Unframed Animal Prints

Marc CHAGALL (1887-1985) Bible : Ruben, Ocean, Sky and Sun, 1962 Lithograph (Mourlot workshop) Unsigned On Vellum 32.5 x 24 cm INFORMATION: Lithograph produced by Chagall in 1962 f...

CIRCUS is a hand drawn original lithograph by the Argentine born woman artist Ivel Weihmüller printed using traditional hand printmaking techniques on archival paper 100% acid free. ...

Eagle Owl is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London...

This is a contemporary photograph of a Wild Horses. 60x40 Printed on archival paper using archival inks. Edition of 10 Signed and numbers by Shane Framing Options Available Shane...

Original PARIS linen-backed 1946 vintage travel poster, preservation linen-backed and ready to frame. Very good condition, Grade A- Original 1946 Paul Colin Paris Vintage Poster ...

‘Bears in the Woods’ is a playful silkscreen print depicting a number bears going about their business in autumnal woods. This 6 colour silkscreen is printed on Somerset Velvet, a he...

'Kloakentiere' (Monotremes - echidna and platypus)) German wood-engraving, circa 1895. 240mm by 155mm (sheet)

Mikio WATANABE (1954-) Lizards , 2003 Original etching (Mezzotint) Signed and dated in pencil Numbered / 90 ex On vellum 57 x 35 cm (c. 22.4 x 13.7 inch) Excellent condition

Silkscreen Image Size H 50 x 66cm Framed Size H 73 x 88cm Edition of 100 Image size: Height: 50cm (19.69 in) Width: 66cm (25.98 in) Complete size of sheet (sheet sizes may vary) He...

This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Bald Eagle, from Endangered Species. Screen print in colors on Lennox Museum Board. Hand signed and numbered by Andy Warhol. Edition 75/150 (there were also 30 AP's, 5 PP's, 5 EP'...

Walasse Ting 丁雄泉 Green Cat, 1984 Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper Pencil signed, numbered 178/230, dated 1984 along with artist's perso...

Artist: John James Audubon (American, 1785-1851) Title: "Whooping Crane" (Plate 313, No. 63) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Origi...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With ...

Paul Jouve Jaguar Catching a Snake, c. 1926 Original etching Unsigned proof On vellum 59 x 80 cm (c. 23 x 32 in) REFERENCES : Catalog Galeries Georges Petit, 'Exposition du groupe ...

"White Calf" is an original lithograph print by Thomas Hart benton. It features the image of a man milking a cow while her calf lays down in front. Benton's breathtaking way of rende...

'1. 2. Charaxes tiridates 3. Charaxes etheocles' Late 19th century colour lithograph of butterflies.

David Shrigley The Biggest Hottest Chilli in the World, 2023 12 colour screenprint with a varnish overlay. Printed on Somerset Satin Tub sized 410 gsm 29 1/2 × 22 in 75 × 56 cm Edit...

Print Sz: 9 1/2"H x 12 1/2"W 1933 Proof Plate for 'Spills and Thrills' Published by Charles Scribner's Sons New York 1933

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Vultures Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

