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Albert Henry Fullwood
Cardinal Beaton's House, Edinburgh, Scotland, signed etching by AH Fullwood

1915

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An Unveiling in Vienna, Australian signed etching by Will Dyson, circa 1929
Located in Melbourne, Victoria
Signed and titled by the artist below the image. Satirical scene of Dr Sigmund Freud pointing the way to a spirit figure representing "scandal". Will Dyson...
Category

Early 20th Century Naturalistic Figurative Prints

Materials

Etching

Loup-de-mer (Sea Wolf), original signed etching by William Lee Hankey, c1915
By William Lee Hankey
Located in Melbourne, Victoria
'Loup-de-mer' (Sea Wolf) Signed in pencil below the image. Monogram in plate and blind stamp monogram below image. William Lee-Hankey was a British painter and etcher of landscapes...
Category

Early 20th Century Naturalistic Figurative Prints

Materials

Etching

William Woollett, engraver, late 18th century artist portrait engraving print
Located in Melbourne, Victoria
William Woollett, Engraver Proof before letters. Etching by Francesco Bartolozzi after Thomas Hearne, 1795. Wove paper. William Woollett (1735-85) was an important English 18th cen...
Category

Late 18th Century Naturalistic Portrait Prints

Materials

Engraving, Etching

Farm Yards, early 19th century sepia soft ground etching, 1805
By William Henry Pyne
Located in Melbourne, Victoria
'Farm Yards' Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers...
Category

Early 19th Century Naturalistic Figurative Prints

Materials

Engraving, Etching

Hunting, early 19th century sepia soft ground etching, 1805
By William Henry Pyne
Located in Melbourne, Victoria
'Hunting Pl II' Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufactur...
Category

Early 19th Century Naturalistic Figurative Prints

Materials

Engraving, Etching

Threshing, early 19th century sepia soft ground etching, 1805
By William Henry Pyne
Located in Melbourne, Victoria
'Threshing' Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers,...
Category

Early 19th Century Naturalistic Figurative Prints

Materials

Engraving, Etching

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Located in Roma, IT
Au coin du feu is a beautiful original etching realized by Armand Queyroy (1830 -1893), printed on ivory colored paper by Delatre, Paris. This is an original print signed on plate o...
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Contemporary Monotype Collage Butterfly Moth Nature Print Framed Pink Blue
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Portrait Etching of English Victorian Poet Elizabeth Barrett Browning
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Etching of a woman dressed in turn of the century attire looking out at the viewer. The work is signed in pencil by the artist. The etching is not framed. Artist Biography: William...
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"Under the Street Lamp" Imp. Etching
By Martin Lewis
Located in Houston, TX
Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...
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1920s Naturalistic Figurative Prints

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