1980s Animal Prints

Keith Haring Public Illumination 1981: A rare, highly collectible small pamphlet-style art magazine (measuring 4.25 x 2.75 inches), featuring a centerfold spread illustrated by Keith Haring, playfully credited under the moniker "Kip Herring." The illustrations include some of Haring's signature early motifs including dogs, crawling babies, and figures in varying sexual positions. A rare, early Haring collectible which quite possibly marks his first appearance in a printed publication. Staple bound zine (art magazine), 4.25 x 2.75 inches. Good to very good overall vintage condition; appears unused. Unsigned from an edition of unknown. Literature/References: Printed Matter Inc., New York, NY Public Illumination Magazine: Founded by Zagreus Bowery in 1979 in New York and distinguished by its pocket-sized format, the publication rose to prominence in the underground art scene and was revered for its blatant mockery of mainstream magazines. The texts and drawings ranging from parody to absurdities. Contributions will be published exclusively under pseudonyms. By 2007, 51 issues appeared. The magazine is published irregularly and is available in the USA, Italy and Germany. Writers and artists who have contributed include: Keith Haring, Ken Brown, Steve Dalachinsky, Michael Madore, David Sandlin...

Artist: Dan May (American, 1955-) Title: "Party Pig" *Signed by May in pencil lower left Year: 1989 Medium: Original Monoprint on unbranded white cotton rag laid paper Limited editio...

Shadow of Camels is original etching realized by Tullio Diamanti in 1980. Hand-signed. Artist's proof. Sheet dimension: 70 x 0,1 x 50 cm. Image dimension: 39 x 39 cm. In excell...

David Lee, Chinese (1944 - ) - Bird in Tree (14), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 29 x 21 in. (73.66 x 53.34 cm), Descr...

"Final Spring" is an original color lithograph by Michael Knigin. The artist signed and titled in the lower center of image. This piece is an artist's proof and features a brightly c...

Hand numbered, signed and dated on the recto in the lower right margin. Reference Littman, K, & Haring K. Keith Haring, Editions on Paper 1982-1990: The Complete Printed Works, Cantz...

"Untitled" serigraph of Native Americans and horse with attached color photo by artist Jean Le Gac from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise m...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Palm Springs Desert Museum (Still Life with Longhorn Skull and Cactus)" Year: 1982 Medium: Original Offset-Lithograph, ...

Artist: Igor Galanin Title: Walking the Rabbit Year: circa 1985 Medium: Screenprint, signed and numbered in pencil Edition: 175 Image Size: 30.75 x 30.5 inches Paper Size: 37 in. x...

Screen print on silk scarf. Edition size unknown, as they were intended as holiday gifts. Scarf size 35.5 x 36 inches. Frame size: approx 40 x 40.5 inches. Printed by Rupert Jasen...

Artist: Fran Bull Title: Three Egrets Year: 1980 Print: Screen Print on Rives BFK White paper Size: 22'' x 30'' inches Edition: Signed in pencil and marked 230/250 Fran Bull is b...

Keith Haring Secret Pastures 1984: Keith Haring illustrated oversized announcement for the historic, "Secret Pastures" show at The Brookl...

Winter solstice. 1984. Paper, linocut, 25x34 cm imprint size 13x26 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

"Bronx Zoo" lithograph and silk screen by Larry Rivers from "New York, New York" portfolio published by New York Graphic Society. Numbered 5/250, signed Larry Rivers and dated '83 lo...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Artist: Dan May (American, 1955-) Title: "Reading Pig" *Signed and numbered by May in pencil lower left Year: 1984 Medium: Original Screenprint on unbranded white wove paper Limited ...

Chris Forrest, American (1946 - ) - Osprey, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP XL, Image Size: 24 x 17 i...

Midcentury colorful representation of 4 coy fish by Chinese artist (signed and dated). Painted on silk. Framed and exhibited in Honk Kong. Numbered 13/30.

Mark Sabin Man In The Forest - 1980 Print - 26'' x 34'' in Edition: signed in pencil and marked 234/250 Mark Sabin is a fantasy painter, blending elements in a juxtaposition that ...

Rare Keith Haring, original poster for the Kutztown Connection Benefit Performances, 1984 Silkscreen poster 14 × 9 inches Unframed, unsigned and unnumbered Literature/References: Kei...

