Baby Animal Prints

LEONOR FINI Hatted Cats 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

LEONOR FINI Cat Arabesque 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

LEONOR FINI The Outfit 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Color stencil print titled "Dog Circus" by Andrée Ruellan (1905-2006). New York, American Artists Group, Inc., circa 1936. Unsigned. Presented in an arc...

Otto Schubert Pen & Ink Fairy Tale is an original pen & ink sketch 1927 from one of the artist's illustrations for a fairy tale. There is a father and mother fox talking to two younger versions of themselves. They are all dressed in human clothes at the door of their house with smoke coming out of the chimney. Next to the house is a tree with a mountain in the background and another house in the distance. There is gardening equipment here and there. In the foreground we see sketches of a rabbit in different poses with some writing in German below the middle image.The artis'ts pencil signature is bottom right. A rare opportunity to own an original signed sketch by this artist. There is a wrinkle in the bottom right side otherwise normal wear and in fair condition. Karl Max Otto Schubert ( 1892-1970 ) was a rising star in Dresden when the city was considered the cultural center of Germany. In 1919 he founded the Dresdner Sezession Gruppe together with Oskar Kokoschka, Otto Dix, Conrad Felixmüller and others. Schubert was known for his portfolio of war lithographs...

LEONOR FINI Seahorse Cat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Two blue cats tussle and fight on top of a laid dinner table, knocking dishes and candles everywhere. Done in a simple illustration style and created using only six colors, the edges...

SOLD UNFRAMED Siamese Cats by Orovida Pissarro (1893-1968) Etching 10 x 7.5 cm (4 x 3 inches) Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, wa...

LEONOR FINI Cat Twins 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Keith Haring Tony Shafrazi/Leo Castelli Gallery, New York, 1985: Rare original 1980s Keith Haring announcement published on the occasion of: Keith Haring at Tony Shafrazi Gallery,...

Jungle Birds Ronald Julius Christensen, American (1923–1999) Date: 1980 Lithograph, signed and numbered in pencil Edition of 295 Size: 40 x 27.5 in. (101....

Artist: Abraham Hondius (Dutch, c.1625-1691) Title: "Honden Jagen Op Een Beer (Hounds Hunting a Bear)" *Signed and dated by Hondius in the plate (print...

Jackson Pollock 1000% Bearbrick Figurative Sculpture: A nicely sized (27 inch heigh), highly collectible Bearbrick Jackson Pollock statue piece, splattered from head to toe in Pollo...

This drypoint etching was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This etc...

Christian Ludwig Martin worked in Vienna. He was an artist, illustrator, and art teacher. 'Geese' is titled in German, and titled and signed in pencil. It is on a large sheet. While ...

Mighty Mouse Ronnie Cutrone, American (1948–2013) Screenprint, signed and numbered in pencil Edition of 45/150 Image Size: 36 x 26 inches Size: 40 x 30 in. (101.6 x 76.2 cm) Frame Si...

Mr Doodle, DISNEY MICKEY MOUSE, 2023 Screen-print on paper 50 × 50 cm (19 7/10 × 19 7/10 in ) Edition of 100 Sam Cox, better known under the moniker Mr Doodle, rocketed to intern...

This Blue Dog work consists of a single pale blue dog on a purple background. There are soulful yellow eyes on the dog and scattered on the background in various sizes. This pop ar...

"Many of the most common flowers sold in flower shops around the world are grown in equatorial countries. Unfortunately, many of these countries have loose to no regulations on the synthetic pesticides and fertilizers used to grow the flowers. These pesticides and fertilizers find their way into waterways, and rivers and eventually make their way into our oceans, causing environmental havoc along the way. Fertilizer runoff can trigger sudden explosions of marine algae capable of disrupting ocean ecosystems and even producing "dead zones" in the sea. Pesticides can affect coral reproduction, growth, and other physiological processes. Herbicides, in particular, can affect the symbiotic algae (plants). This can damage their partnership with coral and result in bleaching. This image contemplates the connection between the flowers we buy, and the effect commercial flowers have on the majestic and fragile reef systems around the world. In keeping with one of PangeaSeed Foundation’s mottos, “As Above, So Below”, this image imagines Clownfish, an iconic reef dweller living within the flowers we consume. Their home is being threatened and altered by pesticide runoff, pictured here as a band of bleached out flowers. You can make a difference by the choices you make on a daily basis. This Valentine’s Day, consider buying local organically grown flowers. Consider picking your own wildflowers. Consider giving flower paintings and drawings…. ( i Might know a guy). Consider doing this every time you think about gifting flowers or decorating your home. The consumption choices we make have direct effects on our planet. Next time you buy flowers, think about our Mother Nature." - Jet Martinez

Signed lower right 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally titled lower left, 'Peggy and Dot' with numb...

