Lithograph Animal Prints

Marc CHAGALL (1887-1985) Bible : Ruben, Ocean, Sky and Sun, 1962 Lithograph (Mourlot workshop) Unsigned On Vellum 32.5 x 24 cm INFORMATION: Lithograph produced by Chagall in 1962 f...

Artist: Walasse Ting Title: Black Cat - Midnight Cat Year: 1981 Medium: Lithograph on Arches Archival Paper   22'' x 30'' Edition: Signed in pencil and marked AP Walasse Ting (DING...

Joseph Fleischmann, 'Whaling' (Hartingers Wandtafeln: Zoologie T. XXXII), monumental vintage color lithograph, 1900. Signed in the matrix, lower right. A superb, beautifully nuanced impression, on cream wove paper, the full sheet with margins (1 1/2 to 2 3/16 inches), in very good condition. Sheet size 28 x 38 1/2 inches (711 x 978 mm). The full sheet, unmounted and unmatted—shipped carefully rolled and protected. Rendering by A. Berger after Joseph Fleischmann. Published by Carl Gerold’s Son, Vienna, 1900. This Artic whaling scene depicts a Greenland whale in the foreground pursued by whalers. A whaling ship is seen in the background and at right, another whale among icebergs with seagulls overhead. The print by Albert Berger...

"Magic Circus" lithograph by Michel Delacroix. Hand-signed MIchel Delacroix. Hand-numbered XX/C. Depicts a circus, complete with elephant and horses, traveling through a French city...

This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Stoats on a Rock is an original print realized in the late 19th century by an anonymous illustrator. Color lithograph representing a group of stoats: one has just captured a lttle b...

Pablo Picasso - Original Lithograph La Petite Corrida (The Small Bullfight) 1958 Edition of 2000, unsigned Published in the journal XXe Siecle Dimens...

Like Moths to a Flame is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 156/275 (there were also 100 Roman and 20...

Accidents, Injuries and other Calamities poster Judy Chicago (Hand signed and inscribed), 1988 Offset lithograph on thin board (signed and inscribed by Judy Chicago) 26 × 20 1/4 inch...

Artist: Slonem, Hunt Title: White Bunnies III Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 16" x 24" Framed Dimensions: 22" x 29" Signature: Si...

CIRCUS is a hand drawn original lithograph by the Argentine born woman artist Ivel Weihmüller printed using traditional hand printmaking techniques on archival paper 100% acid free. ...

The Bird Call is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 125/275 (there were also 100 Roman and 20 AP). Fr...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Charles "Snaffles" Johnson Payne (1884-1967) The Timber Merchant (c. 1932) Lithograph 47 x 43 cm Signed in pencil...

SHARING THE CHORES is a hand drawn, limited edition lithograph by the acclaimed Charleston SC artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper...

Original PARIS linen-backed 1946 vintage travel poster, preservation linen-backed and ready to frame. Very good condition, Grade A- Original 1946 Paul Colin Paris Vintage Poster ...

Mid Century Nocturnal Horses with Riders Under Moonlight Lithograph Limited Edition Compelling nocturnal lithograph of two women on horseback by ...

Artist: John James Audubon (American, 1785-1851) Title: "Snowy Heron" (Plate 374, No. 75) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Le Boeuf (The Ox), originates from the rare 1970 folio Pablo Picasso, Histoire naturelle (Natural History). Publishe...

Artist: Alexander Calder (1898-1976) Title: Sky Bird, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 20 x 26 inche...

This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau volant (The Flying Bird), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, origina...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. C...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Le Chien (The Dog), originates from the rare 1970 folio Pablo Picasso, Histoire naturelle (Natural History). Publish...

This is an original John James Audubon hand-colored lithograph entitled "Florida Rat", No. 1, Plate IV", from John James Audubon's Quadrupeds of North America, published in Philadelp...

