Paper Animal Prints

"It’s not often we get to experience awe in our day-to-day lives. With the many advances we’ve made in technology, fewer and fewer things seem to feel new or precious. One of the rea...

"It’s not often we get to experience awe in our day-to-day lives. With the many advances we’ve made in technology, fewer and fewer things seem to feel new or precious. One of the rea...

"It’s not often we get to experience awe in our day-to-day lives. With the many advances we’ve made in technology, fewer and fewer things seem to feel new or precious. One of the rea...

"Having tragically lost her mother and, soon after, her right eye, Ravioli has been no stranger to hardship. Despite her disability, this brave beauty has exceeded everyone’s expecta...

"As this golden girl stood gracefully before my lens, her coat shining like the morning sun on sand, we all began to understand how she got her name. Aloha is a Hawaiian word rich wi...

"Horses have always reminded me of ballerinas, the way their long necks gracefully bend and curve into the most beautiful forms. I couldn’t help but imagine Parisii dancing beneath t...

"S stands for Suzie, but on this day, it also stood for skittish. While it’s common for horses to be a bit jumpy, we knew this black beauty was high energy and extra prone to excitem...

"Horses have always reminded me of ballerinas, the way their long necks gracefully bend and curve into the most beautiful forms. I couldn’t help but imagine Parisii dancing beneath t...

"Horses have always reminded me of ballerinas, the way their long necks gracefully bend and curve into the most beautiful forms. I couldn’t help but imagine Parisii dancing beneath t...

"S stands for Suzie, but on this day, it also stood for skittish. While it’s common for horses to be a bit jumpy, we knew this black beauty was high energy and extra prone to excitem...

"S stands for Suzie, but on this day, it also stood for skittish. While it’s common for horses to be a bit jumpy, we knew this black beauty was high energy and extra prone to excitem...

"S stands for Suzie, but on this day, it also stood for skittish. While it’s common for horses to be a bit jumpy, we knew this black beauty was high energy and extra prone to excitem...

"Having secured 19 national championship titles and hailed as one of the most decorated horses of her breed, 15-year-old Peanut’s competitive winnings speak volumes to her strength, ...

"Having secured 19 national championship titles and hailed as one of the most decorated horses of her breed, 15-year-old Peanut’s competitive winnings speak volumes to her strength, ...

"Having secured 19 national championship titles and hailed as one of the most decorated horses of her breed, 15-year-old Peanut’s competitive winnings speak volumes to her strength, ...

Fish & Chips is a lithograph on paper, initialed lower right 'BD', 9.5 x 9" image size. From the edition of 395, numbered XLIX/C (there were also 275 Arabic and 20 AP), framed in a c...

This Linocut print captures the energy and speed of terns fishing on the high tide with sailing boats riding the waves. Printed with oil based relief inks on 300gsm soft white Somers...

A Cat's Eyes - Transfer Monotype in Water Based Ink on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C). Boldly colored close up of a ...

A bunch of cheery sunflowers arranged in a Cornish Ware jug sits pride of place on the window sill of this harbour cottage. A collection of beach finds from the day are laid out on t...

A proud puffin sits on the cliff’s edge amongst the sea thrift and the ox-eye daisies. Linocut Limited Edition of 30 Printed with oil based relief inks on 300gsm soft white Somerset ...

Art Deco original pochoir print. Please find the dimensions of the artwork: 20 x 15 cm - Dimensions of the image 26 x 20 cm - Dimensions of the paper 28 x 22,5 cm - Framed dimensi...

This print features a Blue Emperor Dragonfly flying over verbena and cornflowers. Printed in a palette of lilac, green and blue. It is a Hybrid Print - Traditional Hand pulled Linocu...

Harry Bunce The Keeper Limited Edition Archival Print Edition of 468 Signed Mount Size: H 49.5 cm x W 41.5 cm Image Size: H 31cm x W 25cm Sold Unframed Please note that in situ image...

