Baby Animal Prints

A black cat playing with a Snowman, from Le Chat Noir Gillotage chromotype, 1898 Signed in the image lower right (see photo) Cats were a symbol of freedom and bohemia in Montmartre, ...

Original “Coppertone” Colore di Rame vintage Italian poster. Colore de Rame translates into the color of copper. Abbronzatevi! (suntan) Non bruciatevi! (don’t burn) Archival linen-backed in fine condition, ready to frame. This original Coppertone poster is in A condition. The background in the poster is a brighter yellow; after all, it is a sunny day, and you need suntan lotion! Coppertone is an American suntan cream. Interestingly, the American poster of this famous little girl and dog...

Paul JOUVE (1878-1973) Soldat apercevant la panthère, c. 1949 Gravure originale à l'eau-forte (atelier Haasen) Non signée Sur vélin 32.5 x 25 cm INFORMATION : Gravure créée pour le...

Georges Braque, French (1882 - 1963) - Derniers Messages, Year: circa 1965, Medium: Lithograph, Image Size: 23.5 x 17 inches, Frame Size: 28 x 19.5 inches

circa 1950. Woodblock print in black and gray ink on Japon laid paper, 10 1/4 x 15 3/4 inches (260 x 398 mm), full margins. With the artist's embossed chop mark in red ink in the l...

This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau Noir sur Fond Brun (The Black Bird on Brown Background), from the folio Les Peintres mes amis (The Painter...

A black and white cat play with a mouse, from Le Chat Noir Gillotage chromotype, 1898 Signed in the image lower right (see photo) An impression of this image is in the collection of ...

LEONOR FINI Cat Twins 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

This whimsical and surreal etching by Mexican artist Maximino Javier, dated 1984, embodies his unique visual language that blends fantasy, folklore, and satire. Executed with intrica...

Works by Jon Corbino (1905-1964) feature drama. Here he's showing us the chaos produced by a major earthquake in rural Montana in 1936 -- an actual historical event. The horses (ear...

This is a rare Franklin Simon Department store Christmas lithographic poster with an image after a James Thurber cartoon drawing of a man in a chair with...

Giorgio de CHIRICO Horses in a Mythological Landscape, c. 1955 Lithograph and stencil (Jacomet workshop) Printed signature in the plate On light vellum 48 x 38 cm (c. 19 x 15 in) V...

Silkscreen Edition 49 of 100 51.3 x 51.3 (20.2 x 20.2 in) Signed, numbered and dated on the front Mint. Minor imperfections may appear due to the production process

This Blue Dog work consists of a blue dog on a tropical background of mountains, sea, sand, and palm trees. There are various colors of butterflies and a single dragonfly. The dog i...

Mr Doodle, DISNEY MICKEY MOUSE, 2023 Screen-print on paper 50 × 50 cm (19 7/10 × 19 7/10 in ) Edition of 7/100 Sam Cox, better known under the moniker Mr Doodle, rocketed to inte...

This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Printer’s ink from rubber stamp on vélin d’Arches Satine paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publi...

David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas at Austin. Valley House began showing his multi-articulated, painted w...

Edition 5 Pink Painting of Pooh the bear JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fin...

Silkscreen Image Size H 22 x 22cm Framed Size H 47 x 45cm Edition of 100 Additional information: Screen print on Paper Edition of 100 22 H x 22 W cm (8.66 x 8.66 in) Sold unframed ...

Bat II from the artist's Isolation Art series. Pink wood grain background with lunar cycle imagery around surreal triple headed bat, framed in beveled edge gold frame ABOUT THE ARTIST Deming King...

Georges Braque, After, French (1882 - 1963) - Three Birds, Year: circa 1960, Medium: Lithograph Poster, Image Size: 34.5 x 23 inches, Size: 37 x 25.5 in. (93.98 x 64.77 cm), Prin...

Printed in 1943, by the U.S. Government Printing Office for the U.S. Department of Agriculture Forest Service. The poster features the beloved Disney characters, Bambi (deer), Thumper (rabbit), and Flower (skunk) in wide-eyed shock leaning towards fear. With the slogan "Please, Mister, don't be careless" the poster is designed to tug at the heartstrings of the viewer and make them consider what actions they could take in their own lives to prevent forest fires. Poster: 20" x 14 1/4" Frame: 30" x 22 1/2" Framed to conservation standards with a 100% cotton fiber matboard border and UV clear glass that filters 99% of UV Rays. UV Rays can be especially damaging and cause fading to the inks used in poster making. All of these features are housed in a contemporary natural wood frame. Smokey Bear...

The single letter "S", from the alphabet, illustrated by a seahorses. All letters from the Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in folio box...

Oskar Kokoschka, Austrian (1886 - 1980) - Der Beobachter, Year: circa 1959, Medium: Etching on natural laid paper, signed and numbered in pencil, Edition: 96, Image Size: 9.25 x 7 ...