This exquisite collotype after Pablo Picasso (1881–1973), titled Pigeon, originates from the rare 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Drawings by Picasso in the Margin of Buffon). Published by Berggruen et Cie, Paris, under the direction of Henri Jonquieres, and printed by l'atelier de Georges Duval, Paris, this edition presents forty unpublished compositions created by Picasso as marginal drawings inspired by the writings of Georges-Louis Leclerc, Comte de Buffon. In Pigeon, Picasso captures the delicate poise and natural grace of the bird with a single, continuous line, distilling its essence into pure form. The composition demonstrates Picasso’s mastery of simplicity—balancing spontaneity, rhythm, and clarity in a work that unites artistic minimalism with lyrical sensitivity. Executed on velin du Marais paper, this collotype measures 14.5 x 11.125 inches (36.83 x 28.26 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1957 publication format. This edition, printed in January 1957, captures the immediacy and vitality of Picasso’s Buffon drawings, revealing the artist’s playful engagement with both the subject matter and the act of drawing itself. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Pigeon, from 40 dessins de Picasso en marge du Buffon (Forty Drawings by Picasso in the Margin of Buffon), 1957 Medium: Collotype on velin du Marais paper Dimensions: Paper size 14.5 x 11.125 inches (36.83 x 28.26 cm) Inscription: Unsigned and unnumbered, as issued Date: 1957 Publisher: Berggruen et Cie, Paris Printer: l'atelier de Georges Duval, Paris Catalogue raisonne references: Goeppert, Sebastian, et al. Pablo Picasso, the Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 84. Johnson, Robert Flynn, et al. Artists Books in the Modern Era 1870–2000: The Reva and David Logan Collection of Illustrated Books. Fine Arts Museums of San Francisco; Thames & Hudson, 2002, illustration 77. Condition: Well preserved, consistent with age and medium Provenance: From the 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Drawings by Picasso in the Margin of Buffon), published by Berggruen et Cie, Paris Notes: Excerpted from the 1957 folio (translated from French): "Proposed by Henri Jonquieres, this album was made under his direction. The compositions, unpublished to date, were drawn on an example of the Buffon, published by Martin Fabiani, publisher in Paris, who has obligingly authorized the edition of the text and engraving plates. The original album belongs to Dora Maar. The printing of the plates was made in l'atelier de Duval, in Paris, and completed in January 1957, and that of the typography by l'imprimerie Priester Freres. MMCCXXVI examples were printed, namely: CCXXVI examples on velin a la forme d'Arches, including an original gouge engraving by Picasso, signed by him and printed on the press of Robert Blanchet, numbered from I to CCXXVI, and MM examples on velin du Marais, numbered from CCXXVII to MMCCXXVI. In addition, non-commercial examples, numbered in Roman numerals, were reserved for the collaborators." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (1955). Pablo Picasso collotype, Pigeon Picasso, Buffon Picasso, 40 dessins de Picasso en marge du Buffon (Forty Drawings by Picasso in the Margin of Buffon), Picasso 1957 edition, Picasso Berggruen et Cie Paris, Picasso Georges Duval atelier, Picasso Henri Jonquieres, Picasso velin du Marais paper, Picasso animal drawing, Picasso Buffon portfolio, Picasso bird...

Artist: Alexander Calder (1898-1976) Title: Sky Bird, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 20 x 26 inche...

This is an original John James Audubon hand-colored lithograph entitled "Florida Rat", No. 1, Plate IV", from John James Audubon's Quadrupeds of North America, published in Philadelp...

Artist: John James Audubon (American, 1785-1851) Title: "Snowy Heron" (Plate 374, No. 75) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original...

The lion is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a...

'Forstinsekten II Kafer' (Forest Insects - Beetles) German chromolithograph, circa 1895. 245mm by 155mm (sheet)

David Shrigley Preen Yourself, 2023 13 colour screenprint with a two varnish overlay printed on Somerset Satin Tub sized 410 gsm 29 1/2 × 22 in 75 × 56 cm Signed by the artist and n...

Brazilian Guinea Pig is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Rè...

BRIAN DAVIS (American, b.1946) Galerie Michael, Century City/Los Angeles, December 1, 1981- January 1, 1982: “Parrot III”, 1980 Event Poster 33.125 x 22 in...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Accidents, Injuries and other Calamities poster Judy Chicago (Hand signed and inscribed), 1988 Offset lithograph on thin board (signed and inscribed by Judy Chicago) 26 × 20 1/4 inch...

This plate is unique because of the bird species' unmistakable beauty and the great scientific and artistic skill with which Elisabeth and Jhon Gould rendered it. The price quoted h...

David Shrigley, Balance The Ball On Your Nose, 2022 Screen print on paper 56 x 75 cm (22.04 x 29.52 in) Edition of 123 of 125 Hand-signed and numbered by the artist David Shrigley ...

Artist: Dan May (American, 1955-) Title: "Chickens" *Signed and numbered by May in pencil lower left Year: 2003 Medium: Original Screenprint on unbranded soft-cream wove paper Limite...

This poster features David Hockney’s affectionate portrait of his dachshunds, Stanley and Boodge, drawn in 1993 and rendered in his fluid, expressive style. The image highlights Hock...

This Blue Dog work consists of a blue dog on a tropical background of mountains, sea, sand, and palm trees. There are various colors of butterflies and a single dragonfly. The dog i...

In this compelling portrait titled Ahab, acclaimed artist Jos Sances channels the psychological intensity of Herman Melville’s iconic anti-hero from Moby-Dick. The print presents a b...

