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Period: Early 19th Century
Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
By John Latham
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837)
Title: "New-Zealand Plover", "Nilid Grosbeak", "Black-throated Bunting", and "Variegated Chatterer"
Portfolio: A General History of Birds
Year: 1821-1828 (second edition)
Medium: Set of Four Original Hand-Colored Engravings on wove paper
Limited edition: Unknown
Printer: Jacob & Johnson, Winchester, UK
Publisher: John Latham, Winchester, UK
Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376
Sheet size (each): approx. 11.13" x 8.75"
Image size (each): approx. 4.75" x 4.5"
Condition: "New-Zealand Plover" has some light offsetting and a few faint areas of discoloration at top in margin. "Nilid Grosbeak" has some faint areas of discoloration. They are all otherwise in excellent condition with strong colors
Rare
Notes:
Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "New-Zealand Plover" has an unidentified "1823" watermark lower right.
Biography:
John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category
Victorian Early 19th Century Animal Prints
Materials
Watercolor, Engraving, Intaglio
Set of Four, Early 19th Century Hand Coloured Engravings, Horses and Carriages
Located in Cotignac, FR
Set of four early 19th century English hand coloured caricature engravings of horses and carriages by S and J Fuller. Presented in period plain wood frames under glass.
A charming s...
Category
English School Early 19th Century Animal Prints
Materials
Ink, Paper
Tropic Bird /// Ornithology John James Audubon Shorebird Ocean Beach Seascape
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53)
Portfolio: The Birds of America, Havell Edition
Year: 1835
Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper
Limited edition: approx. 180
Printer: Robert Havell Jr., London, England
Publisher: John James Audubon, London, England
Framing: Not framed, but matted in a handmade custom French matting
Matted size: 30" x 38.75"
Sheet size: 25.5" x 36"
Platemark size: 20.75" x 30.25"
Image size: 18.5" x 27.75"
Condition: A few tiny foxmarks. In excellent condition with clean paper and strong colors
Rare
Notes:
Provenance: private collection - New York, NY. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". "J. Whatman 1835" watermark upper right.
Based on a composition painted between 1832 and 1835. Audubon sailed the entire length of Florida, around the Keys and as far as the Dry Tortugas, from which, on another occasion, "The specimens - in the plate were taken - by my kind friend Robert Day, Esq. of the United States Revenue Cutter...
Category
Victorian Early 19th Century Animal Prints
Materials
Watercolor, Engraving, Aquatint, Intaglio
Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
Category
Realist Early 19th Century Animal Prints
Materials
Laid Paper, Drypoint, Etching
Faust, Méphistophélès et le Barbet / Faust, Méphistophélès and the Water Spaniel
Located in Middletown, NY
Lithograph on Chine appliqué, 9 1/4 x 8 1/8 inches (235 x 206 mm), full margins. First state (of 4). Extremely minor uniform age tone, otherwise in good condition. A superb, richly-inked impression.
[Delteil 61.1]
______
At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school. He expected painting would be a hobby, but on the death of his father he found he had to make his own way in life. In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault. His first exhibited work was Dante and Virgil...
Category
Barbizon School Early 19th Century Animal Prints
Materials
Lithograph, Handmade Paper
54: Petromyzon fluviatilis, Lampern, or Lesser Lamprey
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Color, Etching
Ass and the Lion Hunting, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Engraving, Etching
'Mazeppa' — 19th-Century French Romanticism
Located in Myrtle Beach, SC
Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...
Category
Romantic Early 19th Century Animal Prints
Materials
Lithograph
Set of Four Hand Colored Monkey Prints
Located in Palm Beach, FL
This set of four hand colored copper plate engravings are illustrations by early 19th century naturalist J. H. Jacob first published in Italy in 1812, and are referred to as "Jacob's...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Engraving
The Physiognomy - The Insects - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Insects is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the...
Category
Modern Early 19th Century Animal Prints
Materials
Etching
Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
By John Latham
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837)
Title: "Parrot-billed Grosbeaks", "White backed Coly", "Banksian Cockatoo", and "Variegated Tanager"
Portfolio: A General History of Birds
Year: 1821-1828 (second edition)
Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper
Limited edition: Unknown
Printer: Jacob & Johnson, Winchester, UK
Publisher: John Latham, Winchester, UK
Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376
Sheet size (each): approx. 11.25" x 8.88"
Image size (each): approx. 5.75" x 4.75"
Condition: "Parrot-billed Grosbeaks" and "White backed Coly" have light offsetting to their sheets. "Banksian Cockatoo" and "Variegated Tanager" have moderate offsetting to their sheets. The "Variegated Tanager" also has a few light spots of discoloration at top in margins. They are all otherwise in good condition with strong colors
Rare
Notes:
Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Parrot-billed Grosbeaks" and "Variegated Tanager" have an unidentified "1821" watermark lower right and upper right respectively. "Banksian Cockatoo" as a partially visible "1820?" watermark lower right.
