Bride Animal Prints

Ancient Roman Statues from the series "Antiquities of Herculaneum", is an original etching on paper realized by Gio. Morghen in the 18th century. Signed on the plate. Good conditio...

Ancient Roman - The offering scene from the series "Antiquities of Herculaneum", is an original etching on paper realized by Philip Morghen in the 18th century. Signed on the plate....

Odysseus ship and goddess on the shore from the series "Antiquities of Herculaneum", is an original etching on paper realized by P. Campana in the 18th century. Signed on the plate...

Ancient Roman painting - The offering scene from the series "Antiquities of Herculaneum", is an original etching on paper realized by Philippus ...

Ancient Roman Statues from the series "Antiquities of Herculaneum", is an original etching on paper realized by Nicola Billy in the 18th century. Signed on the plate. Good conditi...

Ancient Roman Statues from the series "Antiquities of Herculaneum", is an original etching on paper realized by Nicola Billy in the 18th Century. Signed on the plate. Good conditio...

Ancient Roman painting - The offering scene with the angel from the series "Antiquities of Herculaneum", is an original etching on paper realized by Nic Billy and Nic. Vanni in the 1...

Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of on...

The Flight is an original etching and aquatint realized by Leo Guida in 1970. Good condition. Mounted on a white cardboard passpartout (50x35). Artist proof. Dated and signed by ...

The Crab is an Contemporary artwork realized in 1973 by the italian artist Leo Guida. Original mixed colored etching and aquatint Hand signed, titled and dated on the lower right m...

Il Filo Si Spezza is an original black and white etching realized by Leo Guida. Not signed. Title on the bottom center. The state of preservation is good. "INV.C. 149B", on the l...

Diana is an original black and white etching realized by Leo Guida. Hand-signed and dated in pencil, on the lower right. Title on the bottom center. The state of preservation is...

Homo Ludens is an original etching artwork, realized by Sergio Barletta in 1991. Hand-signed on the lower right in pencil, and titled on the lower center "Homo Ludens". Numbered on ...

The Insect is an original offset print on ivory-colored paper, realized by Anonymous Artist, in Mid 20th Century. The state of preservation of the artwork is excellent. Not signed....

Tamer of Lion is an original xilography artwork realized by Mino Maccari. Included a white Passepartout: 49 x 34 cm. The state of preservation is very good. The artwork represents...

Hand signed, dated and numbered by the artist with pencil on the bottom. Etching, burin and black ink. Edition of 30 prints. Very good condition.

Bird is an original etching artwork, realized in 1959 by Marcel Guillard ( 1896-?). Hand-signed and dated in blue color pencil on the lower. The state of preservation is very good. ...

This artwork titled "Armadillo" from the suite "Bestiary and some Correspondences" 1965/1968 is an original color lithograph on Arches paper by renown British artist Graham Vivian Su...

Image dimensions: 24.7 x 32 cm Etching, ink and aquatint. Not signed. Leo Guida: Artist sensitive to current issues, artistic movements and historical techniques, Leo Guida has bee...

Beautiful Artist's Proof. Hand signed, dated and titled. by the Artist with pencil on the bottom. Etching, aquatint. IV state. Leo Guida: Artist sensitive to current issues, artisti...

Le Chasseur Fortune Engraving framed Bez.: C. Van Falenz pinixit // Jac. Ph. Le Bas Sculp. // a Paris chez Le Bas graveur du Cabinet du Roy au bas de la rue de la Harpe...

Hand signed, dated and numbered by the artist with pencil on the bottom. Etching, burin and black ink. Edition of 30 prints. Very good condition.

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

Image Size: 7" x 7" Unframed Limited Edition Etching of 30 Hand Signed by Mariko Ando 2003

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in G...

Mexican Artists of russian origin, was married to Diego Rivera from 1911 to 1921, the series for sale are illustrations for book, “Peter and the Wolf...

This vintage color lithograph on paper is after a watercolor by Marc Chagall titled Femme au bouquet de fleurs (Lady with Flower Bouquet). Signed on ...

Image Size: 6" x 4.5" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2016

Antoni Clavé - Original Lithograph - For Alexander Pushkin's Queen of Spades Dimensions: 325 x 247 mm. 1946 Original lithograph of Antoni Clavé Edition: 300 The Queen of Spades. Tr...

Butterfly Days by Rob Barnes [2021] limited edition Linocut Edition of 50 in edition Image size: H:30 cm x W:45 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.02cm S...

Artist : Léonard Foujita (Tsuguharu) Title: Woman with Felines Engraving Edition of 315 Dimensions: 38 x 28 cm From La Rivière enchantée Unsigned and unumbered as issued

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Rupert Rides by Orovida Pissarro (1893-1968) Etching 31 x 23.5 cm (12 ¼ x 9 ¼ inches) Signed and dated lower righ...

