Baby Animal Prints
41
to
38
203
198
41
136
232
164
17
239
54
88
22
13
Overall Height
to
Overall Width
to
138
58
51
48
12
7
6
5
5
4
4
1
1
2,883
1,767
1,519
1,084
874
579
498
486
431
417
392
371
330
279
218
192
175
161
155
149
55
41
237
84
1
1
10
14
21
9
17
54
25
36
54
37
31
8
8
6
138
129
74
73
25
Art Subject: Baby
The Horse and the Wolf - Etching - 1974
Located in Roma, IT
The Horse and the Wolf is an artwork realized in 1974.
Etching and drypoint with stencil.
Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper.
It belongs to the suite Le ...
Category
1970s Surrealist Figurative Prints
Materials
Etching
Untitled
By Leonor Fini
Located in Barcelona, ES
Includes a Certificate of Authenticity
Category
1970s Modern Animal Prints
Materials
Lithograph
Untitled
By Leonor Fini
Located in Barcelona, ES
Includes a Certificate of Authenticity
Category
1970s Modern Animal Prints
Materials
Lithograph
The Elephant and the Jupiter's Monkey - Etching - 1974
Located in Roma, IT
The Elephant and the Jupiter's Monkey is an artwork realized in 1974.
Etching and drypoint with stencil.
Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper.
It belongs t...
Category
1970s Surrealist Figurative Prints
Materials
Etching
I Miss You Already (Ed. 9/25)
Located in Dallas, TX
"Many of the most common flowers sold in flower shops around the world are grown in equatorial countries. Unfortunately, many of these countries have loose to no regulations on the synthetic pesticides and fertilizers used to grow the flowers. These pesticides and fertilizers find their way into waterways, and rivers and eventually make their way into our oceans, causing environmental havoc along the way.
Fertilizer runoff can trigger sudden explosions of marine algae capable of disrupting ocean ecosystems and even producing "dead zones" in the sea.
Pesticides can affect coral reproduction, growth, and other physiological processes. Herbicides, in particular, can affect the symbiotic algae (plants). This can damage their partnership with coral and result in bleaching.
This image contemplates the connection between the flowers we buy, and the effect commercial flowers have on the majestic and fragile reef systems around the world.
In keeping with one of PangeaSeed Foundation’s mottos, “As Above, So Below”, this image imagines Clownfish, an iconic reef dweller living within the flowers we consume. Their home is being threatened and altered by pesticide runoff, pictured here as a band of bleached out flowers.
You can make a difference by the choices you make on a daily basis. This Valentine’s Day, consider buying local organically grown flowers. Consider picking your own wildflowers. Consider giving flower paintings and drawings…. ( i Might know a guy). Consider doing this every time you think about gifting flowers or decorating your home.
The consumption choices we make have direct effects on our planet. Next time you buy flowers, think about our Mother Nature."
- Jet Martinez
Category
21st Century and Contemporary Contemporary Animal Prints
Materials
Giclée
Cat Friends
By Leonor Fini
Located in Columbia, MO
LEONOR FINI
Cat Friends
1973
Color lithograph
Ed. 157/230
12.5 x 9 inches
Category
1970s Surrealist Animal Prints
Materials
Lithograph
Wubear
Located in Miami, FL
Jerkface
WuBear, 2017
Hand signed and numbered by artist
Giclee printed with U.V. ink On 100lb satin rag
24 x 36 in
Edition of 50
Artwork ships in 2-4 weeks
Category
2010s Street Art Animal Prints
Materials
Giclée
Horses in a Mythological Landscape - Lithograph
Located in Paris, FR
Giorgio de CHIRICO
Horses in a Mythological Landscape, c. 1955
Lithograph and stencil (Jacomet workshop)
Printed signature in the plate
On light vellum 48 x 38 cm (c. 19 x 15 in)
V...
Category
1950s Surrealist Animal Prints
Materials
Stencil, Lithograph
Luis Miguel Valdes, ¨La Picada¨, 2015, Woodcut, 28.7x21.3 in
Located in Miami, FL
Luis Miguel Valdes (Cuba, 1949)
'La picada', 2015
woodcut, block on paper Velin Arches 300 g.
28.8 x 21.3 in. (73 x 54 cm.)
Edition of 13
ID: VAL-3G2015-361
Hand-signed by author
___...
Category
2010s Contemporary Prints and Multiples
Materials
Woodcut, Paper
Tiempo
Located in BARCELONA, ES
With his abstract representations of various creatures, the Spanish/German artist Max Gärtner explores the tensions and interrelationships between reality and the metaphysical, betwe...