Leonardo da Vinci’s Dog by Mychael Barratt [2021] limited_edition Silkscreen print on paper Edition number 100 Image size: H:21.5 cm x W:21.5 cm Complete Size of Unframed Work: H:40 cm x W:38 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Leonardo da Vinci's Dog is a limited edition silkscreen print by Mychael Barratt. The work reference's Leonardo da Vinci's old masters artwork: Lady with an Ermin. Barratt's interpretation of da Vinci's famed work is highly accurate and playful with the addition of a dachshund. The piece is part of Mychael Barratt's Artist Dogs and Cats series - all works in this series are really playful and make wonderful diptych's and triptych's for those interested in history of art and the merging of contemporary practice with the history of art. Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...

Harry Bunce Lepus Limited Edition Archival Print Edition of 468 Mount Size: H 49.5 cm x W 41.5 cm Image Size: H 31cm x W 25cm Sold Unframed Please note that in situ images are purely...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

This is a contemporary black and white photograph of an Arctic Wolf by wildlife photographer Shane Russeck Edition of 50. Signed by and numbered Printed on archival paper using only...

Original engraving, hand-colored at the time of publication, after the work of George Edwards from "Sammlung verschneider auslandischer und seltener Vogel" by Johann Michael Seligma...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 45" x 64" unframed (114cm x 163cm) 2016 Edition 3/10 *Should you wish the photograph to be prin...

Harry Bunce The Colonel Limited Edition Archival Print Edition of 468 Mount Size: H 49.5 cm x W 41.5 cm Image Size: H 31cm x W 25cm Sold Unframed Please note that in situ images are ...

WILL TAYLOR Fibonacci's Rabbit Original limited edition of 50 – printed by the artist on Somerset 300gsm Cotton paper Copper-plate etching Image size W 20 cm x H 15 cm Sheet size W 3...

Screen print with hand finished background. Hand signed and numbered by DALeast. Edition PP of 5 (outside the main edition of 50). Sheet size 17 x 30 inches. Frame size approx 23...

Keith Haring Luna Luna Karussell. A Poetic Extravaganza!, 1986 (Keith haring Luna Luna): Luna Luna "was organized by Andre Heller for “A Fair with Mod...

This eight colour silkscreen print is all about the landscape and the dazzling colours of a hot summer day. This 8 colour silkscreen is printed on Somerset Velvet, a heavyweight 300 ...

THIS IS THE VERY LAST PRINT AVAILABLE. "Occasionally I find a view that has a great sense of distance. In this linocut I was trying to capture a sense of the rural scene. It is view...

‘Bears in the Woods’ is a playful silkscreen print depicting a number bears going about their business in autumnal woods. This 6 colour silkscreen is printed on Somerset Velvet, a he...

Three dogs have fun on a deserted beach. This 6 colour silkscreen is made on a heavyweight 300 gram handmade paper from St Cuthbert's Mill in Somerset. The print is created by printi...

Izzy, a charming characterful terrier stands alert, holding her ball in her mouth. Colour etching hand made and printed by the artist. Helen Fay's art for sale online and in our gallery at Wychwood Art. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert. I have long been a fan of Munch for his direct mark-making, colour and intensity and at the other end of the spectrum, Hammershoi for his limited palette, sense of space and calm. I am interested in black and white photography and film and have recently discovered and been amazed by the films of Yasujiro Ozu...

As the Hunter’s Moon rises, the darkness of the night recedes and the landscape is illuminated. Taking advantage of this bright nocturnal light, crepuscular creatures make the most o...

A large print of John Gould & Henry Constantine Richter of Temminck's Tragopan from his published book " Birds of Asia ". John Gould was influenced by James Audubon paintings of bi...

As dawn breaks in the frozen north, a herd of reindeer roam across a winter landscape. This print is made on a copper plate using acid to etch the drawing into the plate. It is print...

Paul Bartlett is a highly acclaimed artist who has won many awards for his original depictions of nature which inform and educate the viewer on conservation issues. Merging lines is...

Art Deco Etching and Aquatint "Jeunesse" (Youth) Signed by Louis Icart Iconic figurative of woman and horse titled "Jeunesse" (Youth) by famous Art Deco artist Louis Icart (French, ...

