After Claes Oldenburg-Double Punching Bag-

1967

This original exhibition poster was produced for Red Grooms' 1977 show at Galerie Roger d’Amécourt in Paris. Printed by the famed Mourlot Studios, known fo...

First edition advertising poster by Alexander Liberman for Amnesty International in 1977. " Artists for Amnesty, a series of art posters creat...

Lithograph, 1965-66. Printed by ULAE, West Islip, A superb impression. Field 50A Johns' imagery derives from, as he put it, "things the mind already knows," leading to the use of w...

Paper Size: 16 x 11.5 inches ( 40.64 x 29.21 cm ) Image Size: 16 x 11.5 inches ( 40.64 x 29.21 cm ) Framed: No Condition: A: Mint Additional Details: 1978 Harry N. Abrams, New ...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

Created as an offset lithograph by the artist in 1965, this very early and highly recognizable print by Roy Lichtenstein is hand-signed in pencil, and dated. One of several highly ic...

This is an#1 of an edition of 7 Harvey Daniels (British, 1936-2013) Born in London, Daniels attended the Willesden School of Art, the Slade School of Fine Art, London University an...

Edition 1/10 Unframed Featuring Johnny Weissmuller as Tarzan and the Black Panther from Marvel Comics