Keith Haring Public Illumination 1981: A rare, highly collectible small pamphlet-style art magazine (measuring 4.25 x 2.75 inches), featuring a centerfold spread illustrated by Keith Haring, playfully credited under the moniker "Kip Herring." The illustrations include some of Haring's signature early motifs including dogs, crawling babies, and figures in varying sexual positions. A rare, early Haring collectible which quite possibly marks his first appearance in a printed publication. Staple bound zine (art magazine), 4.25 x 2.75 inches. Good to very good overall vintage condition; appears unused. Unsigned from an edition of unknown. Literature/References: Printed Matter Inc., New York, NY Public Illumination Magazine: Founded by Zagreus Bowery in 1979 in New York and distinguished by its pocket-sized format, the publication rose to prominence in the underground art scene and was revered for its blatant mockery of mainstream magazines. The texts and drawings ranging from parody to absurdities. Contributions will be published exclusively under pseudonyms. By 2007, 51 issues appeared. The magazine is published irregularly and is available in the USA, Italy and Germany. Writers and artists who have contributed include: Keith Haring, Ken Brown, Steve Dalachinsky, Michael Madore, David Sandlin...

"Invading Knight" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right and wrote the title/edition number 200/275, in the lower left corn...

First edition, 8vo (23 x 14.5 cm); 20 lithographs on various coloured wove papers, printed recto only, with ‘The Estate of Andy Warhol’ and ‘Andy Warhol Foundation for the Visual Arts’ stamps to lower pastedown, numbered in pencil ‘PM 21.0048’; original lithographed paper covered boards, very minor staining to cover otherwise a fine copy. Stamped by ‘The Estate of Andy Warhol’ and ‘The Andy Warhol Foundation for the Visual Arts, Inc.’ Andy Warhol’s mother...

The Mouse is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published...

SOLD UNFRAMED Fear by Orovida Pissarro (1893 - 1968) Etching 26 x 19.5 cm (10 ¼ x 7 ⅝ inches) Signed and dated lower right, Orovida 1917 State 2, trial proof no.2 Provenance Priva...

Les Papillons Fernand Leger, French (1881–1955) Date: 1948 Lithograph on Arches (unsigned) Image Size: 20 x 16 inches Size: 25.75 x 19.5 in. (65.41 x 49.53 cm) Printer: Mourlot, Pari...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Palm Springs Desert Museum (Still Life with Longhorn Skull and Cactus)" Year: 1982 Medium: Original Offset-Lithograph, ...

1. This Blue Dog work consists of a blue dog on a yellow background wearing a blue striped jacket, a white shirt, and a yellow necktie with black specks. The dog is also wearing an...

Max Ernst - Composition - Original Lithograph 1958 Dimensions: 32 x 24 cm XXe siècle Unsigned and unnumbered, as issued Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions: ...

This Blue Dog work consists of 1 dog of varying shades of pinks and blues. There are several lines of yellow, red, pink, white and blue etched around the figure of the dog. The dog ...

Paul JOUVE (1878-1973) Soldat apercevant la panthère, c. 1949 Gravure originale à l'eau-forte (atelier Haasen) Non signée Sur vélin 32.5 x 25 cm INFORMATION : Gravure créée pour le...

Medium: Etching Edition of 100 Year: 1971 ImageSize: 16 x 11.5 inches Signed, titled and numbered etching from the edition of 100. An humorous look at Adam and Eve surrounded by ani...

SOLD UNFRAMED Tiger and Python by Orovida Pissarro (1893 - 1968) Etching 22.5 x 27 cm (8 ⅞ x 10 ⅝ inches) Signed, inscribed with title and dated 1917 State 1, no. 9/10 Provenance...

Mezzotint on Lana paper Signed and numbered in pencil Image Size: 4.63 x 3.5 inches Edition : 90 copies in mint condition Laurent Schkolnyk is internationally recognized as a maste...

This Blue Dog work consists of a blue dog. The background is split on a diagonal of yellow and purple with a red painted frame and red "Rodrigue" written vertically on the left of the dog. The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is hand-signed by the artist. (unique because it's missing the McLean County Arts Center Bloomington, IL silk-screening logo on the lower right) Artist: George Rodrigue Title: Blue Dog “Museum Edition...

