Salto con la Garrocha (Pole Vault)
View Similar Items
Pablo PicassoSalto con la Garrocha (Pole Vault)1959
1959
About the Item
- Creator:Pablo Picasso (1881-1973, Spanish)
- Creation Year:1959
- Dimensions:Height: 23.625 in (60.01 cm)Width: 27 in (68.58 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Washington, DC
- Reference Number:1stDibs: LU54437742742
Pablo Picasso
One of the most prolific and revolutionary artists the world has ever seen, Pablo Picasso had a tremendous impact on the development of 20th-century modern art. Although he is best known for his association with the Cubist movement, which he founded with Georges Braque, Picasso’s influence extends to Surrealism, neoclassicism and Expressionism.
“Every act of creation is, first of all, an act of destruction,” the Spanish artist proclaimed. In Picasso's Cubist paintings, he emphasizes the two-dimensionality of the canvas, breaking with conventions regarding perspective, foreshortening and proportion. Picasso was inspired by Iberian and African tribal art. One of his most famous pre-Cubist works is Les Demoiselles d’Avignon (1907), a painting considered immoral and shocking at the time for its depiction of nude women whose faces resemble Iberian tribal masks.
Picasso made many portraits in this style, most often of the women in his life, their expressively colored faces composed of geometric shards of surface planes. In Woman in a Hat (Olga), 1935, he painted his first wife as an assemblage of abstract forms, leaving the viewer to decipher the subject through the contrasting colors and shapes. Picasso was a tireless artist, creating more than 20,000 paintings, drawings, prints, ceramics and sculptures. Tracing his life’s work reveals the progression of modern art, on which he had an unparalleled influence.
Browse an expansive collection of Pablo Picasso's art on 1stDibs.
- Clavando un par de Banderillas (Pinning a Pair of Flags)By Pablo PicassoLocated in Washington, DCArtist: Pablo Picasso Title: Clavando un par de Banderillas (Pinning a Pair of Flags) Portfolio: La Tauromaquia Medium: Aquatint Year: 1959 Edition: Deluxe portfolio edition of 10 Fr...Category
1950s Animal Prints
MaterialsAquatint
- Los Cabestros Retiran al Toro Manso (Halters Withdraw the Tamed Bull)By Pablo PicassoLocated in Washington, DCArtist: Pablo Picasso Title: Los Cabestros Retiran al Toro Manso (Halters Withdraw the Tamed Bull) Portfolio: La Tauromaquia Medium: Aquatint Year: 1959 Edition: Deluxe portfolio edi...Category
1950s Animal Prints
MaterialsAquatint
- A Los Toros Avec Picasso (Set of Four in Gold Frames)By Pablo PicassoLocated in Washington, DCArtist: Pablo Picasso Title: La Pique (I), Le Picador (II), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of four transfer lithographs Ye...Category
1960s Abstract Animal Prints
MaterialsLithograph
- Joan Miro (Plate 6)By Joan MiróLocated in Washington, DCArtist: Joan Miro Medium: Original lithograph Title: Joan Miro (Plate 6) Portfolio: Joan Miro Year: 1956 Framed Size: 16 3/4" x 15 1/2" Image Size: 7 1/2" x 9" (19 x 22.8 cm) Sheet S...Category
1950s Abstract Animal Prints
MaterialsLithograph
- Head of a Bull (Plate XXXII), from CarmenBy Pablo PicassoLocated in Washington, DCArtist: Pablo Picasso Title: Head of a Bull (Plate XXXII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signe...Category
1940s Cubist Animal Prints
MaterialsEtching
- Head of a Calf (Plate XXXVI), from CarmenBy Pablo PicassoLocated in Washington, DCArtist: Pablo Picasso Title: Head of a Calf (Plate XXXVI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sheet Size: 13" x 10 3...Category
1940s Minimalist Animal Prints
MaterialsEtching
- Stanley Boxer Aquatint Intaglio Etching Elephant Herd Abstract ExpressionistBy Stanley BoxerLocated in Surfside, FLElephants. 1979 edition 2/20 Hand signed and dated Framed 24.5 X 28. Sheet 23 X 26 This is from a series of prints Boxer produced at Tyler Graphics between 1975 and 1979. Over this period, he created several series of intricately rendered figurative works, illustrating whimsical scenes featuring animals, plants and nubile winged figures. Boxer had, however, been making drawings of this nature throughout his career, and he insisted they were closely connected to his abstracts, made with similar gestures and motivation. The Tate Museum received twenty-five of Stanley Boxer’s prints as a gift of Kenneth Tyler from Tyler Graphics, comprising a complete portfolio of Ring of Dust in Bloom, 1976, an incomplete portfolio of Carnival of Animals, 1979, and two individual prints. This work is from Carnival of Animals, a portfolio of fourteen intaglio prints on handmade paper. Tate holds eleven of the prints from this portfolio (Elephants, Swan and Fossils are not in Tate’s collection). Stanley Boxer (1926-May 8, 2000) was an American