Image Size: 4.5" x 3" Unframed Limited Edition Etching of 25 Hand Signed by Mariko Ando 2012

This Blue Dog work consists of a blonde female sitting on a floral swing hanging from a tree. The female is wearing an ecru dress with flowers on the edges...

This Blue Dog work consists of a blonde female sitting on a floral swing hanging from a tree. The female is wearing an ecru dress with flowers on the edges...

Frightened Bird by Bernard Meadows, 1954 Additional information: Medium: lithograph 41 x 35 cm 16 1/8 x 13 3/4 in signed, dated and inscribed 'AP' in pencil

SOLD UNFRAMED Pig Sticking by Orovida Pissarro (1893 - 1968) Etching 17.3 x 27.4 cm (6 ¾ x 10 ¾ inches) Signed and dated lower right Orovida 1931 Numbered lower left 26/50 and titl...

Inner Defenses and Fences, mixed media cut paper and etching, nude, dog Known for painting fantastical, anxiety-ridden narrative scenes with a touch of humor, Jenny Toth works from ...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable off...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

Image Size: 9" x 6" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando

Image Size: 7.5" x 5" Unframed Limited Edition Etching of 15 Hand Signed by Mariko Ando 2012

Image Size: 8.5" x 6" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2015

Image Size: 7" x 4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2015

Pablo Picasso’s Woman, Clown, and Monkey, a lithograph published by Verve in 1954, exemplifies the artist’s ability to distill complex emotions and narratives into strikingly simple ...

Kenny Scharf Worldz End (Night) 2023
 1 color silkscreen with enamel ink, flocking on Rising 4-ply museum board 54 x 70 inches (137 x 178 cm) Signed and numbered edition of 33 Color...

Kenny Scharf Worldz End (Day) 2023
 1 color silkscreen with enamel ink, flocking on Rising 4-ply museum board 54 x 70 inches (137 x 178 cm) Signed and numbered edition of 33 Colorfu...

"Herd of Honor", Rodeo Photography Print, Black and White Photography, 2022 “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it for myself. ...

Bareback Act, Old Hippodrome By Gifford Beal (1879-1956) Signed Lower Right Unframed: 6.5" x 9.5" Framed: 17.5" x 20" Gifford Beal, painter, etcher, muralist, and teacher, was born in New York City in 1879. The son of landscape painter William Reynolds Beal, Gifford Beal began studying at William Merritt Chase's Shinnecock School of Art (the first established school of plein air painting in America) at the age of thirteen, when he accompanied his older brother, Reynolds, to summer classes. He remained a pupil of Chase's for ten years also studying with him in New York City at the artist's private studio in the Tenth Street Studio Building. Later at his father's behest, he attended Princeton University from 1896 to 1900 while still continuing his lessons with Chase. Upon graduation from Princeton he took classes at the Art Students' League, studying with impressionist landscape painter Henry Ward Ranger and Boston academic painter Frank Vincent DuMond. He ended up as President of the Art Students League for fourteen years, "a distinction unsurpassed by any other artist." His student days were spent entirely in this country. "Given the opportunity to visit Paris en route to England in 1908, he chose to avoid it" he stated, "I didn't trust myself with the delightful life in ParisIt all sounded so fascinating and easy and loose." His subjects were predominately American, and it has been said stylistically "his art is completely American." Gifford achieved early recognition in the New York Art World. He became an associate member of the National Academy of Design in 1908 and was elected to full status of academician in 1914. He was known for garden parties, circuses, landscapes, streets, coasts, flowers and marines. This diversity in subject matter created "no typical or characteristic style to his work." Beal's style was highly influenced by Chase and Childe Hassam, a long time friend of the Beal family who used to travel "about the countryside with Beal in a car sketching...

Other sizes and high-end frame on request. ,,In building the story, my instincts were to play on the vibe of a Paris Catwalk - after all, we had access not just to any cat to strut down our catwalk, but the King of Africa; a magnificent adult male...

Marc Chagall "Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196) Color Lithograph on Arches Wove Paper Signed in Pencil "Marc Chagall" Lower Right Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90 *Floated in Gold Frame with Linen Matting, UV Plexiglass Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm) Image Size: 9 3/4 x 8 1/2 inches Framed Size: 28.5 x 24.25 inches Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson...

Versaweiss Horse-tag, 2016 Archival pigment print on archival mat paper 100 x 120 cm Edition of 5 Don’t Kill Bambi: The studio 54 phenomenon repositioned at times of crisis ...