Bird Animal Prints
143
to
126
811
591
115
774
781
657
65
961
186
243
81
48
Overall Height
to
Overall Width
to
532
331
28
24
24
22
19
7
7
5
3
3
3
2,883
1,767
1,519
1,084
874
579
498
486
431
417
392
371
330
279
218
192
175
161
155
149
129
649
404
337
4
3
17
24
14
16
25
109
47
18
123
80
35
32
30
15
411
350
296
277
104
Art Subject: Bird
Time-Interconnectivity of Life
Located in London, GB
This work consists of 9 images and is one of them. The title is Interconnectivity of life, a series of love, water, galaxy, imagination, colour, nature, time, chaos, life. The pictur...
Category
21st Century and Contemporary Animal Prints
Materials
Screen
Creation Interconnectivity of Life
Located in London, GB
This work consists of 9 images and is one of them. The title is Interconnectivity of life, a series of love, water, galaxy, imagination, colour, nature, time, chaos, life. The pictur...
Category
21st Century and Contemporary Animal Prints
Materials
Screen
Nature-Interconnectivity of Life
Located in London, GB
This work consists of 9 images and is one of them. The title is Interconnectivity of life, a series of love, water, galaxy, imagination, colour, nature, time, chaos, life. The pictur...
Category
21st Century and Contemporary Animal Prints
Materials
Screen
First Love's Like an Aquarium-21st Cent, Contemporary, Figurative, Pigment Print
By Corvengi
Located in Barcelona, Catalonia
Pigment print on aluminium
Edition of 30
“Everything that surrounds me affects me. Memories, politics, nature, people, a dry leaf on the ground, music and books.”
Corvengi’s works e...
Category
21st Century and Contemporary Contemporary Figurative Prints
Materials
Pigment
Licaón - 21st Century, Contemporary, Figurative, Pigment Print on Aluminium
By Corvengi
Located in Barcelona, Catalonia
Pigment print on aluminium
Edition of 30
“Everything that surrounds me affects me. Memories, politics, nature, people, a dry leaf on the ground, music and books.”
Corvengi’s works ...
Category
21st Century and Contemporary Contemporary Figurative Prints
Materials
Pigment
Keith Haring 1985 announcement (Keith Haring at Tony Shafarzi Leo Castelli)
Located in NEW YORK, NY
Keith Haring at Tony Shafrazi/Leo Castelli Gallery, New York, 1985:
Rare original 1980s announcement for two Keith Haring exhibitions:
Keith Haring at Tony Shafrazi Gallery, October 26...
Category
1980s Pop Art Figurative Prints
Materials
Lithograph, Offset
American Eagle (Nest Builder III)
By Ted Blaylock
Located in Missouri, MO
Ted Blaylock (b. 1946)
"Nest Builder III" 1986
Print
Ed. 586/950
Signed and Numbered
Ted Blaylock opened his own art studio and gallery in Collinsville, IL in 1969. He eventually mo...
Category
1980s American Realist Animal Prints
Materials
Lithograph, Paper
Herring Gulls
By Jamie Wyeth
Located in Missouri, MO
Jamie Wyeth
"Herring Gulls" 1978
Color Lithograph
Signed Lower Right
Numbered Lower Left 149/300
Born in 1946, James Browning Wyeth came of age when the meaning of patriotism was clouded by the traumas of the Vietnam War and the scandals of Watergate. Working in an era of turmoil and questioning of governmental authority, he did art that encompassed both marching off to war and marching in protest.
One of James's early masterworks, Draft Age (1965) depicts a childhood friend as a defiant Vietnam-era teenager resplendent in dark sunglasses and black leather jacket in a suitably insouciant pose.
Two years later Wyeth painstakingly composed a haunting, posthumous Portrait of President John F. Kennedy (1967) that seems to catch the martyred Chief Executive in a moment of agonized indecision. As Wyeth Center curator Lauren Raye Smith points out, Wyeth "did not deify the slain president, [but] on the contrary made him seem almost too human."
Based on hours of study and sketching of JFK's brothers Robert and Edward -
documented by insightful studies in the exhibition - the final, pensive portrait seemed too realistic to family members and friends. "His brother Robert," writes Smith in the exhibition catalogue, "reportedly felt uneasy about this depiction, and said it reminded him of the President during the Bay of Pigs invasion."
In spite of these misgivings, James's JFK likeness has been reproduced frequently and is one of the highlights of this show. The poignancy, appeal and perceptiveness of this portrait, painted when the youngest Wyeth was 21 years old, makes one wish he would do more portraits of important public figures.
James himself feels he is at his best painting people he knows well, as exemplified by his vibrant Portrait of Jean Kennedy Smith (1972), which captures the vitality of the slain President's handsome sister.
He did paint a portrait of Jimmy Carter for the January 1977 man-of-the-year cover of Time magazine, showing the casually dressed President-elect as a straightforward character posed under a flag-draped water tower next to the family peanut plant in Plains, Ga. James recalls that Carter had one Secret Service agent guarding him as he posed outdoors, a far cry from the protection our Chief Executives require today.
As a participating artist in the "Eyewitness to Space" program organized by the National Aeronautics and Space Administration in collaboration with the National Gallery of Art in the late 1960s, Wyeth deftly recorded in a series of watercolors his eyewitness observations of dramatic spacecraft launchings and more mundane scenes associated with the space program.
Commissioned by Harper's Magazine to cover the 1974 congressional hearings and trials of Watergate figures, James Wyeth executed a series of perceptive and now evocative sketches that recall those dark chapters in our history. Memorable images include a scowling John Ehrlichman, a hollow-eyed Bob Haldeman, an owlish Charles Colson, a focused Congressman Peter Rodino, a grim visaged Father/ Congressman Robert Drinan, and vignettes of the press and various courtroom activities. An 11-by-14-inch pencil sketch of the unflappable Judge John Sirica is especially well done. These "images are powerful as historical records," observes Smith, "and as lyrically journalistic impressions of events that changed the nation forever."
Wyeth's sketch of early-morning crowds lined up outside the Supreme Court
building hoping to hear the Watergate case, with the ubiquitous TV cameramen looking on, is reminiscent of recent scenes as the high court grappled with the Bush-Gore contest.
The Wyeth family penchant for whimsy and enigmatic images is evident in Islanders (1990), showing two of James's friends, wearing goofy hats, sitting on the porch of a small Monhegan Island (Me.) cottage draped with a large American flag. Mixing the serious symbolism of Old Glory with the irreverent appearance of the two men, James has created a puzzling but interesting composition.
Painting White House...
Category
1970s American Modern Animal Prints
Materials
Paper, Lithograph
Two Snowy Owls
By Roger Tory Peterson
Located in Missouri, MO
Color Lithograph
Image Size: 30 x 19 inches
Framed Size: 40.25 x 29.75 inches
Edition 392/950
Artist Signed and Numbered
Artist and naturalist Roger Tory Peterson...
Category
Late 20th Century Naturalistic Animal Prints
Materials
Lithograph
Bald Eagle, USA
Located in Greenwich, CT
Ed. 1/50
Color engraved etching by Bjorn Skaarup of a bald eagle.
Category
2010s Animal Prints
Materials
Watercolor, Paper
Feathered up Peacock II
By Versaweiss
Located in New York, NY
Versaweiss
Feathered up Peacock II, 2016
Archival pigment print and acrylic color spray on archival mat paper
50 x 50 cm
Unique
Don’t Kill Bambi: The studio 54 phenomenon repo...
Category
2010s Contemporary Animal Prints
Materials
Archival Pigment, Spray Paint