Lithograph Animal Prints

This is an original hand signed (I believe it is also hand colored but i am not positive) Artists Proof Lithograph of a Circus scene. This depicts a circus girl with horses. This came from a portfolio inscribed by Vertes and also signed by the Surrealist Jean Cocteau. MARCEL VERTES FRENCH HUNGARIAN 1895(Ujpest, Hungary)-1961(Paris, France) art deco artist.Vertes was born in Hungary and died in Paris, but spent a lot of time in New York as well. He was noted as a painter, illustrator, designer and scenic mural painter. His whimsical images graced the pages of Vogue and Harper's Bazaar. Continuing in the footsteps of Boutet, Forain, Erte, Toulouse-Lautrec and others. Concentrating upon scenes of Paris street...

Mr. Monkey Drowning Himself is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by Mane...

Hand signed. Artist’s Proof. Very good conditions.

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Ed...

Seguy, E.A. Insectes. Paris, Du Chartre et van Buggenhoudt [1924] Each print is produced entirely by hand using a unique printing process called pochoir, which was popular in Fran...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. A mosque ...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper a reproduction lithograph after the drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...

A close portrait of a horse wearing a laurel crown with the rays of the sun emanating from behind its head. The horse theme was frequently used by Dali throughout his career. The hor...

John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing. He came to the U.S. at age 18, and made ma...

This original lithograph is hand signed in pencil by the artist "Picasso" in the lower right image. It is hand numbered in pencil from the edition of 25, in the lower left image. The...

Keith Haring ‘Kutztown Connection’ 1984: This rare vintage 1980s Keith Haring poster was illustrated by Haring in conjunction with the Benefit Performances for the New Arts Program o...

This is an original 19th century John James Audubon hand-colored quadruped lithograph entitled "Caribou or American Rein Deer", No. 26, Plate CXXVI, from Audubon's "Quadrupeds of Nor...

Vincent HADDELSEY (1934-2010) Horse : Polo Game, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Artist: Alexander Calder Title: Beastie Portfolio: Flying Colors Medium: Lithograph Year: 1974 Edition: Open Frame Size: 27" x 33" Sheet Size: 20" x 26" Image Size: 20" x 26" Signat...

Lithograph printed by Chez Daniel Jacomet, Paris, France 1960 offset lithograph in colors on Arches, signed in crayon on the justification sheet (this auction is just for the one lithograph pictured as the 1st photo, the justification sheet with the original drawing is just included for provenance and is not part of this sale), on Arches deckle edged paper. limited edition of 250. plate signed and hand signed in pencil. Israeli views Lithograph by Israeli Master. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovici (later Reuven Rubin) was born in Gala?i to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik, with whom he had shared a studio in Cernovitzu. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery.Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judea competition. He died in 1974 Artistic career Joseph Zaritsky...

Artist: Mihail Chemiakin, Russian (1943 - ) Title: Escargot Year: circa 1978 Medium: Lithograph, signed and numbered in pencil Edition: 231/300 Image Size: 23.75 x 21.5 inches Size: ...

Bird Michael Knigin, American (1942–2011) Date: 1971 Screenprint, signed and numbered in pencil Edition of 9/100 Image: 28.5 x 17 inches Size: 30.5 x 23 inches

Artist/Designer; Manufacturer: Jack Beal (American, 1931-2013) Marking(s); notes: signed, blind stamp, marking(s); ed. 69/150; 1971 Materials: lithograph on Arches buff Dimensions (H...

ARTIST: Salvador Dali TITLE: St. George and The Dragon MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 227/250 MEASUREMENTS: 30" x 22" YEAR: 1973 FRAMED: No CONDITION...

Lithograph numbered and signed by hand 19/60 edition From Israel collection

GREEN HORSE, TWO GEISHAS is an original lithograph printed using hand drawn lithography techniques on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010). Ting's use of bold colors and expressive calligraphic brush drawn forms convey vivid life energy. He is well known for his colorful images of women, flowers, fish, parrots and horses and was associated with artists Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group called COBRA. Throughout his artistic life, Ting imbued his passion and spirit into his paintings, poetry and sculpture. GREEN HORSE, TWO GEISHAS is a freely expressed Chinese Ink Brush drawing depicting a colorful bright green horse with dark blue mane and tail standing with two lovely dark green haired Asian women...