abstract expressionist artist best known for thickly painted abstract works of art. He was also an accomplished sculptor and printmaker. He received awards from the Guggenheim Fellowship and the National Endowment for the Arts. Boxer was born in New York City, and began his formal education after World War II, when he left the Navy and studied at the Art Students League of New York. He drew, painted, made prints, and sculpted. His work was recognized by art critic Clement Greenberg, who categorized him as a color field painter, A group that included Barnett Newman, Clyfford Still, and Mark Rothko and was a form of Abstract Expressionism and later included Helen Frankenthaler, Ad Reinhardt, Kenneth Noland, Gene Davis, Jules Olitski, Raymond Parker and Morris Louis. Boxer himself was adamant in rejecting this stylistic label. Over the years, he remained loyal to the materially dense abstract mode on which his reputation rested.. Art critic Grace Glueck wrote "Never part of a movement or trend, though obviously steeped in the language of Modernism, the abstract painter Stanley Boxer was a superb manipulator of surfaces, intensely bonding texture and color." In 1953 Boxer had his first solo exhibition of paintings in New York City, and showed regularly thereafter until his death. His paintings and sculpture were represented in New York City during the late 1960s through 1974 by the Tibor de Nagy Gallery, then by the André Emmerich Gallery from 1975 until 1993, and finally by Salander-O'Reilly Galleries until its demise in 2007. Richard Waller, director of the University of Richmond's Harnett Museum of Art, describes his evolution as an artist: You can see the shift from working with figurative imagery in the 1940s and early '50s to abstraction in the late '50s. The abstraction in the late '60s and '70s was more derived from color-field issues. In the 1980s, Boxer really hit his stride in larger works with lots of thick paint and splashes of color. He sold a lot, and his success in the art world in the 1980s gave him the freedom to do what he wanted to do most. He was married to painter and artist Joyce Weinstein. The Boca Raton Museum of Art in Florida hosted an exhibition entitled Expanding Boundaries: Lyrical Abstraction Selections from the Permanent Collection. At the time the museum issued a statement that said in part: "Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly 'tradition' in American art. "Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Works by the following artists associated with Lyrical Abstraction will be included: Natvar Bhavsar, Stanley Boxer, Lamar Briggs, Dan Christensen, David Diao, Friedel Dzubas, Sam Francis, Dorothy Gillespie, Cleve Gray, Paul Jenkins, Ronnie Landfield, Pat Lipsky, Joan Mitchell, Robert Natkin, Jules Olitski, Larry Poons, Garry Rich, John...Category
1970s Abstract Expressionist Animal Prints
MaterialsEtching, Aquatint, Intaglio
- Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), mixed media FramedBy Stanley BoxerLocated in New York, NYStanley Boxer Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), 1979 Etching, aquatint, engraving and drypoint on hand colored TGL handmade paper Edition 16/20 Pencil sign...Category
1970s Abstract Expressionist Abstract Prints
MaterialsEngraving, Drypoint, Etching, Aquatint, Mixed Media, Pencil, Graphite
- "Oiseau sur fond carmin (Oiseau XIV)"By Georges BraqueLocated in Köln, DEOne of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...Category
1950s Modern Animal Prints
MaterialsAquatint
Price Upon Request - no title / "Oiseau bleu"By Georges BraqueLocated in Köln, DEOne of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...Category
1950s Modern Animal Prints
MaterialsAquatint
Price Upon Request - "Les trois oiseaux en vol"By Georges BraqueLocated in Köln, DEOne of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...Category
1960s Modern Animal Prints
MaterialsAquatint
Price Upon Request - Ducks Quacking, Cactus Peeking, linear style, monochromaticBy Jenny TothLocated in Brooklyn, NYThis is an artist proof aquatint of a woman peeking around a cactus with ducks mysteriously hovering in the upper right corner and a giant beautiful cactus overgrowing. The mood is ...Category
2010s Expressionist Figurative Prints
MaterialsPaper, Ink, Archival Ink, Aquatint
Recently Viewed
View AllRead More
Science Uncovers Hidden Truths behind Young Pablo Picasso’s Blue Period
From 1901 to 1904, Picasso limited his palette to bluish hues in producing some of his most famous early works. A new show looks at the recycled materials, hidden underpaintings, surprising influences and bohemian lifestyle that led to their creation.
Who Are the Most Popular Artists on 1stdibs?
Learn the stories of some of the world's most recognizable artworks and their makers.