Category
2010s Animal Prints
Materials
Drypoint
Hatted Cats
By Leonor Fini
Located in Columbia, MO
LEONOR FINI
Hatted Cats
1973
Color lithograph
Ed. 157/230
12.5 x 9 inches
Category
1970s Surrealist Animal Prints
Materials
Lithograph
Le Vautour - The Vulture
Located in Henderson, NV
Medium: offset lithograph (after the etching). Printed on velin bouffant paper from the Papeteries Casteljoux and published in France by Edito-Service Geneve in 1970. This reproduces...
Category
1970s Animal Prints
Materials
Offset
Nuthatch, bird art, leaf art, limited edition print, affordable art, nature art
By Kate Heiss
Located in Deddington, GB
Nuthatch by Kate Heiss [2022]
limited_edition
Oil based inks on 300gsm Somerset velvet Paper
Edition number 30
Image size: H:20 cm x W:15 cm
Complete Size of Unframed Work: H:30 cm x W:25 cm x D:1cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look.
This print linocut print features a nuthatch perched in an oak tree amongst the acorns and autumn Leaves. A linocut print is a relief printing technique where lino is cut, inked and rolled to create an inverse relief print, generating the image as seen.
Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge...
Category
21st Century and Contemporary Contemporary Animal Prints
Materials
Ink
Performing Cats
By Leonor Fini
Located in Columbia, MO
LEONOR FINI
Performing Cats
1973
Color lithograph
Ed. 157/230
12.5 x 9 inches
Category
1970s Surrealist Animal Prints
Materials
Lithograph
Python Sebae (African Rock Python Skull)
By Jacob Crook
Located in New Orleans, LA
Python is a hand-pulled mezzotint in an edition of 25. This is #7/25.
Jacob Crook was born in St. Louis, MO in 1985. Crook works primarily in the intagli...
Category
2010s American Modern Animal Prints
Materials
Mezzotint
The Outfit
By Leonor Fini
Located in Columbia, MO
LEONOR FINI
The Outfit
1973
Color lithograph
Ed. 157/230
12.5 x 9 inches
Category
1970s Surrealist Animal Prints
Materials
Lithograph
Cat Creature
By Leonor Fini
Located in Columbia, MO
LEONOR FINI
Cat Creature
1973
Color lithograph
Ed. 157/230
12.5 x 9 inches
Category
1970s Surrealist Animal Prints
Materials
Lithograph
Cat Twins
By Leonor Fini
Located in Columbia, MO
LEONOR FINI
Cat Twins
1973
Color lithograph
Ed. 157/230
12.5 x 9 inches
Category
1970s Surrealist Animal Prints
Materials
Lithograph
Cats at Play
By Leonor Fini
Located in Columbia, MO
LEONOR FINI
Cats at Play
1973
Color lithograph
Ed. 157/230
12.5 x 9 inches
Category
1970s Surrealist Animal Prints
Materials
Lithograph
Cat Arabesque
By Leonor Fini
Located in Columbia, MO
LEONOR FINI
Cat Arabesque
1973
Color lithograph
Ed. 157/230
12.5 x 9 inches
Category
1970s Surrealist Animal Prints
Materials
Lithograph
Les Elus De La Nuit (10B)
By Leonor Fini
Located in Columbia, MO
LEONOR FINI
Les Elus De La Nuit (10B)
1986
15 x 11
Etching on Arches paper
Ed. 14/31
Category
1980s Surrealist Animal Prints
Materials
Etching
Seahorse Cat
By Leonor Fini
Located in Columbia, MO
LEONOR FINI
Seahorse Cat
1973
Color lithograph
Ed. 157/230
12.5 x 9 inches
Category
1970s Surrealist Animal Prints
Materials
Lithograph
God Save the Green (II), limited edition print, animal art, pop art, affordable
By Harry Bunce
Located in Deddington, GB
God Save the Green (II)
limited_edition
Original Print
Edition number 10
Image size: H:72 cm x W:59 cm
Complete Size of Unframed Work: H:72 cm x W:59 cm x D:0.5cm
Sold Unframed
Plea...
