Romantic Animal Prints

A dynamic mid 20th century copy of a lithograph that depicts Englishmen on horseback giving chase with a pack of beagle-type dogs running in the background. by John Frederick Herring...

Three Steeplechasers - Drypoint Etching on Paper Graceful etching of three horse riders by Paul Desmond Brown (American, 1893-1958). Three jockeys on ho...

" Belier deux faces " is a masterpiece from Jean COCTEAU 's ceramic work . this one "exemplaire d' auteur " .Artist proof N° 1. mint quality . partially glazed pink terracotta vase . conceived in 1958 and executed in edition of 20. littérature : Annie Guedras . Jean COCTEAU céramiques...

Charming color engraving print from the 19th century representing a young horse rider on a walk accompanied by her greyhound. The engraving is taken from a painting made by Alfred de Dreux...

Special end of the year offer. This lovely and very decorative print is an ideal gift for you or your loved-ones. Rare antique print depicting a carnation and a moth metamorphosis. Caryophillus purpureus, in French "Œillet pourpré" meaning "Purple Carnation". This print originates from 'Histoire des insectes de l’Europe' by Maria Sibylla Merian...

This artwork titled "Sens Unique" (One Way) c. 1950 is an original etching with hand coloring by Russian/French artist Boris O'Klein 1893-1985 It is hand signed and titled in pencil by the artist. The image (plate mark) size is 5.5 x 17 inches, framed is 16 x 26.75 inches. it is beautifully custom framed in a wooden brown frame, with gold color spacer light creme matting. it is in excellent condition. About the artist. Boris O’Klein (1893-1985) was born in Moscow in the USSR to French parents. He returned to France at a young age living in the region of Alsace. He signed up and served in the French army during the First World War and afterwards moved to Paris where he continued to live until his death. Boris O Klein became an artist and cartoonist and is best known for his hand coloured etchings of dogs getting up to mischief. They have become known as the ‘Dirty Dogs of Paris...

"Trooper" is a mezzotint, signed in the plate, and created after the image created by Sir Joshua Reynolds. Reynolds studied art in London under Charles Howard Hodges...

"Origen de los arpones o banderillas" (Origin of the Harpoon of Banderillas), plate 7 from the "La Tauromaqulia" (Bullfighting) suite, a series of 33 bullfighting scenes first produced by Francisco de Goya in 1816. Goya used aquatint engraving and etching techniques to create these works. This print is presented in a light grey mat, which is suitable for framing, measuring 16" x 20". Another of Goya's bullfighting scenes is also listed on 1stDibs, LU117325597822, and comes in an identical light grey mat. These two prints together would make a terrific display. A discount is available for purchase of the pair of prints. Goya's series of 33 engravings "La Tauromaquia" illustrates the art of bullfighting from its medieval origins to Goya’s day, is one of the artist’s most celebrated and technically masterful works in any medium. When Goya printed...

This is a framed aquatint engraving and etching entitled "Un caballero español mata un toro despues de haber perdido el caballo" (Spanish Knight Kills the Bull after He Lost his Horse), plate 9 from the "La Tauromaqulia" (Bullfighting) suite, a series of 33 bullfighting scenes first produced by Francisco de Goya in 1816. This striking print is presented in an antiqued gold and bronze-colored wood frame with a light grey mat. It is glazed with UV conservation glass. The frame measures 18.25" high by 22.25" wide by 1.25" deep. All of the mounting materials used are archival. The print is in very good condition. Goya's series of 33 engravings "La Tauromaquia" illustrates the art of bullfighting from its medieval origins to Goya’s day, is one of the artist’s most celebrated and technically masterful works in any medium. When Goya printed...

This artwork titled "Woman with Horse" 1989 Is a offset lithograph on paper by noted Iranian/American artist Nasser Ovissi, born 1934. It is hand sign...

This beautiful 19th century equestrian hunting scene entitled "Returning From The Hunt" is an engraving by C. B. Stock after a painting by Will...

Mezzotint by David Lucas (1802 - 1881) after the painting by John Constable. Shirley catalog 3 state 6.iv. Christopher Lennox-Boyd state vi/vi. London: Republished Feb.y 15, 1853, by Thomas Boys (of the late Firm of Moon, Boyd & Greaves,) Printseller to the Royal Family, 467, Oxford Street - Paris. E.Gambart & C. 9 Rue d'Orleans au Marais,-Depose. Originally Published July 1.1834. Image 22 1/4 x 19 1/2, plate 26 3/4 x 20 3/8, sheet 30 3/4 x 24 3/8. A rich impression printed on sturdy wove paper with full margins, mounted on archival paper. A few unobtrusive scrapes and folds, one horizontally across the center of the image, and a faint water stain in the top right-hand image and margin. Signed in the plate. Housed in a double archival mat and a Hogarth 36.50 x 30.50 x 1.25-inch Hogarth frame with gilded corner ornaments. ------------------------------------------------------------------------------------------------- The Cornfield depicts Fen lane as it leads from East Bergholt towards Dedham; a village in the borough of Colchester. A flock of sheep are followed by a dog as the path winds towards figures active in a cornfield. A boy, prone and with his face on the surface of a stream, slakes his thirst. The church in the distance is thought to have been an invention on Constable's part. --------------------------------------------------------------------------------------------------------- First exhibited at the Royal Academy in 1826, Constable's The Cornfield became one of the artist's most celebrated works. It was reproduced in mezzotint by David Lucas in 1834 and sold by J. McLean and Hodgson, Boys and Graves, and Rudolph Ackermann. This print, however, derives from a posthumous collection of Constable's works entitled 'English Landscape Scenery,' edited by H.G. Bohn and published by Thomas Boys in 1853. The series consisted of forty mezzotint engravings on steel plates; all of which were produced by Lucas. ---------------------------------------------------------------------------------------------------- The Cornfield is one of Constable’s best-known works. It was also the first of his pictures to enter a public collection. Shortly after his death in 1837, a committee was set up to subscribe towards the purchase of a painting for the nation, and The Cornfield was bought for the National Gallery for 300 guineas. The list of subscribers included the poet William Wordsworth, the scientist Michael Faraday...