"Carefree Country", Black White Photography, White Black Photography, Rodeo Art, 2022 “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it fo...

"Herd of Honor", Rodeo Photography Print, Black and White Photography, 2022 “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it for myself. ...

"Homage a Leonardo d'Vinci (Leonardo drawing, 3 Figures, Horse from De La Bataille Vol. I)" is an original color lithograph signed by Claude Weisbuch. A group of figures stand to the...

Badger Studies is an original etching by Will Taylor. It explores animal images and mathematics, including engineering analysis of tunnel linings. Each impression is marked on the re...

Artist: Billy Al Bengston – American (1934-2022) Title: Untitled Year: 1990 Medium: Lithograph, silkscreen on Arches paper Sight size: 19.5 x 25.5 inches. Sheet size: 24 x 30 inches. Signature: Signed lower right Publisher: Cirrus Editions, Ltd., Los Angeles, CA Edition: 250 This one: 120/250 Condition: Excellent This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches. Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene." Early life and education Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956. Career Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang". After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface." Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...

David Shrigley Fruits and Vegetables Series (Set of 4 Prints), 2020-2021 Consisting of: When Life Gives You A Lemon, 2021 You win this mushroom (Mushroom), 2020 The moment has arrived...

Be Here Bison Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 20 in Edition of 15 40 x 27 in Edition of 12 60 x 40 in ...

Barbican Piano Pond by Claire Halifax Limited edition print and hand signed by the artist Screen Print on Paper Image size: H:22cm x W:55cm Complete size of unframed work: H:22cm x W:55cm x D:0.1cm Sold unframed Please note that insitu images are purely an indication of how a piece may look Barbican Piano Pond is a limited edition Screen Print by artist Claire Halifax, featuring koi fish in a tiled mosaic pond at the Barbican, London. Claire resides in London and in this particular print you can see her uniques experience and perspective of London pushing through as she narrows into a view of fishes moving around a decorative pond. Clare Halifax, artist, joins Wychwood Art selling art online and in their art gallery in Deddington. Clare Halifax is offering exclusive Cotswold screen prints with Wychwood Art as well as scenes of London and Oxford. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design and went on to sell her work internationally to the fashion and interior markets...

God Save the Green by Artist Harry Bunce is a limited edition print. An expressionistic piece, depicting a rabbit with the caption above 'God Save the Green'. Harry Bunce artist wit...

