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Pablo Picasso
Toros en el Campo (Bulls in the Field)

1959

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  • Clavando un par de Banderillas (Pinning a Pair of Flags)
    By Pablo Picasso
    Located in Washington, DC
    Artist: Pablo Picasso Title: Clavando un par de Banderillas (Pinning a Pair of Flags) Portfolio: La Tauromaquia Medium: Aquatint Year: 1959 Edition: Deluxe portfolio edition of 10 Fr...
    Category

    1950s Animal Prints

    Materials

    Aquatint

  • Los Cabestros Retiran al Toro Manso (Halters Withdraw the Tamed Bull)
    By Pablo Picasso
    Located in Washington, DC
    Artist: Pablo Picasso Title: Los Cabestros Retiran al Toro Manso (Halters Withdraw the Tamed Bull) Portfolio: La Tauromaquia Medium: Aquatint Year: 1959 Edition: Deluxe portfolio edi...
    Category

    1950s Animal Prints

    Materials

    Aquatint

  • Head of a Bull (Plate XXXII), from Carmen
    By Pablo Picasso
    Located in Washington, DC
    Artist: Pablo Picasso Title: Head of a Bull (Plate XXXII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signe...
    Category

    1940s Cubist Animal Prints

    Materials

    Etching

  • Head of a Calf (Plate XXXVI), from Carmen
    By Pablo Picasso
    Located in Washington, DC
    Artist: Pablo Picasso Title: Head of a Calf (Plate XXXVI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sheet Size: 13" x 10 3...
    Category

    1940s Minimalist Animal Prints

    Materials

    Etching

  • Head of Satyr (Plate XXV), from Carmen
    By Pablo Picasso
    Located in Washington, DC
    Artist: Pablo Picasso Title: Head of Satyr (Plate XXV) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sheet Size: 13" x 10 3/16...
    Category

    1940s Animal Prints

    Materials

    Etching

  • Georges Braque Le Coq
    By Georges Braque
    Located in Washington, DC
    Artist: Georges Braque Title: Le Coq Portfolio: Verve Vol VII No. 27-28 Medium: Lithograph Year: 1952 Edition: 6000 Frame Size: 22" x 18 1/4" Sheet Size: 14" x ...
    Category

    1950s Abstract Prints

    Materials

    Lithograph

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    Located in Ljubljana, SI
    The tortoise and the hare. Original color aquatint and etching, 1983. Edition of 150 signed and numbered impressions on Arches paper. Art and Sport portfolio: The Yugoslav Olympic Committee of the Winter Olympic Games Sarajevo...
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  • Unité, Planche 19 (Set of 2) /// Surrealism Modern Art Le Corbusier Bull Cow
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    Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 19" (Set of 2) Portfolio: Unité *Signed by Le Corbusier in pencil lower right. It is...
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  • Greenshank (View of St. Augustine & Spanish Fort East Florida) /// Bird Audubon
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    Artist: John James Audubon (American, 1785-1851) Title: "Greenshank (View of St. Augustine & Spanish Fort East Florida)" (Plate CCLXIX - 269; part No. 54) Portfolio: The Birds of America, Havell Edition Year: 1835 Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper Limited edition: approx. 180 Printer: Robert Havell Jr., London, England Publisher: John James Audubon, London, England Framing: Recently framed in an ornate black and gold moulding with fabric rag matting and gold filet Framed size: 26.25" x 31.75" Sheet size: 21.75" x 27.25" Platemark size: 15" x 20.63" Image size: 12" x 18" Condition: The sheet is laid down to board. Light toning and discoloration to sheet. The occasional pinhole or faint surface abrasion. In otherwise good condition with good colors Rare Notes: Provenance: private collection - Denver, CO. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". The would be "J. Whatman 1835" watermark is likely missing due to its trimming. The composition was probably painted in England in 1835, using a preserved specimen. Since no other than Audubon has ever claimed to have seen this European...
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    1830s Victorian Animal Prints

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    Early 1900s Impressionist Figurative Prints

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    'Catching the Badger' Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830). From Samuel Howitt's 'Foreign Field Sports...
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