Insect Animal Prints

A rabble of butterflies Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings capture the character and spirit of his subjects. Sig...

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

Elephants is an etching realized by Thomas Holloway, from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London, Bensley, 1810. ...

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

From the Author's Press is an original etching realized by Leo Guida in the 1970s. Good condition. Hand-signed. Numbered, I/V The artwork is depicted through strong strokes with ...

Prideaux John Selby "Bee Eaters European M&F" Hand Colored Etching c.1820s From Selby's Illustrations of British Ornithology Plate dimensions 15.5" wide x 22.25" high The frame me...

Beautiful detailed artist designed transfer-printed glazed porcelain service plate. Published and manufactured by Rosenthal Limitierte Kunstre...

Blue Grosbeak is an original chromolithograph from the rare Bien edition 1860 by J.J. Audubon and shows a male and female adult Grosbeak with a young Grosbeak perched on the edge of the nest. This group of colorful birds are seen on a Dogwood cornus florida tree. This print is in good condition. The paper is evenly age toned throughout. The ” Birds of America” by John James...

This artwork titled "Beetles II (with electric lamp)" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrea...

Mantis religiosa is a colored screen print on paper realized by the French artist Félix Labisse. Hand-signed in pencil on the lower right margin. Numbered in pencil on the lower le...

Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...

"The Creatures" is an original woodcut realized by Mino Maccari (1898-1989). In Good conditions, except for very small foxing along the margins which does not affect the image. Thi...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Engraving by Claude Fessard after Johann Lebrecht Reinold for "Histoire Naturelle des Oiseaux d'Afrique" by François Levaillant (1753-1824), pu...

A Group of four hand-coloured engraved plates of Crabs by Schellenburg, P. Haas, Heidenreich and Ludwig Schmidt. Framed and glazed, overall size: 36.4 x 53.8 cm. Johann Friedric...

Guy Allen Bumblebee Etching Edition Size: 75 Year Completed: 2019 Image Size Diameter: 28cm Approximate Size if Framed: H50cm x W50cm Sold Unframed (Please note that in situ images a...

Guy Allen LadyBird Etching Edition Size: 75 Year Completed: 2019 Image Size Diameter: 28 cm Approximate framed size: H 50cm x W 50cm Sold Unframed (Please note that in situ images ar...

Hand-colored etching on laid paper by George Edwards (1694-1773) from A Natural History of Uncommon Birds, and of some other Rare and Undescribed Animals, Quadrapeds, Reptiles, Fishe...

George EDWARDS Bird and beetle ('The Gowry Bird') Original engraving, enhanced with watercolor Printed signature in the plate Dated, 1741 28.8 x 23.3 cm Created for Volume I of the...

Fly is an original colored lithograph realized by the artist Nino Terziari in the 1970s. Hand-signed by the artist on lower right. Artist' proof (P.A. is handwritten in pencil on lo...

This digital print on handmade paper comes in a natural wood archival framing presentation I have called the body of work that I have done over the past decade “Imaging Biodiversity...

This Blue Dog work consists of a giant sphere on a gray background. The sphere is multi-colored with spirals of purple, orange, yellow and black. This pop art animal original silks...

George EDWARDS Traveling animals Original engraving enhanced with watercolor Signed in the plate and dated, 1746 28.6 x 23.5 cm From Volume II of the Natural History of Birds, plat...

John Gould (British, 1804-1881) Nasiterna Pygmae c. 1849-1861 Hand Colored Lithograph Image Size: approx 19.5 x 13.5 inches Framed Size: 27 3/8 x 21 1/2 inches John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species. Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827. Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent. This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841. When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...

"Stag Beetle & Longicorn Beetle" is an original color lithograph by Louis Prang. It depicts two forest-dwelling beetles. The artist signed the piece in the stone lower left. It was published by Selmar Hess in New York. 8" x 5" art 19 3/8" x 16" framed Louis Prang (March 12, 1824 – September 14, 1909) was an American printer, lithographer, publisher, and Georgist. He is sometimes known as the "father of the American Christmas card". Prang's early activities in the US publishing architectural books and making leather goods were not very successful, and he began to make wood engravings for illustrations in books. In 1851 he worked for Frank Leslie, art director for Gleason's Pictorial Drawing-Room Companion, and later with John Andrew. In 1851, he married Rosa Gerber, a Swiss woman he had met in Paris in 1846. In 1856, Prang and a partner created a firm, Prang and Mayer, to produce lithographs. The company specialized in prints of buildings...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

This digital print on handmade paper comes in a natural wood archival framing presentation I have called the body of work that I have done over the past decade “Imaging Biodiversity...

MARIA SIBYLLA MERIAN (1647-1717) Metamorphosis Insectorum Surinamensium… (Insects of Surinam) Amsterdam, 1705 Hand-colored engravings. Born in Frankfurt, Germany, then a free i...

This is an original 19th century John James Audubon hand-colored 1st octavo edition lithograph entitled "Blackburnian Wood Warbler, 1. Male, 2. Female, Phlox maculata", No. 18, Plate...

This 22 - color screenprint with flocking was created by the artist in 2006. From the signed edition of 75 measuring 38 x 38 in. (96.5 x 96.5 cm.). Available for local pick up from M...