Mickalene Thomas Portrait de Priscilla Le Petit Chien, 2012 Pigment print on 100% cotton rag paper Edition 148/150 Frame included with official COA affixed to the back Hand numbered from the edition of only 150 with plate signed official Certificate of Authenticity on the verso of the frame. This exquisite print, published in 2012, is based on an original collage made by the artist of her long-haired miniature dachshund (a gift from fellow artist Kehinde Wiley), Priscilla. Highly acclaimed contemporary art star Mickalene Thomas created this collage specifically for children- though adults will appreciate it as well - as will pet lovers! Portrait de Priscilla Petit Chien features Priscilla, Thomas' own dog who frequently attends the artist's photoshoots. This limited edition archival pigment print is printed on cotton rag paper and accompanied by a plate (facsimile) signed and uniquely hand numbered certificate of authenticity. It is matted and comes in a 1"-deep wooden frame with Plexiglas®. Wired for hanging. Edition of 150. This professionally framed limited edition pigment print on 100% cotton rag paper is based on an original collage made by the artist of her long-haired miniature dachshund (a gift from fellow artist Kehinde Wiley), Priscilla. The print is matted and comes in a white wooden frame (16" x 19" x 1") with Plexiglas, wired for hanging. Dimensions: 11" x 14" sheet, 9-1/4" x 12" image. Mickalene Thomas Biography: Mickalene Thomas (b. 1971, Camden, NJ; lives and works in Brooklyn, NY) makes paintings, collages, photography, video, and installations that draw on art history and popular culture to create a contemporary vision of female sexuality, beauty, and power. Blurring the distinction between object and subject, concrete and abstract, real and imaginary, Thomas constructs complex portraits, landscapes, and interiors in order to examine how identity, gender, and sense of self are informed by the ways women are represented in art and popular culture. Rhinestones—the artist’s signature material and a symbol of femininity—serve as an added layer of meaning and a metaphor of artifice. Thomas uses rhinestones to shade and accentuate specific elements of each painting, while subtly confronting our assumptions about what is feminine and what defines women. Thomas has drawn inspiration from multiple artistic periods and cultural influences throughout Western art history, particularly the early modernists such as Jean-Auguste-Dominique Ingres, Pablo Picasso, Henri Matisse, Edouard Manet, and Romare Bearden. She models her figures on the classic poses and abstract settings popularized by these modern masters as a way to reclaim agency for women who have been presented as objects to be desired or subjugated. Though Thomas draws from a number of time periods and genres, her use of pattern and domestic spaces often references various periods throughout the 1960s to the 1980s. This was a time of immense social and political conflict, change, and transformation—the civil rights movement, the black is beautiful movement, and the second wave of feminism—during which many women, particularly African-Americans, rejected and redefined traditional standards of beauty. Thomas received a BFA from the Pratt Institute, Brooklyn, NY, in 2000 and an MFA from Yale University School of Art, New Haven, CT, in 2002. Solo exhibitions of her work have been organized at The Dayton Art Institute, OH (forthcoming, 2018); Henry Art Gallery, Seattle, WA (forthcoming, 2018); Pomona College Museum of Art, Claremont, CA (forthcoming, 2018); Georgia Museum of Art, Athens, GA (forthcoming, 2017); Newcomb Art Museum, Tulane University, New Orleans, LA (2017); Spelman College Museum of Fine Art, Atlanta, GA (2017); Museum of Contemporary Art, Los Angeles (2016); Aspen Art Museum, CO (2016); Aperture Foundation, New York (2016); George Eastman Museum, Rochester, NY (2014); Brooklyn Museum, New York (2012-13); Santa Monica Museum of Art (2012); Institute of Contemporary Art, Boston (2012); Hara Museum of Contemporary Art, Tokyo (2011); and La Conservera Centro de Arte Contemporaneo, Ceuti, Spain (2009). Select group exhibitions featuring her work include Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, AL (2017); Constructing Identity: Petrucci Family Foundation Collection of African-American Art, Portland Art Museum, ME (2017); The Color Line: African American Artists and the Civil Rights in the United States, Musée du quai Branly, Paris (2016); SHE: International Women Artists, Long Museum, Shanghai (2016); No Man’s Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, traveled to the National Museum of Women in the Arts, Washington, DC (2015); 30 Americans, Corcoran Gallery of Art, Washington, DC (2011), which has traveled extensively around the United States (2011-2017, ongoing); and Americans Now, National Portrait Gallery, Washington, DC (2010). Thomas’ work is in numerous international public and private collections, including The Museum of Modern Art, New York; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Museum of Fine Arts, Boston; Art Institute of Chicago; MoMA PS1, New York; Brooklyn Museum, New York; Studio Museum in Harlem, New York; Yale University Art Collection, New Haven, CT; and Hara Museum of Contemporary Art, Tokyo. Thomas has been awarded multiple prizes and grants, including the USA Francie Bishop Good & David Horvitz...

Be Here Bison Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 20 in Edition of 15 80 x 53 in Edition of 3 In this series...

Be Here Bison Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 20 in Edition of 15 40 x 27 in Edition of 12 60 x 40 in ...

Kate Heiss Sunflower Fields Linocut Edition of 30 Image Size 30 x 30cm Mounted size 40x 40cm Oil based inks on 300GSM Soft white Somerset Velvet Paper Signe...

The Fisher-Bird is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard...

Tracey Emin YES!, 2012 Home made color inkjet print 11 3/4 × 16 1/2 inches Edition 111/150 Pencil signed, numbered 111 and dated 2012 recto; bears Emin International stamp on the ver...