Biography:
John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category
Victorian Early 19th Century Animal Prints
Materials
Watercolor, Engraving, Intaglio
The Physiognomy - The Owl and the Peacock - Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The owl and peacock is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge...
Category
Modern Early 19th Century Animal Prints
Materials
Etching
Animals Muzzles - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - Animals Muzzles is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and...
Category
Old Masters Early 19th Century Animal Prints
Materials
Etching
$405 Sale Price
25% Off
Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
By John Latham
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837)
Title: "Kamtschatkan Thrush", "Spotted-sided Grosbeak", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak"
Portfolio: A General History of Birds
Year: 1821-1828 (second edition)
Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper
Limited edition: Unknown
Printer: Jacob & Johnson, Winchester, UK
Publisher: John Latham, Winchester, UK
Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376
Sheet size (each): approx. 11.25" x 8.88"
Image size (each): approx. 4.5" x 4.5"
Condition: "Kamtschatkan Thrush", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak" have some light offsetting to their sheets. "Spotted-sided Grosbeak" has some minor foxmarks and some light discoloration upper left in margin. They are all otherwise in very good condition with strong colors
Rare
Notes:
Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Kamtschatkan Thrush" and "Crimson-bellied Flycatcher" have an unidentified "1821" watermark lower right and upper right respectively. "Spotted-sided Grosbeak" has a "1820" watermark lower right.
Biography:
John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category
Victorian Early 19th Century Animal Prints
Materials
Watercolor, Engraving, Intaglio
Hunting a Zebra, African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
40: Cyprinus erythropthalmus, Red Eye Abdominales
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category
Early 19th Century Animal Prints
Materials
Color, Etching
17: Squalus squatina, Angel Shark
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category
Early 19th Century Animal Prints
Materials
Color, Etching
10: Cyclopterus lumpus, Lump Sucker
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category
Early 19th Century Animal Prints
Materials
Color, Etching
Dogs of the Dalmatian Breed
By James Ward
Located in Boston, MA
Grundy 36, published by R. Acherman. Inscribed in stone lower left: 'James Ward R.A. Pinxt et Delt. / Dogs of the Dalmation breed-from an original picture in the possession of Sir Jo...
Category
Romantic Early 19th Century Animal Prints
Materials
Lithograph
Finland Bear Hunting, aquatint engraving hunting snow print, 1813
Located in Melbourne, Victoria
'Finland Bear Hunting'
Colour aquatint by Mathew Dubourg (1786-1838) after Manschirch.
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, illustrato...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
Mamalukes Exercising the Spear, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Mamalukes Exercising the Spear'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt ...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
Ass, Ape & Mole, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Engraving, Etching
Shooting an African Buffalo, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Shooting an African Buffalo'
Colour aquatint by Mathew Dubourg (1786-1838) after Samuel Howitt.
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, ...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
African Rhinoceros Hunting, antique African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
Torch Light Fishing in N America, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Torch Light Fishing in N America'
Colour aquatint by Merke after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
Etude de Tigre - Lithograph by Antoine-Louis Barye - Early 19th century
Located in Roma, IT
Fine print with sheet in perfect conditions, on vélin blanc fort, belonging to the Bertauts Edition.
Perfect and vivid impression. Full margins.
Ref. Delteil 2.
Prov. Collection Hen...
Category
Modern Early 19th Century Animal Prints
Materials
Lithograph
German Wolf Trap, aquatint engraving field sport hunting print, 1813
Located in Melbourne, Victoria
'German Wolf Trap'
Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports'. Sam...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
'Cheval de Mecklembourg' — 19th-Century French Romanticism
Located in Myrtle Beach, SC
Théodore Géricault 'Cheval de Mecklembourg' (Mecklembourg Horse), lithograph, 1822, 2nd state of 4, Delteil 47. Signed in the matrix 'Gericault', lower left. Published by Godefroy En...
Category
Romantic Early 19th Century Animal Prints
Materials
Lithograph
Mastiff, early 19th century English dog engraving
By Philip Reinagle
Located in Melbourne, Victoria
'Mastiff'
Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803.
Philip Reinagle was one of the best of the sporting a...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Engraving
Egyptians, Crocodile Catching, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Egyptians, Crocodile Catching'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt w...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
Fighting Bulls and Frogs, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Engraving, Etching
German Fox Trap, aquatint engraving field sport hunting print, 1813
Located in Melbourne, Victoria
'German Fox Trap'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports'. S...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
German Manner of Netting Partridges, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'German Manner of Netting Partridges'
Colour aquatint by Merke after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English p...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
Catching the Badger, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'Catching the Badger'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
Swan - Original Etching on Paper - 19th Century
Located in Roma, IT
Swan is an original etching on paper realized by an unknown artist of the XIX century.
The State of preservation is very good.
Sheet dimension: 29 x 22.5 cm.
The artwork represen...