The Hunting Prince by Orovida Pissarro (1893 - 1968) Etching 15 x 20 cm (5 ⅞ x 7 ⅞ inches) Signed and dated lower right Orovida 1926 Inscribed lower left Trial proof no.14 and titled lower middle Provenance: Private collection, Europe Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Artist: Dan May (American, 1955-) Title: "Reading Pig" *Signed and numbered by May in pencil lower left Year: 1984 Medium: Original Screenprint on unbranded white wove paper Limited ...

Pierre AMBROGIANI (1907-1985) Wolves, 1974 Original Lithograph (Gourdon Workshop) Signed with the artist's stamp On vellum 38 x 28 cm (c. 14.9 x 11 in) Excellent condition

Man & Beast by Orovida Pissarro (1893-1968) Etching 27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches) Signed and dated lower right, orovida 1924 Inscribed lower left, Final state no 12/40 and title...

This Blue Dog work consists of a blue dog on a yellow background wearing a blue striped jacket, a white shirt, and a yellow necktie with black specks. The dog is also wearing an eye...

Laying the Ghost by Orovida Pissarro (1893-1968) Etching 39 x 26.3 cm (15 ⅜ x 10 ⅜ inches) Signed and dated lower right Orovida 1932 Numbered lower left 1/9 and titled lower middle ...

This Blue Dog work consists of a single dog sitting in a pink box with a blue bow and a lit candle next to the box. The background is gold with black stars a...

This Blue Dog work consists of a black background with a single blue dog sitting on a dark red chair. To the right above the dog is the Earth. The dog ...

This Blue Dog work consists of a white background with various sizes of Blue Dog soulful yellow eyes and 3 dogs: 1 white & black, 1 red, and one blue. All dogs...

This Blue Dog work consists of a black background with the shadow of blue dog heads. There is an upside-down blue dog in the center. The dog has soulful yellow eyes. This pop art animal original mixed media silkscreen print on paper is unique and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Upside Down World...

This Blue Dog work consists of a blue dog draped in a hooded red cape on a blue background with a lighter blue half-moon behind the head of the dog. The dog has soulful yellow eyes. ...

Ernesto Garcia Peña (Cuba, 1949) 'Our time" (from Porfolio Grabados Cubanos)', 1977 linocut print on paper Canson 320 g. 23.6 x 17.6 in. (59.8 x 44.6 cm.) Edition of 200 Ref: GAE-309...

Seven colour silkscreen print on Somerset Tub White 410gsm paper. Edition 113/250. Signed and numbered by the artist.

This blue Dog work consists of a solid yellow background with the head of a blue dog. The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is gua...

The Nomads by Orovida Pissarro (1893-1968) Etching and aquatint, final state 21/42 27 x 41 cm (10 ⁵/₈ x 16 ¹/₈ inches) Signed, Orovida, and dated 1925 Orovida was a gifted printmake...

Signed silkscreen work by Noche Crist (1909- 2004). From Women Loving Woomen series. Wonderful work printed by the artist on thick paper. Catalogue of a postumous retrospective in...

Includes a Certificate of Authenticity

This Blue Dog work consists of a single dog with soulful yellow eyes sitting on the right side of a pink, white and red background covered in the dog's soulful yellow eyes scattered ...

Artist: Guillaume Azoulay, Moroccan (1949 - ) Title: Epuise II Year: 1986 Medium: Silkscreen with Gold Leafing, Signed and numbered in pencil Edition: 175 Size: 28.5 in. x 35 in. (7...

Mel Hunter, American (1927 - 2004) - Morgan, Year: 1974, Medium: Lithograph on Arches, Signed and numbered in pencil, Edition: 500, Image Size: 16 x 20 inches, Size: 22 in. x 29...

This piece titled "#MONKEYPOP" is an original print by Jun Lee and is made from stone lithography. This piece measures 30"h x 20"w framed, and is shipped in the pictured black frame....

Richard Lindner, German/American (1901 - 1978) - Man's Best Friend, Portfolio: After Noon Portfolio, Year: 1969, Medium: Lithograph on Arches, Signed and numbered in pencil, Editi...

Chuzo Tamotzu (1891-1975) Untitled (Southwestern Scene), c. 1950 Lithograph Sight: 12 1/2 x 16 in. Framed: 19 1/2 x 23 1/4 x 1 in. Edition 14 of 30 Numbered lower left, signed lower...