This Blue Dog work consists of a large Blue Dog in a chef’s white coat and high-hat, along with 2 smaller blue dogs in chef’s white aprons and high-hats sitting on a red and black ba...

This original limited edition graphic art lithographic poster entitled "Carousel Animals" was created by David Lance Goines in 1984 in his Berkeley ...

LEONOR FINI Hatted Cats 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Andre Derain, French (1880 - 1954) - Man with Cow, Medium: Woodblock on laid paper, Image Size: 2.75 x 3.75 inches, Size: 3.75 x 5 in. (9.53 x 12.7 cm), Description: From the collect...

This artwork "Woman with Three Goats" c.1960 is an original linocut on thin fiber paper by noted Turkish artist Nevzat Akoral, 1926-2016 It is signed in the plate as issue. The image...

LEONOR FINI Tip-Toe Cat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Birds is an etching realized in 1771 by Louis Legrand. The Artwork is depicted through confident strokes in aa well balanced composition. Good conditions.

LEONOR FINI Performing Cats 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Keith Haring 1982: A rare printed announcement card offset illustrated by Keith Haring to promote the Dutch art publication, Museumjournaal. Medium: offset printed announcement card...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Palm Springs Desert Museum (Still Life with Longhorn Skull and Cactus)" Year: 1982 Medium: Original Offset-Lithograph, ...

The Elephant and Jupiter's Monkey. Mixed colored etching on Japan paper. Signed on the lower right margin. Numbered on the lower left margin. Edition of 249/250. The artwork is from...

A hand crafted five layer screen print of a painted illustration by the artist of a crab on heritage white paper. With a final layer hand glittered. ADDITIONAL INFORMATION: Handmade...

Penelope Ellis (1935-2016) Heading out to Pasture Woodblock print 11 x 16 cm Provenance: From the artist's estate sale. ​Penelope Mary Ellis (1935–2016) was a British artist celeb...

"Z is for zoo, with a lion, monkey, rhinoceros and giraffe illustrating the letter "Z", from Kelvin Mann's alphabet. All letters are available, and the full set of 27 etchings in fol...

The Lady Dunlin With Her Hand Fan is an original lithographs on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published ...

Composition with Animals is an etching realized in 1771 by Louis Legrand (1723-1807). The Artwork is depicted through confident strokes in aa well balanced composition. Good condit...

Composition with Angels is an etching realized in 1771 by Louis Legrand (1723-1807). The Artwork is depicted through confident strokes in aa well balanced composition. Good conditi...

An original hand signed and editioned etching by Leonor Fini from her "Parade des Chats " Cat Parade Series. This is an E.A or an edition of the artist. This piece comes in an ar...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

This Blue Dog work consists of the By the Light of the Moon print with candles and a moon with several dogs, including the black & white, a re...

The Mouse is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published...

LEONOR FINI Cat Arabesque 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Bear Hugs (Hot Pink and Blue) Diptych by Tim Southall [2021] limited_edition Silkscreen Print Edition number 100 Image size: H:68 cm x W:48 cm Complete Size of Unframed Work: H:76 cm x W:56 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look ‘Bear Hugs’ is a large silkscreen print in a variable edition It is an image which aim to explore the very special bond between a mother and a child...

LEONOR FINI Cat Creature 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

This Blue Dog work consists of a blue dog in the middle of a red, white, and blue background. The dog is wearing a yellow neckerchief and a large black western hat with gold trim on ...

LEONOR FINI Seahorse Cat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Artist: Hunt Slonem Title: Lobster Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 250; AP 30 Image: 19 x 19 inches Paper Size: 22 x 30 inches

LEONOR FINI The Outfit 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Elephant Engraing, 1957, printed 1988 Signed, dated, and titled in pencil by the artist Dedicated: "For Jon From Ray" Edition: 100 in two printings This is an artist's proof from th...

Douglas C. Backhaus - Unicorn in Field, Year: 1978, Medium: Hand colored Etching, signed, dated and numbered in pencil, Edition: AP, Image Size: 11 x 13.75 inches, Size: 15 x 17.75 i...

Artist: George Rodrigue Title: Union Station (Blue Dog for President) Medium: Silkscreen Year: 1996 Edition: 36/150 Framed Size: 31" x 42" Sheet Size: 18" x 30" Signed: Hand signed a...

This Blue Dog work consists of 1 blue dog on a dark blue background with painted white eyeglasses donning a white tie with painted blue eyeglasses. Th...

ARTIST: Salvador Dali TITLE: Apocalyptische Reiter (Apocalyptic Rider) MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 166/175 MEASUREMENTS: 22" x 30" YEAR: 1974 CONDITIO...

Etching, realized by Sergio Barletta in 1960s. Hand-signed in the lower right. Edition of 50. Excellent condition. Sergio Barletta (1934) is an Italian cartoonist and illustrator...

Donald Baechler, Sea World, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aqu...