Category
Modern Early 19th Century Animal Prints
Materials
Paper, Etching
$220 Sale Price
25% Off
Lioness and Fox, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Engraving, Etching
Seamen Killing a Polar Bear, aquatint engraving field sport hunting print, 1813
Located in Melbourne, Victoria
'Seamen Killing a Polar Bear'
Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field S...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
'Le maréchal flamand' (The Flemish Blacksmith) — 19th-Century French Romanticism
Located in Myrtle Beach, SC
Théodore Géricault 'Le maréchal flamand' (The Flemish Blacksmith) from the series ‘Etudes, de chevaux lithographiés,’ lithograph, 1822, 2nd state ...
Category
Romantic Early 19th Century Animal Prints
Materials
Lithograph
Shooting the Wolves in Winter, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Shooting the Wolves in Winter'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt w...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
Samuel Howitt: 'Battle between Buffalo and Tiger' print after Thomas Williamson
By Thomas Williamson
Located in London, GB
Samuel Howitt (1765-1822) after Thomas Williamson (1758-1817)
Exhibition of a Battle between a Buffalo & a Tiger' from Oriental Field Sports (1819)
Hand-coloured aquatint
35 x 47 cm
Captain Thomas...
Category
Realist Early 19th Century Animal Prints
Materials
Aquatint
Killing Seals in a Cavern, Summer, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Killing Seals in a Cavern, Summer'
Colour aquatint by Mathew Dubourg (1786-1838) after Samuel Howitt (1756/7-1822)
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was a...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
Turtle Catching on Land, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Turtle Catching on Land'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
Bloodhound, early 19th century English dog engraving
By Philip Reinagle
Located in Melbourne, Victoria
'Blood Hound'
Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803.
Philip Reinagle was one of the best of the sporti...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Engraving
'Horse Attacked by Tiger' — 19th-Century French Romanticism
Located in Myrtle Beach, SC
Théodore Géricault (after), 'Tigre dévorant un cheval' (Tiger Devouring a Horse), lithograph, 3rd state of 3, Clement 97, c. 1820. Lettered 'Volmar ...
Category
Romantic Early 19th Century Animal Prints
Materials
Lithograph
The Bear Trap, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'The Bear Trap'
Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Fore...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
North America Bear Hunt, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'North America Bear Hunt'
Colour aquatint Mathew Dubourg (1786-1838) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports'. Samuel...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
Turtle Fishing in the Water, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Turtle Fishing in the Water'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
Hunting the Camelopard (Giraffe), antique African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
A Wolf, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch
Located in Stockholm, SE
Johan Wilhelm Palmstruch (1770-1811) Sweden
Title: A Wolf
hand-coloured print
early 1800s
print dimensions approx 4.33 x 7.08 inches (11 x 18 cm)
frame 11.81 x 15.74 inches (30 ...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Etching
German Deer Shooting, Winter, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'German Deer Shooting, Winter'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Fiel...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
A Trap to Shoot the Bear, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'A Trap to Shoot the Bear'
Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Spor...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
Bird Catching from Below, Scotland, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'Bird Catching from Below'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Aquatint
A Winter Sledge
Located in Columbia, MO
Rudolph Ackermann (20 April 1764 in Stollberg, Electorate of Saxony – 30 March 1834 in Finchley, London)[1] was an Anglo-German bookseller, inventor, lithographer, publisher and busi...
Category
Early 19th Century Animal Prints
Materials
Lithograph
Ape and Fox, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Engraving, Etching
The Bull & The Cow and Calf, English animal cow cattle engraving, 1807
Located in Melbourne, Victoria
Early 19th century cattle engraving from Rees' Cyclopaedia. Sydenham Teast Edwards (1768-1819), was a natural history illustrator. He produced watercolours for engraving for Curtis's Botanical Magazine, New Botanic...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Engraving
HERBST. A Group of Four Crustaceans
By Johann Friedrich Wilhelm Herbst
Located in London, GB
A Group of four hand-coloured engraved plates of Crabs by Schellenburg, P. Haas, Heidenreich and Ludwig Schmidt.
Framed and glazed, overall size: 36.4 x 53.8 cm.
Johann Friedric...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Engraving, Handmade Paper
A Bear, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch
Located in Stockholm, SE
Johan Wilhelm Palmstruch (1770-1811) Sweden
Title: A Bear
hand-coloured print
early 1800s
print dimensions approx 4.33 x 7.08 inches (11 x 18 cm)
frame 11.81 x 15.74 inches (30 ...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Color
43: Perca labrax, Basse
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category
Early 19th Century Animal Prints
Materials
Color, Etching
La Perruche Javane, Pl. 69
Located in Austin, TX
Artist: Jacques Barraband
Title: La Perruche Javane Pt 69
Year: 1801 - 1805
Medium: Engravings with Original Hand-Coloring
Sheet Size: 20" x 13.38"
About the Artist:
Jacques Barraba...
Category
Early 19th Century Animal Prints
Materials
Archival Paper, Engraving
96: Labrus julis, Indented-Striped Wrasse
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category
Naturalistic Early 19th Century Animal Prints
Materials
Color, Etching