This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Atricapilla" (Pied Flycatcher) by John Gould from his monograph "The Birds of Great Britain ", published i...

Original “Watch Out .. Point the Muzzle in a SAFE Direction” vintage National Rifle Association of America vintage poster. Printed in 1946 on a thick cardboard stock. Excellent ...

Signed lower right, 'Lebadang' and with number and limitation, 163/215, lower left. Also known as Dang Lebadang (Vietnamese-French, 1922-2015) this not...

Original Radio Radiola vintage French antique poster. Archival linen-backed and in very good condition. Bright and vibrant. Artist: Rene Ravo....

Artist: Joan Miro Medium: Original lithograph Title: Miro Lithographe III, Plate IV Portfolio: Miro Lithographe III Year: 1977 Edition: Unnumbered Framed Size: 19 5/8" x 16 3/4" Imag...

This is an original 19th century John James Audubon hand colored lithograph entitled "Townsend's Rocky Mountain Hare", No. 1, Plate III, from Audubon's "Quadrupeds of North America",...

This is a hand-colored folio sized lithograph entitled "Gallinago Major" (Great Snipe) by John Gould from his monograph "The Birds of Great Britain", published in London in 1862-1879...

'Sealyham and Setter' Cecil Aldin dog lithograph, 1935. Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of...

Lithograph numbered and signed by hand 19/60 edition From Israel collection

Leonor Fini Ma fortune, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185 Condition: Excellent condition

Medium: original lithograph. Printed in 1975 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/8 x 9 3/8 inches (310 x 238 mm). Not signed.

Noel Daggett, American (1925 - 2005) - We Shall Not Talk of War, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 x 25 inc...

CLINIQUE CHÉRON is a fine art lithographic re-creation after the original 1905 vintage French advertising poster created by Théophile Steinlen for the veterinary CLINIQUE CHÉRON Fran...

"Original Vintage Aquariums Mosans Poster – Art Deco Design by A. de Loof, 1930s European Travel Advertising" Discover the Captivating "Moselle Aquariums" - A Vintage Poster by A. d...

'Alpenpflanzen' (Alpine Plants) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

LEONOR FINI Cats in Chairs 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Produced on the occasion of Jonas Wood's 2022 exhibition, Plants and Animals, at David Kordansky Gallery, Los Angeles, CA. 24 x 28 inches. Jonas Wood (b. 1977, Boston) makes paintin...

Original Lowenbrau Munchen Vintage Poster with Iconic Lion - Conservation Linen Backed, Ready to Frame, Excellent Condition. (Löwenbräu München) The Original Lowenbrau Munchen Vintage Poster with Iconic Lion is a true collector's item. This poster features the company's iconic Gothic lion design, which has become synonymous with the brand. Conservation linen backed and in excellent condition, this poster is ready to be framed and displayed in any space. The gold and blue colors of the lion add a royal touch to the poster, making it a stunning piece of art. Perfect for beer enthusiasts and collectors, this vintage poster is a timeless treasure that celebrates the heritage of Lowenbrau Munchen. Its name is German for "lion's brew". Most Löwenbräu beers are marketed as being brewed according to the Reinheitsgebot, the Bavarian beer...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

'Canard Siffleur' (Eurasian Wigeon) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. C...

This is for the set of both (2) original Boris O'Klein prints, part of his series of the 'dirty dogs of Paris." Both are in very good condition,...

'Bassets D'Artois a Jambes Torses'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a Fre...

This is a hand-colored folio-sized lithograph entitled "Muscipeta Incei" ( (Ince's Paradise Flycatcher)) by John Gould, which is plate 19 from his monograph "The Birds of Great Brita...

Artist: Alexander Calder (1898-1976) Title: Cinq Boules et Deux Serpents Year: 1965 Medium: Lithograph in colors on wove paper Edition: 90, plus proofs Size: 20.5 x 28.75 inches Cond...

Donald Sultan (American, b. 1951) "Fish (From Fruit and Flowers Portfolio)" 1990 Screenprint in colors on Arches 88 paper Pencil initialed, titled, and dated left of image Edition 61...

John Gould (British, 1804-1881) Nasiterna Pygmae c. 1849-1861 Hand Colored Lithograph Image Size: approx 19.5 x 13.5 inches Framed Size: 27 3/8 x 21 1/2 inches John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species. Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827. Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent. This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841. When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...

Hand signed. Artist's proof. Very good conditions.

