Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Alexandre Segé
Marais de la Canche - Etching by Alexandre Segé - 1870s

1870s

$531.98
£400.53
€450
CA$734.21
A$822.48
CHF 427.79
MX$10,032.57
NOK 5,446.37
SEK 5,135.54
DKK 3,425.85

About the Item

Marais de la Canche is an artwork realized by A. Segé in the 1870s. Etching. Image size:21x30 Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Cadart, the Société des Aquafortistes had the aim of reviving etching which had slowly been replaced by the cheaper lithography. Among the first participants in the association were the Barbizon painters who helped raise the medium to new heights, but over 100 leading French artists contributed to the creation of the 300 engravings. With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, former member, founded the Société Internationale des Aquafortistes in Brussels in December 1869 , while in London The Portfolio and the Society of Painter-Etchers were born respectively in 1870 and 1880. In Paris, in 1873, the magazine Paris à l'eau-forte was founded.
  • Creator:
    Alexandre Segé
  • Creation Year:
    1870s
  • Dimensions:
    Height: 21.66 in (55 cm)Width: 14.18 in (36 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: T-1532911stDibs: LU650315874642

More From This Seller

View All
Bords du Sornin - Etching by Armand Charnay - 1860s
Located in Roma, IT
Bords du Sornin is an artwork realized by A.Charnay in the 1870s. Etching. Image size:19x29 Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative...
Category

1870s Modern Figurative Prints

Materials

Etching

Etang de Fayelles - Etching by Tancrède Abraham - 1860s
Located in Roma, IT
Etang de Fayelles is a black and White etching realized by Tancrède Abraham in the 1860s.  Titled in the lower Image Size: 21x32 Very good impression. Realized for the "Société d...
Category

1860s Modern Figurative Prints

Materials

Etching

La Durance a A St. Paul - Etching by Paul Guigou - 1860s
Located in Roma, IT
La Durance a A St. Paul is a black and White etching realized by Paul Guigou in the 1860s.  Titled in the lower. Image size: 24x31. Very good impression with wide margins and a ve...
Category

1860s Modern Figurative Prints

Materials

Etching

Les Bords de l'Escaut - Original Etching by Nicolas Toussaint Charlet - 1841
Located in Roma, IT
Les Bords de l'Escaut is an original artwork realized by Nicolas Toussaint Charlet (1792-1845). Etching print. Signed on plate on the lower left. Dat...
Category

Early 19th Century Modern Figurative Prints

Materials

Etching

Etang de la Canau - Etching by Leo Drouyn - Late 19th Century
Located in Roma, IT
Etang de la Canau is a black and White etching realized by Leo Drouyn in the Late 19th Century.  Titled in the lower Image Size: 24x32 Very good impression. Realized by Cadart fo...
Category

Late 19th Century Impressionist Figurative Prints

Materials

Etching

Un Sentier - Etching by Tancrède Abraham - 1870s
Located in Roma, IT
Un Sentier is an artwork realized by Tancrède Abraham in the 1870s. Etching. Image size:34x23 Good conditions. Realized for the "Société des Aquafortistes. Born on the initiati...
Category

1870s Modern Figurative Prints

Materials

Etching

You May Also Like

(after) Narcisse Virgile Diaz - "Mare a la Vallee de la Sole" etching
By Narcisse Virgilio Díaz de la Peña
Located in Henderson, NV
Medium: etching. Etched by G. Greux after Narcisse-Virgile Diaz de la Pena and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The i...
Category

1890s Prints and Multiples

Materials

Etching

"Le Petit Flot - Environs de Montereau" original etching
By Edmond Charles Joseph Yon
Located in Henderson, NV
Medium: original etching. This impression on japon paper was printed in 1875 (before letters were added) and published in Paris for a deluxe edition of L'Art. Image size: 5 1/8 x 9 i...
Category

1870s Prints and Multiples

Materials

Etching

(after) Narcisse Virgile Diaz "Chenes et Mare sur chemin de Bellecroix" etching
By Narcisse Virgilio Díaz de la Peña
Located in Henderson, NV
Medium: etching. Etched by L. Gaucherel after Narcisse-Virgile Diaz de la Pena and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. T...
Category

1890s Prints and Multiples

Materials

Etching

"Vaine Pature" etching
By Theophile Narcisse Chauvel
Located in Henderson, NV
Medium: etching (etched by Theophile Narcisse Chauvel after the Jacomin painting). This impression on laid paper was printed by Francois Lienard in 1875 and published in Paris for L'...
Category

1870s Prints and Multiples

Materials

Etching

"Vaine Pature" etching
By Theophile Narcisse Chauvel
Located in Henderson, NV
Medium: etching (etched by Theophile Narcisse Chauvel after the Jacomin painting). Published in Paris by L'Art in 1875 and printed by Francois Lienard on laid paper. The image measur...
Category

1870s Prints and Multiples

Materials

Etching

The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne
By Maxime Lalanne
Located in Alamo, CA
This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...
Category

Late 19th Century Landscape Prints

Materials

Etching