Category
21st Century and Contemporary Pop Art Animal Prints
Materials
Archival Paper, Screen
Tip-Toe Cat
By Leonor Fini
Located in Columbia, MO
LEONOR FINI
Tip-Toe Cat
1973
Color lithograph
Ed. 157/230
12.5 x 9 inches
Category
1970s Surrealist Animal Prints
Materials
Lithograph
The Hunting Prince by Orovida Pissarro - Etching
Located in London, GB
The Hunting Prince by Orovida Pissarro (1893 - 1968)
Etching
15 x 20 cm (5 ⅞ x 7 ⅞ inches)
Signed and dated lower right Orovida 1926
Inscribed lower left Trial proof no.14 and titled lower middle
Provenance: Private collection, Europe
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...
Category
1920s Animal Prints
Materials
Etching
God Save the Green, Animal Print, Rabbit Art, Coronation Art, Conservation Art
By Harry Bunce
Located in Deddington, GB
God Save The Green is a limited edition silkscreen print Harry Bunce. Bunce has poignantly decided to add a tear to the face of the rabbit evoking deeper thoughts as to the topic of ...
Category
2010s Contemporary Animal Prints
Materials
Paper, Screen
Bear Hugs (Hot Pink), Statement Bear Print, Animal Art, Limited Edition Print
By Tim Southall
Located in Deddington, GB
‘Bear Hugs’ is a large silkscreen print in a variable edition It is an image which aim to explore the very special bond between a mother and a child...
Category
21st Century and Contemporary Contemporary Animal Prints
Materials
Screen, Paper
Morgan, Lithography by Mel Hunter
By Mel Hunter
Located in Long Island City, NY
Morgan
Mel Hunter, American (1927–2004)
Date: 1974
Lithograph on Arches, Signed and numbered in pencil
Edition of 500
Image Size: 16 x 20 inches
Size: 22 in. x 29.5 in. (55.88 cm x 7...
Category
1970s Animal Prints
Materials
Lithograph
Smith Brothers Restaurant
Located in Milwaukee, WI
An original color silkscreen print by Ruth Grotenrath. A lovely assortment of different foods both vegetable and animal alike. The photos do not do this piece justice. The dark color...
Category
1950s American Modern Animal Prints
Materials
Ink, Printer's Ink, Screen
Original Coppertone suntan lotion vintage poster - Italian
Located in Spokane, WA
Original “Coppertone” Colore di Rame vintage Italian poster. Colore de Rame translates into the color of copper.
Abbronzatevi! (suntan)
Non bruciatevi! (don’t burn)
Archival linen-backed in fine condition, ready to frame.
This original Coppertone poster is in A condition.
The background in the poster is a brighter yellow; after all, it is a sunny day, and you need suntan lotion!
Coppertone is an American suntan cream. Interestingly, the American poster of this famous little girl and dog...
Category
1960s American Modern Nude Prints
Materials
Offset
Keith Haring Public Illumination 1981
By Keith Haring
Located in NEW YORK, NY
Keith Haring Public Illumination 1981:
A rare, highly collectible small pamphlet-style art magazine (measuring 4.25 x 2.75 inches), featuring a centerfold spread illustrated by Keith Haring, playfully credited under the moniker "Kip Herring."
The illustrations include some of Haring's signature early motifs including dogs, crawling babies, and figures in varying sexual positions.
A rare, early Haring collectible which quite possibly marks his first appearance in a printed publication.
Staple bound zine (art magazine), 4.25 x 2.75 inches.
Good to very good overall vintage condition; appears unused.
Unsigned from an edition of unknown.
Literature/References:
Printed Matter Inc., New York, NY
Public Illumination Magazine:
Founded by Zagreus Bowery in 1979 in New York and distinguished by its pocket-sized format, the publication rose to prominence in the underground art scene and was revered for its blatant mockery of mainstream magazines. The texts and drawings ranging from parody to absurdities. Contributions will be published exclusively under pseudonyms. By 2007, 51 issues appeared. The magazine is published irregularly and is available in the USA, Italy and Germany.
Writers and artists who have contributed include: Keith Haring, Ken Brown, Steve Dalachinsky, Michael Madore, David Sandlin...
Category
1980s Street Art Animal Prints
Materials
Offset, Paper, Lithograph
Carousel Animals: A Limited Edition Goines Graphic Art Poster
Located in Alamo, CA
This original limited edition graphic art lithographic poster entitled "Carousel Animals" was created by David Lance Goines in 1984 in his Berkeley ...
Category
Late 20th Century Landscape Prints
Materials
Lithograph
Schwarzer Stier
Located in New York, NY
1922
Initialed, titled, and dated in pencil, lower margin
Woodcut on cream wove paper with original colophon (Edition of 125)
10 x 15 inches (25.4 x 38.1 cm), sheet
This work is ...