Emilio Vedova - Original Lithograph Abstraction 1961 From the art revue XXe Siecle Dimensions: 32 x 24 Edition: G. di San Lazzaro. Unsigned and unumbered as issued

French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. 195mm by 265mm (sheet)

This signed and numbered lithograph on Japon paper is from a portfolio of 17 prints by Modern artist Karel Appel. He admired the domestic house cat for its aloof, yet instinctive, de...

Keith Haring Secret Pastures 1984: Rare original 1984 Keith Haring designed poster for the historic, "Secret Pastures" show at The Brooklyn Academy of Music (BAM) in 1984. The very 1980s performance also featuring Haring set design. A well-sized original 1980s Haring collectible sure to standout in any setting. Off-set lithograph. 25 x 37.75 inches. Fair overall vintage condition. Surface markings; mild creasing; moderate signs of handling; small pin-holes to each corner; otherwise intact with well-preserved colors (no rips or tears). Printed signature ‘K.Haring 1984...

JOAN MIRÓ, Montroig 1893- Palma de Mallorca 1983 Le chien aboyant à la lune, 1952 Original color lithograph, signed on plate. (mm.353x531) Bibliography, catalog raisonné: Mourlot I....

'Canard Nyroca - Canard Milouinan' (Ferruginous Duck) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series o...

Henry Moore - Original Lithograph 1977 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

'Strahlinge' (Protozoa - Radiolarians or Radioza) German lithograph, circa 1895. Key to protozoa in German below the image. 250mm by 305mm (sheet). Central vertical fold as iss...

Keith Haring Tony Shafrazi/Leo Castelli Gallery, New York, 1985: Rare original 1980s Keith Haring announcement published on the occasion of: Keith Haring at Tony Shafrazi Gallery,...

MAGENTA HORSE, THREE GEISHAS is an original lithograph printed using hand drawn lithography techniques on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010). Ting's use of bold colors and expressive calligraphic brush drawn forms convey vivid life energy. He is well known for his colorful images of women, flowers, fish, parrots and horses and was associated with artists Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group called COBRA. Throughout his artistic life, Ting imbued his passion and spirit into his paintings, poetry and sculpture. MAGENTA HORSE, THREE GEISHAS is a freely expressed Chinese Ink Brush drawing depicting a colorful magenta horse with dark purple black mane and tail standing with three lovely Asian women...

LEONOR FINI Cat Duo 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Luis Jimenez (American, 1940-2006) "Study for Los Lagartos" 1998 **UNIQUE** *This was originally an etching in black and white, done in 1996 as an edition of 50. This is 20/50. THEN, in 1998, Jimenez visited Laumeier Sculpture Park in St. Louis, Missouri and HAND-COLORED IT! Signed and Dated in Pencil Lower Center Lithograph/Etching, Numbered 20/50 and Dated 1996 Then, HAND COLORED BY THE ARTIST in 1998 15 x 21.75 inches 21 x 29 inches with frame Using "low brow" materials including fiberglass and plastic, he creates satirical comments about American life. He also works in bronze, and his images depict modern pop culture including the stereo-typical American West. Jimenez was born July 30, 1940, in El Paso, Texas, and started working with his father in a custom sign...

An eagle, in full flight, hovers over a panel where faces and numbers align. Goldie’s signature embossing technique heightens the sense of a gradual detachment, as if the eagle belon...

Loris Paresseux is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was pub...

Donald Baechler, Two Fishes, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Charles "Snaffles" Johnson Pa...

This is a hand-colored folio-sized lithograph entitled "Otidiphaps Nobilis" (Pheasant Pigeon) by John Gould from his monograph "The Birds of Asia", published in London in 1862-1879. The print, which was drawn by Gould and H. C. Richter and lithographed by Walter, depicts two Pheasant Pigeon birds...

This stunning original lithograph, titled The Passing Parade, is a signed piece by renowned American artist Ila Mae McAfee (1897-1995). Created in the 20th century, the artwork depic...

Original, Italian, Vini di Lusso lithograph vintage poster for fine wines. The Italian Society for Superior Wine. The image of a satyr (or Bacchus) getting ready to eat a group ...

Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...

Edition of 175. 6 Colour lithograph on Somerset Velvet White 300gsm. Signed, titled and dated by the artist.

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 150 Portfolio: DLM 151-152 Publisher: Maeght Ed...

Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...