Alexandre-Gabriel Decamps

PIERROT PORTANT SON DEJEUNER and PIERROT TROUBLE DANS SON REPAST

circa 1870-1880

Meryon, Charles. LE STRYGE. D.23, S.27. Etching, 1853. 6 3/4 x 5 1/4 inches; 171 x 130 mm., with wide margins. Schneiderman's Seventh, Delteil's Sixth state (of 10), or possibly an i...

Thoma, Hans. RATSELRACHEN III (JAWS OF THE RIDDLE III). Etching, 1908 (Beringer 77, second state). 10 3/8 x 9 5/8 inches (200 x 285 mm), image; 11 x 9 3/4 inches (246 x 296 mm.), plate; 18 3/4 x 15 1/4 inches (477 x 390 mm.), sheet. Monogrammed and dated in the plate, signed "Hans Thoma...

Bishop, Isabel. IN FRONT OF THE 42ND STREET LIBRARY. Teller 3. Etching, 1927. 4 x 3 inches; 100 x 75 mm. Signed in pencil. One of only a few lifetime impre...

Sloan, John. SHINE, WASHINGTON SQUARE. Morse 206. Etching, 1923. Signed, titled and inscribed "100 proofs," and further inscribed "Peter Platt imp." Morse says that 80 were print...

Circa 1960. Etching and engraving on cream laid paper, 5 3/4 x 4 inches (141 x 102 mm), margins. Scattered light areas of spotty discoloration in the margins, minor mat tone. Four mi...

A dynamic football image from the 1920s by a female artist known for her sports scenes. Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...

This artwork titled "Kreuzenstein Courrtyard, Austria" c. 1960 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pencil by the artist at the lower center. The image (plate mark) size is 15.75 x 17.35 inches, framed size is 25.25 x 26 inches. Custom framed in a wooden antique silver frame, with decorated matting. It is in excellent condition, the colors are fresh and bright, the frame has minor restorations, practically invisible. About the artist. Born in Vienna in 1914, Robert Kasimir began drawing at age 4, taught by his grandfather Alois. He made his first etching at age 5. He graduated from Vienna schools and attended the Technological College before switching to the Academy for Graphic Art, where he studied under Professor Hans Frank, a painter and graphic artist. Robert inherited the talent of his famous parents. His technique and subject matter are quite similar to those of his father. He signed his early etchings with the pseudonym "F.O. Robert" until he became established as a successful artist in his own right. Only then did he begin signing his etchings with his own name. In 1936 he came to the United States for a year of study at the Academy of Fine Arts, Philadelphia. During that year he made drawings for his American etchings, including the Capitol in Washington, Yale University, Broad Street, New York, and the University of California in Berkeley. He completed the actual etchings after his return to Vienna. In 1938 he was drafted into the army. He was sent to several fronts (Belgium, Holland, France, Russia) as a war reporter. He did many drawings during the war. In 1945 he returned to Vienna. For the next several years industrial commissions comprised most of his work, though he did several of his Viennese and Austrian scenes such as the Vienna Opera House...

This artwork titled "Danube" c.1940 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the artist's estate in pencil at the lower center. The plate mark (image) size is 9.5 x 9 inches, the sheet size is 17.5 x 14.85 inches. It is in excellent condition, has never been framed. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...