Zavorkas, Joyce (American, contemporary, Cape Cod MA). BLUE HERON. Etching and Aquatint, 1981. An artist's proof, outside of the edition of five. Signed, titled, dated and inscribed ...

Waha Waharangin Sergio Gonzales-Tornero, Chilean (1927–2020) Date: 1983 Screenprint, signed, numbered, titled and dated in pencil Edition of 250 Image Size: 24 x 30 inches Size: 28 x...

This serigraph was created by contemporary American artist Hunt Slonem. Slonem is best known for his Neo-Expressionist paintings and bright tropical palette, and his subject matter o...

Lait Pur de la Vingeanne Stérilisé is an offset lithographic print reproduced after the original 1894-95 Belle Epoque advertising poster created by Théophile Steinlen, printed using 4-color offset lithography on heavyweight archival paper. Lait Pur de la Vingeanne Stérilisé depicts a seated rosy cheeked young girl (the artist's daughter) wearing a long red dress sipping milk from a bowl as a group of envious animal friends - 3 cats...

This Blue Dog work consists of a blonde female sitting on a floral swing hanging from a tree. The female is wearing an ecru dress with flowers on the edges...

Title: Noah's Ark III Medium: Etching with hand watercolor Four plates, each one 14.5 x 20 inches Condition: new, never framed Date: 1981 This is a set of four etchings that make up...

SEVEN SISTERS ROAD is an original limited edition lithograph printed using hand lithography techniques on archival Arches printmaking paper, 100% acid free, by the Iowa born artist Jim Buckels. SEVEN SISTERS ROAD presents a finely detailed fantasy rural landscape scene depicting a lone country road running through rolling green hills, a moonlit sky, friendly sheep and classic contemporary farmhouse with precise architectural details including a gray turret roof, veranda, arched window, light sage green siding with crisp white and light brick red trim. Verdant shades of grass greens, blue and peach twilight sky, taupe gray, Indian red, rusty orange, olive, viridian green, brown, white, gray and black create a peaceful, bucolic setting. SEVEN SISTERS ROAD is a beautifully detailed picturesque Iowa country landscape very pleasing to look at and enjoy! Print size - 27." x 27" square image, no margins, impressive hand crafted original limited edition print, pencil signed by Jim Buckels Edition size - 300, plus proofs Year published - 1988 Printer - JK Fine Art Editions Co., NY JIM BUCKELS Artist statement- "On one level, I think of myself as a decorative artisan, or at best a scene painter. I don't mind this distinction, because many of my heroes never achieved much more. It's a modest but honorable aspiration. The artists who have influenced me are quite dissimilar and usually less prominent in the pantheon of art history: Canaletto, the Flemish scene painters, the Hudson River artists...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

LION PORTRAIT by the British wildlife artist Sydney Taylor, is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) printed using hand lithogr...

Judith Bledsoe, American (1938 - 2013) - Zebras, Year: circa 1980, Medium: Lithograph and Blind Embossing, signed and dedicated in pencil, Edition: EA, Image Size: 9.5 x 17.5 i...

Photorealist flower screenprint by American artist Lowell Blair Nesbitt, signed and numbered in pencil. Title: Spotted Leopard and Iris Year: 1981 Medium: Serigraph, signed and num...

Chris Forrest, American (1946 - ) - Green Mt. Overlook, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 18 x 24 inches, Size: 23 in. x 2...

Artist: Guillaume Azoulay, Moroccan (1949 - ) Title: Epuise II Year: 1986 Medium: Silkscreen with Gold Leafing, Signed and numbered in pencil Edition: 175 Size: 28.5 in. x 35 in. (7...

Mariano Rodriguez Gallo, 1984 Serigraph Ed. VII of XXV 29 x 22 in

SPACE VOYAGE is an original hand drawn lithograph by the Latin American Woman artist Raquel Forner, paper size - 13 1/4 x 15 1/4 in., image size - 8 1/2 x 11 3/4 in. printed in warm...

BURRO EXPRESS by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 100% a...

Mon Han Lee - Leopard in Tree, Year: 1980, Medium: Collotype on Canvas, signed and dated lower right, Size: 28 x 22 in. (71.12 x 55.88 cm), Description: Signed "Leehan" lower r...

Abstract surrealist lithograph of a dog wounded by an arrow. This work is from his 90th anniversary suite, the last prints Tamayo completed, before passing on. Signed and editioned a...