This exquisite collotype after Pablo Picasso (1881–1973), titled Pigeon, originates from the rare 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Drawings by Picasso in the Margin of Buffon). Published by Berggruen et Cie, Paris, under the direction of Henri Jonquieres, and printed by l'atelier de Georges Duval, Paris, this edition presents forty unpublished compositions created by Picasso as marginal drawings inspired by the writings of Georges-Louis Leclerc, Comte de Buffon. In Pigeon, Picasso captures the delicate poise and natural grace of the bird with a single, continuous line, distilling its essence into pure form. The composition demonstrates Picasso’s mastery of simplicity—balancing spontaneity, rhythm, and clarity in a work that unites artistic minimalism with lyrical sensitivity. Executed on velin du Marais paper, this collotype measures 14.5 x 11.125 inches (36.83 x 28.26 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1957 publication format. This edition, printed in January 1957, captures the immediacy and vitality of Picasso’s Buffon drawings, revealing the artist’s playful engagement with both the subject matter and the act of drawing itself. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Pigeon, from 40 dessins de Picasso en marge du Buffon (Forty Drawings by Picasso in the Margin of Buffon), 1957 Medium: Collotype on velin du Marais paper Dimensions: Paper size 14.5 x 11.125 inches (36.83 x 28.26 cm) Inscription: Unsigned and unnumbered, as issued Date: 1957 Publisher: Berggruen et Cie, Paris Printer: l'atelier de Georges Duval, Paris Catalogue raisonne references: Goeppert, Sebastian, et al. Pablo Picasso, the Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 84. Johnson, Robert Flynn, et al. Artists Books in the Modern Era 1870–2000: The Reva and David Logan Collection of Illustrated Books. Fine Arts Museums of San Francisco; Thames & Hudson, 2002, illustration 77. Condition: Well preserved, consistent with age and medium Provenance: From the 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Drawings by Picasso in the Margin of Buffon), published by Berggruen et Cie, Paris Notes: Excerpted from the 1957 folio (translated from French): "Proposed by Henri Jonquieres, this album was made under his direction. The compositions, unpublished to date, were drawn on an example of the Buffon, published by Martin Fabiani, publisher in Paris, who has obligingly authorized the edition of the text and engraving plates. The original album belongs to Dora Maar. The printing of the plates was made in l'atelier de Duval, in Paris, and completed in January 1957, and that of the typography by l'imprimerie Priester Freres. MMCCXXVI examples were printed, namely: CCXXVI examples on velin a la forme d'Arches, including an original gouge engraving by Picasso, signed by him and printed on the press of Robert Blanchet, numbered from I to CCXXVI, and MM examples on velin du Marais, numbered from CCXXVII to MMCCXXVI. In addition, non-commercial examples, numbered in Roman numerals, were reserved for the collaborators." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (1955). Pablo Picasso collotype, Pigeon Picasso, Buffon Picasso, 40 dessins de Picasso en marge du Buffon (Forty Drawings by Picasso in the Margin of Buffon), Picasso 1957 edition, Picasso Berggruen et Cie Paris, Picasso Georges Duval atelier, Picasso Henri Jonquieres, Picasso velin du Marais paper, Picasso animal drawing, Picasso Buffon portfolio, Picasso bird...

David Shrigley, Human Behaviour and Animals and Existentialism, 2022 27 3/5 × 19 7/10 in (70 × 50 cm) A complete suite of eight lithograph posters on 200gsm Munken Lynx wove, from ...

Marc CHAGALL (1887-1985) Bible : Dove and Menorah candlestick, 1962 Original lithograph (Mourlot workshop) Unsigned On Vellum 32.5 x 24 cm REFERENCE: Mourlot catalog raisonné #366 ...

'Forstinsekten II Kafer' (Forest Insects - Beetles) German chromolithograph, circa 1895. 245mm by 155mm (sheet)

Guillaume Corneille (1922-2010) Cat, Bird and Pink Woman, 1994 Original color lithograph Signed and dated in pencil Authenticated artist's proof / 20 On vellum, 66 x 50 cm (c. 26 x ...

This is an original John James Audubon hand-colored 1st octavo edition lithograph entitled "Whooping Crane, Male, adult", No. 63, Plate 313 from Audubon...

Silkscreen Serigraph print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia....

'1. 2. Charaxes tiridates 3. Charaxes etheocles' Late 19th century colour lithograph of butterflies.

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

An original rare and extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "White-headed Sea Eagle or Bald Eagle", No. 3, Plate ...

'Strahlinge' (Protozoa - Radiolarians or Radioza) German lithograph, circa 1895. Key to protozoa in German below the image. 250mm by 305mm (sheet). Central vertical fold as iss...

EASIN' EM HOME by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph(not a photo reproduction or digital print) printed using hand lithography ...

Original, Italian, Vini di Lusso lithograph vintage poster for fine wines. The Italian Society for Superior Wine. The image of a satyr (or Bacchus) getting ready to eat a group ...

'Metamorpha dido' Late 19th century colour lithograph of butterflies.

