David LogganDavid Loggan: University of Cambridge Engraving 1690 Frontispiece and Dedication1690
1690
About the Item
- Creator:David Loggan (1634 - 1692, British)
- Creation Year:1690
- Dimensions:Height: 14.97 in (38 cm)Width: 21.66 in (55 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Generally good; prints have been cleaned.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU795310745402
David Loggan
David Loggan’s parents were English and Scottish. He studied engraving in Danzig with Willem Hondius and moved to London in the late 1650s, producing the engraved title page for the folio Book of Common Prayer (1662). After marrying in 1663, Loggan moved to Nuffield, Oxfordshire, in 1665 to avoid the Plague and was in 1668–69 appointed as a public sculptor to the nearby University of Oxford, having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White. Following its completion, Loggan commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata, which was finally published in 1690 when he was made engraver at Cambridge University.
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- 1804 Etching St George's Chapel Windsor Castle Architectural Prince Harry MeghanBy Frederick NashLocated in London, GBFrom a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis Arches and Columns London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x39cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...Category
Early 1800s Realist Landscape Prints
MaterialsEtching, Engraving
- John Speede Map The Countye Palatine of Chester with that most ancient citieBy John SpeedLocated in London, GBTo see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...Category
17th Century Realist Landscape Prints
MaterialsEngraving
- John Speede Map The Countye of MonmouthBy John SpeedLocated in London, GBTo see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...Category
17th Century Realist Landscape Prints
MaterialsEngraving
- 1782 View of Windsor Castle by James Fittler RA George Robertson John BoydellBy James FittlerLocated in London, GBTo see our other Architectural Prints and Drawings including other views of Windsor, scroll down to "More from this Seller" and below it click on "See all from this Seller." James Fittler (1758-1835) after George Robertson...Category
Mid-18th Century Realist Landscape Prints
MaterialsEngraving
- Southwark Cathedral engraving c. 1753 for Stow's Survey of LondonLocated in London, GBTo see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...Category
1750s Realist Landscape Prints
MaterialsEngraving
- David Loggan: Great St Mary's Church Cambridge University engraving 1690By David LogganLocated in London, GBTo see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...Category
1690s Realist Prints and Multiples
MaterialsEngraving
- Laburnums and BatterseaBy Theodore Casimir RousselLocated in New York, NYTheodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...Category
Late 19th Century Realist Landscape Prints
MaterialsEtching, Drypoint
- Le FerveurBy Jean-Emile LaboureurLocated in New York, NYJean-Emile Laboureur (1877-1943), Le Ferveur, etching, engraving, roulette, drypoint, 1928, signed in pencil lower left, numbered lower right, and annotated “imp.” Reference: Laboure...Category
1920s Realist Landscape Prints
MaterialsEtching, Engraving
- Bather - Original Handsigned Etching - 50 copies - 1911By Louis LegrandLocated in Paris, FRLouis LEGRAND (1863-1951) Bather, 1911 Original drypoint etching Pencil signed bottom right (also plate signed on the right) Numbered 38/50 Bearing G Pellet editor stamp On vellum ...Category
1910s Realist Nude Prints
MaterialsEtching, Drypoint
- Le Bourg de BatzBy William Strang, R.A., R.E.Located in New York, NYWilliam Strang (1859-1921), Le Bourg de Batz, etching and drypoint on copper, 1913, signed in pencil lower right [also signed and dated in the plate]. Refere...Category
1910s Realist Landscape Prints
MaterialsDrypoint, Etching
- Printemps BretonBy Jean-Emile LaboureurLocated in New York, NYJean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...Category
1920s Realist Landscape Prints
MaterialsEngraving, Drypoint, Etching, Aquatint
- La Fumee du BateauBy Jean-Francois RaffaelliLocated in New York, NYJean-François Raffaëlli (1850-1924), La Fumee du Bateau, color etching and drypoint, 1911, signed and numbered in pencil lower right. Reference: Delteil 98. In very good condition, ...Category
1910s Realist Landscape Prints
MaterialsDrypoint, Etching