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Art Subject: Bride
Night Time in a Stable.
Located in Storrs, CT
Night Time in a Stable. 1927-28. Drypoint. Appleby 131. 10 1/8 x 12 1/8 (sheet 11 1/2 x 16 1/2). Edition 100. Illustrated: Print Collector's Quarterly 25 (1...
Category
Early 20th Century Modern Animal Prints
Materials
Drypoint, Etching
Giochi dal fondo
Located in Roma, IT
Hand signed. Edition of 60 prints.
Image dimensions : 47 X 35 cm
Category
1970s Animal Prints
Materials
Etching
Three Fauns with Bear
By Louis Moe
Located in New York, NY
Louis Moe (20 April 1857 Arendal Norway, - Copenhagen, Denmark 23 October 1945), Three Fauns and a Bear, mezzotint on paper, Inscribed, lower left: OP. 67
Louis Moe was a Norwegian painter, illustrator and writer who settled in Denmark. He is known for his many book illustrations, illustrated classical works, fairytales, children's books and books on mythology, and contributed to children's magazines and weekly magazines. He is represented in the National Gallery in Oslo, and the Danish Museum of Art & Design in Copenhagen and in Rasmus Meyers Samlinger in Bergen, and a Louis Moe Gallery has been established in Vrådal. He was decorated Knight of the Order of the Dannebrog in 1931.
We have additional works, from this series, by Louis Moe available.
All reframed and work beautifully together. Please inquire:
One Bear Juggling Tamborine with Feet (DD1073)
Two Satyrs Resting on a Fence, one with Pan Flute (DD1072)
Fighting Bear...
Category
20th Century Other Art Style Animal Prints
Materials
Mezzotint, Paper
Max Ernst - The Soldier - Original Lithograph
By Max Ernst
Located in Collonge Bellerive, Geneve, CH
Max Ernst (1891-1976)
Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972
Colour lithographs on Arches paper
1972
Dimensions: 40 x 30 cm
Reference: Spies &...
Category
1970s Modern Figurative Prints
Scomposizione
Located in Roma, IT
Hand signed. Edition of 40 prints.
Plate III from the series: Imagines.
Image Dimension : 41 x 37 cm.
Category
1970s Animal Prints
Materials
Etching
The Flight into Egypt
Located in Storrs, CT
c.1925. Line engraving. 6 1/2 x 10 3/8 (sheet 10 1/4 x 17). A rich impression with plate tone printed on cream laid paper. Signed and dated in pencil.
Housed in a 16 x 20-inch archi...
Category
1920s Modern Figurative Prints
Materials
Engraving
New Years
Located in Houston, TX
French artist edition etching by artist P. Marage titled New Years, circa 1990. Signed lower right. Artist proof.
Original artwork on paper displayed on a white mat with a gold bo...
Category
1990s Animal Prints
Materials
Etching
La Douleur d'Orphée (The Pain of Orpheus) /// French Landscape Deer Woman Lady
By Cornelius Ary Renan
Located in Saint Augustine, FL
Artist: Cornelius Ary Renan (French, 1857-1900)
Title: "La Douleur d'Orphée (The Pain of Orpheus)"
Portfolio: Gazette des Beaux-Arts
*Issued unsigned
Year: 1903
Medium: Original Etc...
Category
19th Century Impressionist Animal Prints
Materials
Intaglio, Laid Paper, Etching
Giocolieri (Jugglers) - Original Etching by Marino Marini - 1969
Located in Roma, IT
Image dimensions : 39 x 25 cm.
Hand signed. Edition of 40 prints.
Plate X from the series "Imagines".
Category
1960s Animal Prints
Materials
Etching
Max Ernst - The Soldier - Original Lithograph
By Max Ernst
Located in Collonge Bellerive, Geneve, CH
Max Ernst (1891-1976)
Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972
Colour lithographs on Arches paper
1972
Dimensions: 40 x 30 cm
Reference: Spies &...
Category
1970s Modern Figurative Prints
Femme au bouquet de fleurs (Lady with Flower Bouquet)
Located in Collonge Bellerive, Geneve, CH
This vintage color lithograph on paper is after a watercolor by Marc Chagall titled Femme au bouquet de fleurs (Lady with Flower Bouquet). Signed on ...
Category
1960s Surrealist Portrait Prints
Materials
Lithograph
Max Ernst - The Soldier - Original Lithograph
By Max Ernst
Located in Collonge Bellerive, Geneve, CH
Max Ernst (1891-1976)
Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972
Colour lithographs on Arches paper
1972
Dimensions: 40 x 30 cm
Reference: Spies &...
Category
1970s Modern Figurative Prints
Marc Chagall (after) - Lettre à mon peintre Raoul Dufy
Located in Collonge Bellerive, Geneve, CH
(after) Marc Chagall
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Dimensions:...
Category
1960s Surrealist Animal Prints
Materials
Lithograph
La Fille aux Oies
Located in New York, NY
Jean-Emile Laboureur (1877-1943), La Fille aux Oies, engraving, 1916, signed in pencil lower left, numbered (4/40) lower right and inscribed “imp,” also titled lower left margin edge...