Artist: John James Audubon (American, 1785-1851) Title: "American Anhinga - Snake Bird" (Plate 420, No. 84) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 10" x 6.69" Image size: 6.63" x 4.63" Condition: Minor toning to sheet and some faint discoloration in margins. Old glue staining along right binding edge as normal. It is otherwise in very good condition with strong colors Notes: Provenance: private collection - Cleveland, OH. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. The preceding 1836 Havell edition of this work has a different title: "Black-bellied Darter", (Plate: CCCXVI - 396, No. 64). Based on a drawing inscribed "New Orleans 1822 - redrawn ... 1836". This conspicuous bird had various names including "water turkey" and "Bec à Lancette". The Anhinga, sometimes called snakebird, darter, American darter, or water turkey, is a water bird of the warmer parts of the Americas. The word anhinga comes from a'ñinga in the Brazilian Tupi language and means "devil bird" or "snake bird". To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...

Original: THE SHIPS ARE COMING vintage poster. Artist: James H. Daugherty (1889-1974) Publisher: U.S. Shipping Board, Emergency Fleet Corporation, Publication Section, Philadelphia, 1917. Poster showing a giant eagle...

BRIAN DAVIS (American, b.1946) Galerie Michael, Century City/Los Angeles, December 1, 1981- January 1, 1982: “Parrot III”, 1980 Event Poster 33.125 x 22 in...

Guillaume Corneille Complicite 1980 Print, Signed Lithograph on wove paper 25½ x 19½ " inches Signed in pencil and dated Cat added  by artist As a co-founder of the famed experimen...

This is a rare Franklin Simon Department store Christmas lithographic poster with an image after a James Thurber cartoon drawing of a man in a chair with...

'1. Devanica tricolor 2. Erasmia pulchella 3. Amesia sanguiflua' Late 19th century colour lithograph of butterflies.

'1. Hestia idea 2. Ideopsis daos' Late 19th century colour lithograph of butterflies.

English moth chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there is an ...

This is an original John James Audubon hand-colored lithograph entitled "Mexican Marmot Squirrel, No. 22, Plate CIX", from John James Audubon's Quadrupeds of North America, published...

"White Calf" is an original lithograph print by Thomas Hart benton. It features the image of a man milking a cow while her calf lays down in front. Benton's breathtaking way of rende...

'Ibiza Hound puppy' Cecil Aldin dog lithograph, 1935. Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life....

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

'Apteryx Owenii Juv.' (Young Grey Kiwi) From G.D. Rowley's, 'Ornithological Miscellany', 1875 - 78. Johannes Gerardus Keulemans (1842 - 1912) was a Dutch bird...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Deux Pigeons". The original painting was completed in 1960. In the 1970's after Picasso's de...

Chromolithograph, circa 1895. 245mm by 300mm (sheet). Central vertical fold as issued.

Le Soir: Cerf et Herons (The Evening: Stag and Herons) Lithograph printed with brown tint stone, 1858 From: Animaux et Paysages d’apres Nature Published by Goupil, 1858 Signed in the stone lower left, Karl Bodmer Pinx. et lith. (see photo) Published by Goupil et Cie, Paris, with their blindstamp center, below image Printed by Bertauts, Paris (see photo) Condition: Excellent One stain verso, not visible on recto Full sheet Image size: 11 1/4 x 18 inches Sheet size: 17 3/4 x 24 3/4 inches Reference: Delteil 70 IFF 22, No. 1 Karl Bodmer (1809—1893) Painter, draftsman, and printmaker. Although he spent only two years in the United States and its territories, Bodmer's depictions of Western Indians...

Michael Knigin, an extremely skilled draftsman, rides a fine line between realism and surrealism. Here he has conceived of an elegant and emotional eagle, a national symbol. In stark...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Original 1950 “France, Paese dei Castelli” Vintage Poster Artist Jean Picart Le Doux Linen-Backed French Castles Travel Art Rare Mid-Century Collectible Add a touch of French el...

Barnet, Will. THE CAT. Szoke 120, Cole 117, Johnson 100. Color Lithograph, 1956. Edition of 12, titled and signed in pencil. Printed on Rives paper by Barnet. Estate of the artist v...

Paul KLEE (after) Blue, Bird, Squash Lithograph and stencil (Jacomet process) Signed in the board On vellum 50 x 38.2 cm (19.6 x 14.9 in) INFORMATION : This lithograph was edited i...

Original 1972 Salon du Cheval French Poster – Vintage Equestrian Art. Archival linen backed in Grade A condition, ready to frame Step into the golden age of French equestrian culture...

This is an original John James Audubon hand-colored lithograph entitled "Collies Squirrel, No. 21, Plate CIV", from John James Audubon's Quadrupeds of North America, published in Phi...