Torch Light Fishing in N America, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Torch Light Fishing in N America' Colour aquatint by Merke after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports'. Samuel...
Category

Early 19th Century Naturalistic Animal Prints

Materials

Aquatint

'Christopher', Art Deco Lithograph, Woman Artist, Salon d'Automne, Paris, AIC
Located in Santa Cruz, CA
A mid-century, stone lithograph titled 'Christopher' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. A bright and...
Category

1940s Figurative Prints

Materials

Paper, Lithograph

Tip-Toe Cat
Located in Columbia, MO
LEONOR FINI Tip-Toe Cat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches
Category

1970s Surrealist Animal Prints

Materials

Lithograph

"Locals Only" 40x60 Fine Art Photography of Mountain Lion, Cougar Unsigned Print
Located in Los Angeles, CA
Image title: "Locals Only" This is a contemporary photograph of 2 North American Mountain Lions. 40x60 Printed on archival paper using archival ink Framing available. Inquire for...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

Italian Summer, Framed Etching by Michael Chapman
By Michael James Chaplin
Located in Brecon, Powys
Etching from the studio of this acclaimed British Watercolorist. Good condition. Image 15.5" x 11.5" English artist Michael Chaplin is a Member of the Royal Watercolor Society, pa...
Category

1990s Realist Landscape Prints

Materials

Etching

Sheep by coast, antique colour aquatint engraving, circa 1800
Located in Melbourne, Victoria
Sheep by coast. Colour etching, circa 1800. 20cm by 26cm (sheet) 16cm by 20cm (platemark)
Category

19th Century Victorian Animal Prints

Materials

Etching

Bold Folk Art Lamb Woodcut
Located in Houston, TX
Blocky black and white depiction of a lamb, by German artist Leonhardt Wüllfarth, c.1950. Displayed in a white mat with a gold border and fits a standard-size frame. Archival plastic...
Category

1950s Folk Art Animal Prints

Materials

Paper, Woodcut

Brunelleschi, Composition, La Leçon d'amour dans un parc (after)
Located in Southampton, NY
Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...
Category

1930s Modern Landscape Prints

Materials

Lithograph, Stencil

Reddish Egrets, Adult & Young: An Original Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted. This original hand-colored Audubon egret...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Untitled (Cat) - The World, Text Art by David Shrigley 2019
Located in London, GB
David Shrigley Untitled (Cat), 2019 Screenprint on 300gsm BFK Rives paper 76 x 56 cm Edition 30 of 125 Hand-signed and numbered by the artist David Shrigley is a British artist know...
Category

2010s Contemporary Animal Prints

Materials

Screen

Original Philips Infra-Rouge vintage poster linen-backed
Located in Spokane, WA
Original Philips Infra-Rouge vintage poster. Size: 23" x 31". Archival linen-backed French antique poster. It is archival linen backed and ready to frame. This fun kitchen poster...
Category

1940s American Modern Animal Prints

Materials

Lithograph

In Praise of Prairie Dogs (19-325), 11 Color lithograph, Signed/N Judy Chicago
Located in New York, NY
Judy Chicago In Praise of Prairie Dogs (19-325), 2019 11 Color Lithograph on light blue Pescia paper Hand signed, dated and numbered from the limited edition of 95 on the front 22 × ...
Category

2010s Feminist Animal Prints

Materials

Lithograph

Le Chat d'Angora - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Chat d'Angora is an etching realized in 1771 by ` (1723-1807). It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Arti...
Category

1770s Modern Figurative Prints

Materials

Etching

Original Holy Land Fly TWA Jets vintage travel poster 1960s Noah' Ark
Located in Spokane, WA
Original Holy Land TWA vintage travel poster. Artist David Klein. Size 25" x 40.5". Archival linen-backed authentic vintage TWA travel poster...
Category

1960s American Modern Animal Prints

Materials

Offset

Peregrine, American Realist Lithograph by Chris Forrest
Located in Long Island City, NY
Chris Forrest, American (1946 - ) - Peregrine, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP XL, Image Size: 23 x 1...
Category

1980s American Realist Animal Prints

Materials

Lithograph

Butterflies, late 19th century antique natural history colour lithograph
Located in Melbourne, Victoria
'1. Ageronia arethusa 2. Ageronia amphinome' Late 19th century colour lithograph of butterflies.
Category

Late 19th Century Victorian Animal Prints

Materials

Lithograph

Barnacle Geese Affrighted
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...
Category

Mid-20th Century Modern Animal Prints

Materials

Handmade Paper, Drypoint, Etching

PIGEONS
Located in Aventura, FL
Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...
Category

1980s Cubist Animal Prints

Materials

Paper, Lithograph

PIGEONS
PIGEONS
$1,025 Sale Price
50% Off
Chinese Diver, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Animal Prints

Materials

Engraving

Braque, Composition, Les Peintres mes amis (after)
Located in Southampton, NY
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Bear Hugs (Hot Pink and Blue) Diptych
Located in Deddington, GB
Bear Hugs (Hot Pink and Blue) Diptych by Tim Southall [2021] limited_edition Silkscreen Print Edition number 100 Image size: H:68 cm x W:48 cm Complete Size of Unframed Work: H:76 cm x W:56 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look ‘Bear Hugs’ is a large silkscreen print in a variable edition It is an image which aim to explore the very special bond between a mother and a child...
Category

21st Century and Contemporary Contemporary Animal Prints

Materials

Paper, Screen

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