Bird is a lithograph by Aldo Turchiaro, realized in 1980. Hand-signed on the lower right. Numbered, edition XII/XXV. Good conditions except for aged margins.

Artist: LeRoy Neiman, American (1921 - 2012) Title: Polar Bears Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 214/300 Image Size: ...

Original Harley-Davidson Daytona Poster - Iconic Motorcycle Brand Artwork for Enthusiasts. Archival linen backed and ready to frame. The poster from the 1980s was created by the ...

Michael Rothenstein Little Zoo III, 1990 Screenprint on Velin Arches paper 54 x 45 cm Edition 9 of 100 hand-signed and numbered 9 of 100. published by Flowers Graphics, London in 19...

Cesar Baldaccini, French (1921 - 1998) - Centaure, Hommage a Picasso, Year: 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 99/99, Size: 11.75 x 15.75 in. (29.8...

Nu Rouge Á L'Oiseau is an original hand drawn limited edition lithograph printed in vivid colors on archival Somerset paper 100% acid, free, by the Dutch artist known as CORNEILLE(Gu...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Prince Charles at Windsor Year: 1982 Medium: Serigraph, signed and numbered in pencil Edition: 300 I...

Salvador DALI (after) The Blue Owl Lithograph Printed signature in the plate Printed in Matthieu workshop Edited by J. Schneider for the Dali exhibition at Galerie Orangerie in 198...

Benny Andrews (American, 1930-2006) "Black Bird", Abstract Lithograph signed in rear of Print, 30 x 22.25, Late 20th Century, 1980 Colors: Black, Grey, Whi...

NU À LA ROSE is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Ce...

The Dance Of Horses is a beautiful colored lithograph on paper, realized in the 1980s by the artist Jovan Vulic (b. 1951). Hand-signed and numbered in pencil on the lower margin. ...

This piece is an original etching, aquatint and roulette by Henry Moore, created in 1981. It is from Moore's album of 15 original etchings, entitled "Animals in the Zoo". Henry Moore...

Artist: Popo and Ruby Lee Title: Horses Year: circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: AP Size: 24 x 32 in. (60.96 x 81.28 cm)

Vibrant print of a coyote by Daniel Stolpe (American, 1939-2018). Titled, numbered ("Presentation Proof"), signed and dated along bottom edge. Presented in a black frame with a double mat. Sheet on verso with information about the piece, stating that only 5 Presentation Proofs were created, making this piece 1 of 5. Paper size: 24"H x 28"W. (2018) Master artist and Native Images lithographer Dan "Coyote" Stolpe slipped out of his non-functioning body, and is running free at last and howling in the hills. Born and raised in Los Angeles, Dan's father introduced him to Native American teachers of Art and Culture through the Woodcraft Rangers, who influenced Dan for the rest of his life. "Everything was patterned after a tribal structure," Stolpe said. We learned about Indian life and lore and we had Indian guys teach us how to make Indian costumes and about Indian dance and drums. That's what got me interested." Dan made his first drum when he was 14, and he was quietly playing that same drum during his final days of life. Stolpe attended LA Co. Art Institute (OTIS) on scholarship until 1962, when he dropped out to Apprentice with artist Don La Viere Turner in Glendora, and then with Master Printer Joe Funk in Venice until 1966. Commissioned by the Smithsonian Institute, he moved to Washington DC to illustrate extinct birds...

Duane Bryers, American (1911 - 2012) - Meanwhile Back at the Ranch, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Size: 21 in. x 27.5 in. (53.3...

Noel Daggett, American (1925 - 2005) - Last of the Strays, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 40, Image Size: 20 x 26 inches, Size: 22.5 ...

Artist: Donald Saff Medium: Etching with Aquatint, Hand signed and numbered in pencil. Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, ...

Artist: Kim Ki-Chang, Korean (1913 - 2001) Title: Mystic Star of the Orient Year: 1988 Medium: Lithograph, signed and numbered in pencil Edition: 300 Size: 35 x 26 inches

Corneille Tribute to Mozart : Firebird, 1991 Original lithograph Handsigned Numbered EA /30 On vellum 50 x 65 cm (c. 20 x 26 inch) Excellent condition

The Guardian is an original Contemporary artwork realized in the 1980s by the italian artist Leo Guida. Original Etching on paper. Numbered, titled and hand-signed in pencil on th...