David Shrigley Everything is Good, 2023 Screenprint on 300gsm BFK Rives paper 76 x 56 cm Edition of 125 Hand-signed and numbered by the artist published by NGV David Shrigley is a B...

"Original Vintage Aquariums Mosans Poster – Art Deco Design by A. de Loof, 1930s European Travel Advertising" Discover the Captivating "Moselle Aquariums" - A Vintage Poster by A. d...

Signed, titled and numbered by the artist, from the serigraph edition of 40 prints completed at Self Help Graphics in Los Angele. Trouble in Paradise is based on tourism postcards and California orange crate art...

'Strahlinge' (Protozoa - Radiolarians or Radioza) German lithograph, circa 1895. Key to protozoa in German below the image. 250mm by 305mm (sheet). Central vertical fold as iss...

Edition of 300. Murakami signed and numbered in silver marker pen along the lower right edge. Offset lithograph with cold foil stamp and high gloss varnishing on UV paper. 70 x 52.8 ...

Robert Rauschenberg Lily Scent, 1981 Lithograph 32 x 24 inches SPIII Signed

'1. Devanica tricolor 2. Erasmia pulchella 3. Amesia sanguiflua' Late 19th century colour lithograph of butterflies.

'1. Hestia idea 2. Ideopsis daos' Late 19th century colour lithograph of butterflies.

12 Colour Screenprint with a Varnish Overlay on Somerset Tub Sized 410gsm Paper Edition of 125 Signed and numbered on the back Mint. Minor imperfections may appear due to the production process. Sold with COA from Jealous Gallery...

This Blue Dog work consists of a blue dog on a white background wearing a necktie decorated with blue dogs and alligators. The dog has soulful yellow eyes. This pop art animal original oil on canvas is hand-signed by the artist. Artist: George Rodrigue Title: Blue Dog “Tie...

Le Soir: Cerf et Herons (The Evening: Stag and Herons) Lithograph printed with brown tint stone, 1858 From: Animaux et Paysages d’apres Nature Published by Goupil, 1858 Signed in the stone lower left, Karl Bodmer Pinx. et lith. (see photo) Published by Goupil et Cie, Paris, with their blindstamp center, below image Printed by Bertauts, Paris (see photo) Condition: Excellent One stain verso, not visible on recto Full sheet Image size: 11 1/4 x 18 inches Sheet size: 17 3/4 x 24 3/4 inches Reference: Delteil 70 IFF 22, No. 1 Karl Bodmer (1809—1893) Painter, draftsman, and printmaker. Although he spent only two years in the United States and its territories, Bodmer's depictions of Western Indians...

This is a contemporary photograph of a Kodiak Bear. This was shot on Kodiak Island in 2019. 24x36 Unsigned print Archival pigment paper - Kodak Luster Archival Inks Signed and nu...

Silkscreen Image Size H 22 x 22cm Framed Size H 47 x 45cm Edition of 100 Additional information: Screen print on Paper Edition of 100 22 H x 22 W cm (8.66 x 8.66 in) Sold unframed ...

Artist: Dan May (American, 1955-) Title: "Dog Face (Purple)" *Signed and numbered by May in pencil lower left Year: 1986 Medium: Original Screenprint on unbranded white wove paper Li...

David Shrigley Be yourself just be yourself, 2023 12 colour screenprint with a two varnish overlay printed on Somerset Satin Tub sized 410 gsm in a custom delivery box adorned with a...

David Shrigley, Into the Void, 2023 12 Colour Screenprint with Varnish Overlay on Somerset Tub Sized 410gsm Paper 55 x 55 cm (21.65 x 21.65 in) Edition of 133 of 125 Hand-signed and...

This is a contemporary photograph of a Tiger by Shane Russeck. Printed on archival paper using archival inks Shane Russeck is a modern day photographer, adventurer, and explorer. ...

This striking woodcut print features a seated cat, its body rendered in bold, expressive lines against a coloured background. The artist's skillful use of negative space and contrast...

This Blue Dog work consists of a blue dog in the middle of a red, white, and blue background. The dog is wearing a yellow neckerchief and a large black western hat with gold trim on ...

Le Cerf is an etching realized in 1771 by Claude Jardinier. Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la d...

PARR (1893-1969) KINNGAIT (CAPE DORSET) HUNTER HAULING A SEAL, 1966 #2, Stonecut, signed, titled numbered 28/50 Dorset 1966. Image 14 x 22 ¼. Full sheet ...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...