Category
1910s Cubist Figurative Prints
Materials
Engraving
Leonard Foujita - Woman with Felines - Original Engraving
Located in Collonge Bellerive, Geneve, CH
Artist : Léonard Foujita (Tsuguharu)
Title: Woman with Felines
Engraving
Edition of 315
Dimensions: 38 x 28 cm
From La Rivière enchantée
Unsigned and unumbered as issued
Category
1930s Figurative Prints
Materials
Engraving
Baj Chez Picasso 2, Aquatint Etching by Enrico Baj
By Enrico Baj
Located in Long Island City, NY
Artist: Enrico Baj, Italian (1924 - 2003)
Title: Baj Chez Picasso 2
Year: 1969
Medium: Aquatint Etching, Signed and numbered in pencil
Edition: 86/100
Image Size: 15 x 22 inches...
Category
1960s Cubist Animal Prints
Materials
Etching, Aquatint
Don Quichotte, Surrealist Lithograph by Salvador Dali
Located in Long Island City, NY
The famed Don Quixote riding alongside a walking Sancho Panza. The horse theme was frequently used by Dali throughout his career. The horse is seen as a symbol of beauty and elegance...
Category
1970s Surrealist Animal Prints
Materials
Lithograph
Bareback Act, Old Hippodrome
By Gifford Beal
Located in Missouri, MO
Bareback Act, Old Hippodrome
By Gifford Beal (1879-1956)
Signed Lower Right
Unframed: 6.5" x 9.5"
Framed: 17.5" x 20"
Gifford Beal, painter, etcher, muralist, and teacher, was born in New York City in 1879. The son of landscape painter William Reynolds Beal, Gifford Beal began studying at William Merritt Chase's Shinnecock School of Art (the first established school of plein air painting in America) at the age of thirteen, when he accompanied his older brother, Reynolds, to summer classes. He remained a pupil of Chase's for ten years also studying with him in New York City at the artist's private studio in the Tenth Street Studio Building. Later at his father's behest, he attended Princeton University from 1896 to 1900 while still continuing his lessons with Chase. Upon graduation from Princeton he took classes at the Art Students' League, studying with impressionist landscape painter Henry Ward Ranger and Boston academic painter Frank Vincent DuMond. He ended up as President of the Art Students League for fourteen years, "a distinction unsurpassed by any other artist."
His student days were spent entirely in this country. "Given the opportunity to visit Paris en route to England in 1908, he chose to avoid it" he stated, "I didn't trust myself with the delightful life in ParisIt all sounded so fascinating and easy and loose." His subjects were predominately American, and it has been said stylistically "his art is completely American." Gifford achieved early recognition in the New York Art World.
He became an associate member of the National Academy of Design in 1908 and was elected to full status of academician in 1914. He was known for garden parties, circuses, landscapes, streets, coasts, flowers and marines. This diversity in subject matter created "no typical or characteristic style to his work."
Beal's style was highly influenced by Chase and Childe Hassam, a long time friend of the Beal family who used to travel "about the countryside with Beal in a car sketching...
Category
20th Century American Modern Animal Prints
Materials
Lithograph
CashMap
By Jane Rosen
Located in Mill Valley, CA
drawing, limited edition archival print 8/10
Category
2010s American Realist Animal Prints
Materials
Paper
Catwalk - Lion walking, behind natives of South Africa
By David Yarrow
Located in Vienna, AT
Other sizes and high-end frame on request.
,,In building the story, my instincts were to play on the vibe of a Paris Catwalk - after all, we had access not just to any cat to strut down our catwalk, but the King of Africa; a magnificent adult male...
Category
2010s Contemporary Landscape Prints
Materials
Archival Pigment
Le Christ a l'Horloge, Paris
By Marc Chagall
Located in Missouri, MO
Marc Chagall
"Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196)
Color Lithograph on Arches Wove Paper
Signed in Pencil "Marc Chagall" Lower Right
Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90
*Floated in Gold Frame with Linen Matting, UV Plexiglass
Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm)
Image Size: 9 3/4 x 8 1/2 inches
Framed Size: 28.5 x 24.25 inches
Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant.
Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly.
His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused.
To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings.
After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet.
Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died.
He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work.
Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement.
Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California.
Sources:
Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985
Jack Kroll in Newsweek, April 8, 1985
Andrea Jolles in National Jewish Monthly Magazine, May 1985
Michael Gibson...
Category
1950s Modern Figurative Prints
Materials
Lithograph
Wisdom of the Orient Cat (Deluxe edition)
Located in Miami, FL
Dr. Seuss
Wisdom of the Orient Cat (Deluxe edition)Serigraph on Hand-made Japanese Paper
Deluxe Edition of 250
Image Size: 58" x 29"
Paper Size: 62” x 31”
Adapted posthumously from ...
Category
1960s Animal Prints
Materials
Handmade Paper
Horse Tag
By Versaweiss
Located in New York, NY
Versaweiss
Horse-tag, 2016
Archival pigment print on archival mat paper
100 x 120 cm
Edition of 5
Don’t Kill Bambi: The studio 54 phenomenon repositioned at times of crisis
...
Category
2010s Contemporary Animal Prints
Materials
Archival Pigment