Category
1920s Contemporary Prints and Multiples
Materials
Woodcut
Ahead of the Game Yellow - Signed Silkscreen Print
Located in Mount Laurel, NJ
This blue Dog work consists of a solid yellow background with the head of a blue dog. The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is gua...
Category
Early 2000s Pop Art Animal Prints
Materials
Screen
Cat and the Fiddle
Located in Long Island City, NY
An illustration of a black cat in a beret playing an upright bass. Behind him is a cow gracefully leaping over a moon with a long nose and smiling face. In one corner, a plate runs hand in hand with a spoon. From the Mother Goose Portfolio, this piece is signed and numbered by the artist.
Cat and the Fiddle...
Category
1990s Folk Art Animal Prints
Materials
Screen
Holy Cats by Andy Warhol’s Mother.
Located in London, GB
First edition, 8vo (23 x 14.5 cm); 20 lithographs on various coloured wove papers, printed recto only, with ‘The Estate of Andy Warhol’ and ‘Andy Warhol Foundation for the Visual Arts’ stamps to lower pastedown, numbered in pencil ‘PM 21.0048’; original lithographed paper covered boards, very minor staining to cover otherwise a fine copy.
Stamped by ‘The Estate of Andy Warhol’ and ‘The Andy Warhol Foundation for the Visual Arts, Inc.’
Andy Warhol’s mother...
Category
1950s Pop Art Animal Prints
Materials
Lithograph
Magician, by Yuji Hiratsuka
Located in Palm Springs, CA
Signed and numbered from the edition of 15. Printed on Chine colle. Image of a young woman with her hands poised to make magic, with a large flower before her, and a bird whispering ...
Category
2010s Contemporary Landscape Prints
Materials
Intaglio
Space Chair - Split Font - Green Yellow 3 Silkscreen Signed Print
Located in Mount Laurel, NJ
This Blue Dog work consists of a dark blue, blue, green and 2 shades of pink background and a dog sitting on a dark red chair in front of earth. The do...
Category
1990s Pop Art Animal Prints
Materials
Screen
Cow - Woodcut by an Unknown Chinese artist - Early 20th Century
Located in Roma, IT
Cow is a Woodcut Print realized by an Unknown Chinese artist in early 20th century.
Good condition on a grey paper, included a white cardboard passpartou...
Category
Early 20th Century Modern Figurative Prints
Materials
Woodcut
Lobster, Pop Art Screenprint by Hunt Slonem
By Hunt Slonem
Located in Long Island City, NY
Artist: Hunt Slonem
Title: Lobster
Year: 1980
Medium: Screenprint, signed and numbered in pencil
Edition: 250; AP 30
Image: 19 x 19 inches
Paper Size: 22 x 30 inches
Category
1980s Contemporary Still-life Prints
Materials
Screen
Mariana Magdaleno, ¨Baila conmigo¨, 2018, Silkscreen, 29.3x21.3 in
Located in Miami, FL
Mariana Magdaleno (Mexico, 1982)
'Baila conmigo', 2018
silkscreen on paper Feltmark 300 g
29.4 x 21.3 in. (74.5 x 54 cm.)
Edition of 50
ID: MAM-101
Unframed
Category
2010s Contemporary Animal Prints
Materials
Paper, Ink, Etching, Aquatint, Screen
Kilkenny Cats - Screenprint by Seymour Chwast
Located in Long Island City, NY
Two blue cats tussle and fight on top of a laid dinner table, knocking dishes and candles everywhere. Done in a simple illustration style and created using only six colors, the edges...
Category
1990s Pop Art Animal Prints
Materials
Screen
Managua #1
By Hunt Slonem
Located in Long Island City, NY
Artist: Hunt Slonem, American (1951 - )
Title: Managua #1
Year: 1980
Medium: Screenprint, signed and numbered in pencil
Edition: AP 30
Image Size: 22 x 25 inches
Size: 26 in. ...
Category
1970s Contemporary Animal Prints
Materials
Screen
PEINTRE AU TRAVAIL (BLOCH 1157)
Located in Aventura, FL
Etching, aquatint, drypoint and scraper, on Rives BFK paper. Hand signed and numbered by Pablo Picasso. Published by Galerie Louise Leiris, Paris. Image size 12.125 x 18.125 inches. ...
Category
1930s Cubist Animal Prints
Materials
Engraving, Drypoint, Paper, Aquatint
The Monkey - Lithograph by Paul Gervais - 1854
By Paul Gervais
Located in Roma, IT
The Monkey is a lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published in 1854....
Category
1850s Modern Figurative Prints
Materials
Lithograph
Flamingos Flock to the Trevi Fountain
By Hayley Sarno
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information.
ABOUT THIS PIECE: The Trevi Fountain has so many romantic...
Category
2010s Animal Prints
Materials
Plexiglass
Sergio Hernandez, "Circus", 2011, Woodcut, 45.7x78 in
Located in Miami, FL
Sergio Hernández (Mexico, 1957)
'El Circo', 2011
woodcut on paper Velin Arches 300 g.
45.7 x 78 in. (116 x 198 cm.)
Edition of 10
Unframed
Category
2010s Contemporary Figurative Prints
Materials
Paper, Ink, Woodcut
Soldier Boy - Signed Silkscreen Print Blue Dog Holiday Print Sale
Located in Mount Laurel, NJ
This Blue Dog work consists of a dog wearing a red toy soldier hat with gold trim, a black visor and 2 candy canes adorning the from of the hat. The dog is s...
Category
Early 2000s Pop Art Animal Prints
Materials
Screen
Feeding the Ravens
Located in San Francisco, CA
This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed.
About the artist:
Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska.
Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau.
Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play.
Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast.
For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps.
Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine.
In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints.
From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250.
Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C.
Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...
Category
Late 20th Century Folk Art Animal Prints
Materials
Lithograph
Blue Dog "Dependence - Black"
Located in Mount Laurel, NJ
This Blue Dog work consists of a blue dog face looking through what appears to be a window framed in black. The dog has soulful yellow eyes. This pop art animal original silkscreen...
Category
Early 2000s Pop Art Animal Prints
Materials
Screen
Royal Sports PIT TICKET - 18thC Entry Ticket to Cock Fight in Georgian England
Located in Meinisberg, CH
After William Hogarth
(British, 1697–1764)
Royal Sports PIT TICKET
• Engraving by William Dent (British), active from 1783 to 1793
• Inscribed bottom right: Dent sculp
• Plate ca. 7.6 x 9.1cm
• Image ca. 6.3 x 7.9 cm
• Sheet ca. 23.5 x 15 cm
Fantastic imagery full of detail and symbolism – For example discover the cast shadow of the dept collector with his truncheon, looming over the winner, whose fast gained riches are being stolen by a thief as we watch.
This well know subject was originally created by the famous British artist William Hogarth and then reproduced over time by many contemporary artists as prints of various formats and as paintings.
Here we have a rendition engraved by William Dent, who was active from 1783 to 1793 and signed his work in the plate bottom right. I think this impression would date to the late 18th or then to the very early 19th Century.
I was told, that these small prints, served as entry tickets to cock fights in Georgian England...
Category
Late 18th Century Naturalistic Animal Prints
Materials
Paper, Ink, Engraving
Siamese Cats by Orovida Pissarro - Animal etching
Located in London, GB
SOLD UNFRAMED
Siamese Cats by Orovida Pissarro (1893-1968)
Etching
10 x 7.5 cm (4 x 3 inches)
Artist biography
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, wa...
Category
1940s Animal Prints
Materials
Etching
ETUDES DES MAINS ET COLOMBE
Located in Aventura, FL
Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...
Category
1980s Cubist Animal Prints
Materials
Lithograph, Paper
Wild Boar, from Eaux-Fortes Animaux & Paysages: Sanglier
By Karl Bodmer
Located in Middletown, NY
Etching on cream laid paper, 4 3/4 x 6 inches (120 × 152 mm), full margins. Minor uniform age tone, and a 2-inch x 1-inch margin loss, at top extreme sheet edge, well outside of imag...
Category
1860s Barbizon School Animal Prints
Materials
Laid Paper, Etching
Minotaur No. 402
Located in Nashville, TN
Richard Downs transfigures steel, twisted wire, painting and printmaking into a visual mythology celebrating human connectedness. Classically trained, Do...
Category
2010s Contemporary Animal Prints
Materials
Monotype
Ancient Roman Fresco Herculaneum - Original Etching G. Morghen - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Elia Morghen in the 18th Century.
Signed on the plate.
Good ...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
I Hate Humans
Located in 'S-GRAVENHAGE, ZH
Medium: 10 colour screenprint with no varnish overlay printed on Somerset Satin Tub sized 410 gsm
Size: 75 x 56 cm
Edition of 125 (+12 AP)
Signed and numbered
Category
2010s Animal Prints
Materials
Screen
Ancient Roman Fresco Herculaneum - Original Etching G. Morghen - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate.
Good condi...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching